Celebrating 30 years of pioneering creations by Francis Kurkdjian, the exhibition Perfume, Sculpture of the Invisible is set for October 29 to November 23, 2025 in the Saut du Loup space in the Palais de Tokyo in Paris.   Curated by Jérôme Neutres, this olfactory retrospective pays tribute to the vast diversity of creative domains explored by Francis Kurkdjian . Since his debuts, when he quickly made a name for himself with the resounding success of Le Male – a fragrance he created for Jean Paul Gaultier in1995 – Francis Kurkdjian has always expressed a desire to bring new dimensions to perfume creation.   The throughline for the exhibition is perfume itself, in all its guises and most unexpected forms, inviting visitors to experience astonishing olfactory moments and reconsider the role of scents in shaping the ways we smell, see and understand art, and indeed the world.   Revisiting 30 years of creative exploits, the exhibition reprises memorable installations and scented environments in France and around the world. Visitors have a chance to rediscover magical moments presented at the Grand Palais, the Château de Versailles, the Philharmonie de Paris or the West Bund Art & Design contemporary art fair in Shanghai.  The journey showcases the rich diversity of the many artistic conversations in which Francis Kurkdjian has engaged with creative talents from myriad disciplines, notably his first collaboration in 1999 with Sophie Calle, who commissioned a scent inspired by “the smell of money”. Unveiled in 2003 at the Cartier Foundation for Contemporary Art, the fragrance – at the same time “attractive and repulsive” in the words of the perfumer himself – has been recreated for the current exhibition.   Also featured is a reconstituted recording studio, highlighting Francis Kurkdjian’s intimate collaborations with the performing arts, in particular his friendship and dialogue with cellist and music director of the Orchestre de Paris, Klaus Mäkelä.  “ My hope is that this olfactory journey at the Palais de Tokyo will spark emotions, as well as questions, visions, sensations and new ways of experiencing harmonies with the world by exploring an infinite possibilities of the rich and absolutely unique medium we call perfume”, says Francis Kurkdjian. ML Staff. Content/images courtesy of LVMH

Central Square in downtown Warsaw is immense. Occupying 60 acres, it has had umpteen uses since its creation in the 1950s. Reflecting its erstwhile name of Parade Square, it hosted many a political procession during Poland’s era of communist rule. Pope John Paul II gave a giant open-air mass there in 1987. Funfairs and flea markets filled it in the 1990s, since when the square has mostly served as a parking lot. ‘With our first few shows, we’ll have to get used to the size of the new building,’ says Joanna Mytkowska, ‘because it’s five times bigger than any of our previous spaces.’ Photo: Maja Wirkus ‘Now, however, it’s being totally reimagined,’ says Joanna Mytkowska, director of the Museum of Modern Art in Warsaw (also known as MSN Warsaw). ‘There’s no square in Europe like this one, and the topic of how to use it caused discussion, disagreement and tension in Poland for a long time.’ More on this below, but Mytkowska is referring to a period that began in 1989 with the collapse of communism. Eventually, the city of Warsaw decided that the square should serve a cultural purpose. A theatre called TR Warszawa is currently under construction — on a site adjacent to MSN Warsaw, which opened in February. Spread across four floors, the museum owns an ever-expanding art collection, currently numbering about 4,000 pieces. It focuses chiefly on work made in the 36 years since democracy returned to Poland. International artists do feature, but two-thirds of the pieces are by Poles — the likes of Magdalena Abakanowicz , Mirosław Bałka , Wilhelm Sasnal and Ewa Juszkiewicz . Magdalena Abakanowicz (1930-2017), Alone, 2008. Jute sack. 150 to 200 cm. Collection of the Museum of Modern Art in Warsaw. Artwork: © Marta Magdalena Abakanowicz-Kosmowska and Jan Kosmowski Foundation According to Time magazine, MSN Warsaw is one of the ‘World’s Greatest Places’ to visit in 2025, part of the draw being the building itself: a coolly minimalist, rectangular structure made of white concrete. One might see the museum as an expression of confident, modern-day Poland — a country whose economy is growing at such a rate that it is now among the 20 largest on Earth. ‘I was filled with enthusiasm, but had no idea what a huge task opening a museum would be’ - Joanna Mytkowska The plan is to combine displays and exhibitions of different sizes, based on MSN Warsaw’s holdings and outside loans. The initial offering, however, is a show titled The Impermanent . Spread out across the entire venue, it features 150 highlights from the museum collection. Works include Façade by Monika Sosnowska , a replica of the curtain wall of a 1960s building, which has been crushed, twisted and stretched; and Eurotique by Henrike Naumann, an installation that resembles a furniture showroom — alluding to the rush of citizens to embrace consumerism in the 1990s and deck out their homes in Western fashion. Małgorzata Mirga-Tas (b. 1978), Re-enchanting the World: June, 2022. Fabric (found objects), feathers, beads, strings, sequins, acrylic paint, glue on canvas. 462 x 541 cm. One of 12 panels. Collection of the Museum of Modern Art in Warsaw. Photo: Daniel Chrobak Another highlight is June , one of 12 large-format textiles shown by Małgorzata Mirga-Tas in Poland’s pavilion at the 2022 Venice Biennale . Modelled on an allegorical set of Renaissance frescoes at Palazzo Schifanoia in Ferrara, these are replete with references to the artist’s Romani heritage. ‘It’s a relief the museum is now open,’ Mytkowska says. ‘People can simply come in and enjoy it, where before we always seemed to be negotiating our existence with society. It was one crisis after another.’ Entirely publicly funded, MSN Warsaw cost the city of Warsaw $175 million. This goes some way to explaining the fraught backdrop to its opening. For the full story, however, one needs to look back 80 years. Henrike Naumann (b. 1984), Eurotique, 2018. Furniture (cabinets with glass doors, chairs, sofas, armchairs, tables, shelves), furnishings (lamps, record stand, book stand, mirror, pictures, curtains), decorative items, book publications, TV, metal fence posts with ropes, carpet, wallpaper, suspended ceiling with lighting; film (colour, sound). Collection of the Museum of Modern Art in Warsaw. Photo: Barek Zalewski. Artwork: © Henrike Naumann During the Second World War, much of Warsaw was reduced to rubble, including a residential area where Parade Square and a gargantuan building called the Palace of Culture and Science would subsequently emerge. The latter was Stalin’s gift to the Polish people, and he sent thousands of Soviet workers to build it. Upon completion in 1955, it became the tallest building not just in Warsaw but all Poland (at 757 feet — 230 metres — high, it was only surpassed three years ago by the Foster + Partners-designed skyscraper, Varso Tower). The palace housed offices, theatres, a congress hall, a museum of technology, and more. Though officially a gift, it served also as a symbol of Soviet potency in the heart of Warsaw. Locals loathed it. They even told a joke that the best view of their city was from the palace roof, as it was the only place in Warsaw where you couldn’t see the palace. The correspondingly large Parade Square was constructed at the building’s base. It was designed by the leaders of the Polish People’s Republic for rallies and parades, often featuring tanks — in other words, for ideological spectacle rather than everyday life. All of which left the tricky question of what to do with palace and square alike when communism fell. There was occasional talk of demolition, but nothing came of it. The Palace of Culture and Science, Warsaw, in 1979. Graham Greene, in a 1956 essay on Warsaw for The Atlantic magazine, describes how the edifice ‘shoots up its useless tiers like a gangster’s wedding cake in the centre of the city’. Photo: Alain Le Garsmeur / Alamy Fast-forward to 2004, the year Poland joined the European Union. With the backing of the national government, the city of Warsaw decided to mark this new era by building five museums: the Polish History Museum , the Polish Army Museum , the Warsaw Rising Museum , a museum of contemporary art (located on Parade Square), and the POLIN Museum of the History of Polish Jews . All five are now open — though, in MSN Warsaw’s case, only after a long wait. The obstacles were myriad, significant among them being a lack of consensus over how an architect should be selected. Three different competitions were held in the space of a decade. It’s said that a proposal by Zaha Hadid was rejected in the first competition because she had failed to tick a box saying she didn’t have a criminal record. ‘We couldn’t get a building permit, because it couldn’t be proved that the municipality owned the site for construction’ - Joanna Mytkowska In 2007, the museum’s initial director resigned, unhappy that Swiss architect Christian Kerez had won the second competition. Which is when Mytkowska, then a curator at Paris’s Centre Pompidou, took up the reins. ‘I was young and naive at that time,’ she says. ‘I was filled with enthusiasm, but had no idea what a huge task opening a museum would be.’ One particular obstacle seemed insurmountable. After the war, swathes of Warsaw’s land had been nationalised. Once re-privatisation began in the 1990s, many citizens filed lawsuits, claiming to be the rightful (hereditary) owners of given plots — particularly plots in the city centre, which had the greatest value. Installation view of The Impermanent exhibition featuring Façade, a 2013 sculpture by Monika Sosnowska. Collection of the Museum of Modern Art in Warsaw. Photo: Daniel Chrobak. Artwork: Courtesy the artist Mirosław Bałka (b. 1958), Black Pope, Black Sheep, 1987. Mixed media. 161 x 60 x 97 cm. Collection of the Museum of Modern Art in Warsaw. Photo: Daniel Chrobak. Artwork: © Mirosław Bałka ‘We couldn’t get a building permit,’ Mytkowska says, ‘because it couldn’t be proved that the municipality owned the site for construction. After four years, the project was cancelled.’ MSN Warsaw duly began life as a nomadic museum, showing work in a series of temporary homes such as a riverside pavilion and a former furniture store. ‘We felt there was more to us than just a building,’ says Mytkowska, ‘and we ended up developing a community of followers, as well as a cultural voice within Warsaw, which ultimately led to the museum being built.’ After toying with the idea of turning Parade Square into an office-and-retail space, the city authorities reverted to plan A — albeit with a fresh architectural competition. In 2014, a proposal by the US architect Thomas Phifer was adopted (his CV including recent expansions of Glenstone museum in Maryland, and the Corning Museum of Glass in upstate New York). With new momentum, all claims to plots of land were settled, and in the words of the spokesperson for Warsaw’s then mayor, Parade Square had ‘become uncursed’. Installation view, Alina Szapocznikow (1926-1973), Friendship, 1954, at the Museum of Modern Art. Photo: Maja Wirkus. Artwork: © 2025 ADAGP, Paris and DACS, London. This monumental Soviet Realist bronze sculpture dominated the main hall of the Palace of Culture and Science in Warsaw from 1955 to 1992. The figures of a worker and a soldier, personifying the Polish and Soviet nations, were later stripped of their hands and the banner they carried, as part of a spontaneous campaign to remove reminders of the communist regime The museum had a soft opening for two weeks in the autumn of 2024. A few large-scale artworks were put on view, but the main purpose was to showcase the building. On the ground floor are a bookshop, an auditorium and a café, as well as the start of an M.C. Escher -like double staircase, with two flights that diverge and reunite as one ascends. On the first and second floors are 4,500 square metres of gallery space, with skylights and large windows ensuring an abundance of light. Opinion about the building was split. Some critics longed for something more audacious — the Polish architect Radosław Gajda, for example, stating that it is ‘devoid of anchor points’. Others compared the structure to a bunker, a shoebox and an IKEA warehouse. That said, an impressive 600,000 people have visited the museum since its official opening six months ago. ‘With our first few shows, we’ll have to get used to the size of the new building, because it’s five times bigger than any of our previous spaces,’ Mytkowska says. ‘But we’re looking forward to the challenge.’ Currently included in The Impermanent exhibition, Wilhelm Sasnal (b. 1972), Polish Border Wall, 2023. Oil on canvas. 180 x 240 cm. Collection of the Museum of Modern Art in Warsaw. © Wilhelm Sasnal. Courtesy the Artist. Photo: Marek Gardulski In October, the latest edition of the (currently itinerant) Kyiv Biennial will open at MSN Warsaw. The museum will also host The Woman Question: 1550-2025 , an exhibition of work made by female artists (Polish and foreign) over the past five centuries: they range from Artemisia Gentileschi to Małgorzata Mycek, a non-binary, millennial performance artist from Poznań. Mytkowska says that MSN Warsaw will aim to be ‘local and global at the same time’. Which is to say, plugged into international art currents while always keeping the Varsovian public in mind. That public will have a further chance to sample Poland’s burgeoning contemporary art scene when Warsaw Gallery Weekend takes place later this month (19-21 September). Held annually, it is now in its 15th edition, with 54 exhibitions set to open at galleries across the city. ‘The scene is developing rapidly — it’s an interesting time for Poland,’ Mytkowska says. She means politically as well as artistically. From 2015 until its electoral defeat late in 2023, the country was run by the conservative Law and Justice Party. Its ministers had several run-ins with the (predominantly liberal) directors of Poland’s arts institutions — in the name of promoting traditional values and viewpoints. Click here  for the latest Christie's auctions. ML Staff. Content/image courtesy of Christie's.

With the 2025-2026 school year underway,  Broward Children’s Center  (BCC) – a nonprofit organization dedicated to serving infants, children and young adults who are developmentally disabled and medically fragile and their families – is currently open for limited enrollment for students for its BCC Academy, a nonprofit private school. BCC Academy has been continuously serving the Broward County community since 1971.    Broward Children’s Center’s nurturing and inclusive program offers a comprehensive academic curriculum paired with an array of specialized services to support students of all abilities. BCC Academy’s intimate campuses are designed for each child to receive the personal attention needed to achieve their goals.   BCC Academy provides educational, therapeutic and behavioral services for children with special needs, pre-kindergarten through eighth grade, at its north campus in Pompano Beach (25 SE 20 th  Ave., Pompano Beach, Florida 33060) and south campus in Dania Beach (3891 Stirling Road, Dania Beach, Florida 33312). The nonprofit private school is specifically designed to meet the unique developmental and educational needs of children with moderate to severe disabilities, through research-based instructional strategies and a thematic-based curriculum.   Various assessments and observations are used to set educational goals for each child. Parental input is encouraged throughout this process to optimize a student’s educational experience. The classrooms are designed for each child to receive the personal attention needed to achieve their goals.   Broward Children’s Center is committed to creating an equitable learning environment where every child thrives. BCC Academy provides tailored support for students with disabilities, including Individualized Education Programs (IEPs); Speech and Language Therapy; Occupational Therapy; Physical Therapy; Behavior Support Services; Academic Intervention and Resource Specialists; Inclusive Classrooms with Differentiated Instruction; Small Group and One-on-One Support; and Family and Caregiver Resources.    BCC Academy’s ancillary Social Services provides ongoing support to the infants, children, young adults and families, including Parenting Enrichment, Youth Enrichment, Education, Case Management, Information and Referrals and Community Outreach.    Broward Children’s Center’s Family Strengthening Program and Sibling Program are built on an evidence-based national model known as the Nurturing Program for Parents and their Children with Special Needs and Health Challenges (NPP Special Needs). The program provides families and caregivers with individualized, ongoing support and skills needed for parenting a child with special needs.   In an effort to support working families, BCC Academy provides coverage when Broward County Public Schools is typically closed, including some holidays and teacher planning days. Services also include Summer Camp, Before and After School Care, and door-to-door transportation. Broward Children’s Center also offers Respite to parents and families, providing a temporary break from the day-to-day care of their child with special needs   BCC Academy receives funding through the Children’s Services Council of Broward. Tuition plans are individualized per student. Broward Children’s Center will work with families to help meet the costs associated with attending BCC Academy. Additional funding options are available through the  Family Empowerment Scholarship Program.  These scholarships provide funding for eligible students to attend an approved public or private school of their choice.​   To apply for these scholarships, please visit  www.bcckids.org/bccresources .    To learn more about enrollment opportunities, please visit  www.bcckids.org  or contact BCC Academy Director of Education Edith Moore at 954-448-9051 or  EdithM@bcckids.org .  By ML Staff. Content/image courtesy of BCC Academy.

Design Miami.Paris announces preview highlights for its third edition. Returning to the L’hôtel de Maisons with its largest gallery and Design at Large program yet, the fair will run alongside Art Basel Paris from October 22-26, 2025, with Preview Day held by invitation only on October 21. Creek Chair 02, 2023 by Frida Escobedo for Friedman Benda at Design Miami.Paris 2025 (Image courtesy of Friedman Benda Gallery) GALLERY HIGHLIGHTS The third edition of Design Miami.Paris will welcome a record number of over 25 international galleries, presenting rare and unique examples of historic and contemporary collectible design across the house and gardens of L’Hôtel de Maisons. Within the diverse presentations, key thematics emerge: MATERIAL NARRATIVES This year’s program will showcase examples of storytelling through collectible design. Spotlighting works that employ materiality to craft compelling visual narratives, in a true celebration of material mythmaking. Frida Fjellman’s solo installation for Hostler Burrows (New York) reinterprets Rococo aesthetics in a striking scene where wild boars, serpents, and the natural world converge. Drawing inspiration from the ornate interiors of the Palace of Versailles and the Rococo revival in popular culture, Fjellman merges a pastel palette with themes of teenage sentiment, naïveté, and contemporary malaise. A custom chandelier takes centerstage, composed of her signature glass prisms it refracts shifting layers of light into a hypnotic spectacle, complemented by ruffled glass vases to add softness and movement. Rich in color and decorative flourish, this immersive environment stages the playful drama of nature as an untamed, mythic narrative of curiosity and desire. Daguet-Bresson (Paris) presents Timothée Humbert’s dreamlike world of fantastical sculptures in a menagerie of owls, bats, and other curious creatures—whose papier-mâché-like surfaces and playful colors evoke childhood wonder and folklore. Queen Owl (2025) exemplifies this approach, transforming material and form into a storytelling device where playful design becomes a vessel for myth and fantasy. Untitled, 2024 by Jane Yang-D’Haene for Pierre Marie Giraud at Design Miami.Paris 2025 (Image courtesy of Jane Yang-D’Haene) Meanwhile, Pierre Marie Giraud (Brussels) presents a curated selection of unique and limited-edition works that foster dialogue between artists from Europe, Japan, and the United States, offering a dynamic perspective on contemporary decorative arts through the intersection of cultural tradition and material innovation. Marking her Paris debut, Korean-American artist Jane Yang-D’Haene introduces sculptural ceramic vessels that reinterpret the Korean Moon Jar through a contemporary lens. Informed by her architectural background, Yang-D’Haene’s forms become material narratives that bridge heritage and modernity, engaging questions of history, identity, and transformation. Lebreton (Monaco) showcases a survey of postwar French sculptural ceramics, spotlighting some of France’s most influential postwar artists such as Jean Derval, André Rozay, Gilbert Portanier, and Les 2 Potiers. Embracing clay as a medium for sculptural expression, each unique piece reflects a deep engagement with materiality and craftsmanship, channeling the playful spirit of Mid-Century Modernism through bold forms, vivid glazes, and a painterly sensibility. Fauteuils croco by Claude Lalanne for Galerie Mitterand at Design Miami.Paris 2025 (Image courtesy of Claude Lalanne) Galerie Mitterand (Paris) returns to the fair to present highlight works by Claude and François-Xavier Lalanne and Julie Hamisky . Hamisky, daughter of artist Kim Hamisky and granddaughter to the Lalannes, presents a body of work that is deeply connected to her lineage. Through specializing in electroplating, Hamisky captures the delicate nature of flowers, leaves and plants, with striking precision. These works are placed in dialogue with a number of remarkable pieces by the iconic design duo, Claude and François-Xavier Lalanne, placing a spotlight on exquisitely refined craftsmanship passed through generations. Walking flower, 2022 by Julie Haminsky for Galerie Mitterand at Design Miami.Paris 2025 (Image credit - Julien Pépy) MASTERS OF MODERNISM This year’s gallery programming includes a number of galleries whose presentations celebrate the enduring legacy of Modernism and its transformative influence on the evolution of collectible design. Galerie Patrick Seguin (Paris) returns to Design Miami.Paris to present a selection of Jean Royère furniture and lighting designs dating from the 1950s. Combining creativity and rigor, Royère is celebrated for his iconic works that unite elegance of form, constructive ingenuity, and freedom of inspiration. The presentation will place a spotlight on a number of his designs that exemplify Royère’s legacy. Highlights include the Trèfle armchairs, characterized by their backrest in the form of stylized leaves, illustrating Royère’s ability to capture movement through design. Royère’s tendency towards sculptural silhouettes is honored by the Forme Libre table, with its large, sinuous tabletop, and the sculptural Persane wall light. Completing the display, the Ondulation coffee table and console table create a masterful visual tension, through their wavy, wrought-iron base bringing a fluidity to the ensemble, in striking contrast with the simple lines of the tabletop. Ondulation coffee table, ca. 1947 by Jean Royère for Galerie Patrick Seguin at Design Miami.Paris 2025 (Image courtesy of Galerie Patrick Seguin) 8-branched Persane wall lamp, ca. 1954 by Jean Royère for Galerie Patrick Seguin at Design Miami.Paris 2025 (Image courtesy of Galerie Patrick Seguin) Galerie Meubles et Lumières (Paris) will present one of the three Face à Face chairs designed by Pierre Paulin . In the late 1960s, as part of new developments at the Louvre Museum, the Mobilier National called on Paulin to consider a contemporary reimagining of seating designs. This resulted in a small series of chairs designed between 1967 and 1969 by the Atelier de Recerche et Création of the Mobilier National. Two models in particular stood out, encapsulating Paulin’s talent, audacity, and refinement. These chairs are complementary in their design, one created for conversation (Face à Face) and the other designed to encourage a quiet contemplation (Dos à Dos). Assorted Objects, 1950s by Werkstätte Carl Auböck for Patrick Parrish Studio at Design Miami.Paris 2025 (Image courtesy of Clemens Kois) For the first time in France, Patrick Parrish Studio (New York) will present a solo exhibition of works by Carl Auböck . At Design Miami.Paris 2025, Patrick Parrish Studio will place a spotlight on the designs otherwise considered as everyday small objects—bells, dishes, baskets, and bookends—revealing each piece as a unique and prescient objet d’art. Founded in the 19th century, the Auböck Workshop specialized in bronze-casting; Auböck is credited with transforming the family business when returning home from attending the Bauhaus in post-World War I Weimar, with new-found inspiration from the avant-garde design movement. This post-Bauhaus era for the Auböck Workshop is defined by excellent craftsmanship and superior materials, from hand-sewn leather and polished brass, to bamboo and various woods. 'Untitled' mirror, ca. 1965 by Line Vautrin for Galerie Chastel-Marechal at Design Miami.Paris 2025 (Image courtesy of Marina Gusina - Galerie Chastel-Marechal) Galerie Chastel-Maréchal (Paris) will present a selection of works celebrating icons of 20th century design. Highlights include a pair of low armchairs, Crapaud, by Jean Royère ; the bronze Etoile floor lamp by Alberto Giacometti ; a ceramic coffee table by design couple Pierre & Vera Szekely ; in addition to an exceptional collection of ceramics by Georges Jouve . Meanwhile, Galleria Rossella Colombari (Italy) will present a carefully curated display of works that champion and celebrate the pioneering leaders of Italian 20th century design. GILDED METALLICS Shining a spotlight on metallic design, several of this year’s exhibitors explore the lustrous allure of gleaming golds and burnished bronzes, spanning both historic and contemporary works. Friedman Benda (New York) returns to Design Miami.Paris to platform an array of contemporary designers, architects, and artists who are boldly redefining the boundaries of the discipline through diverse visual languages and rigorous research. The European debut of Frida Escobedo’s Creek Chair features delicate nickel ball chains draped over a geometric frame, encapsulating her poetic and grounded approach to form. Eric Phillipe (Paris) dedicates its showcase to three areas of American, Finnish, and Swedish design. Highlights include a unique patinated brass floor lamp by Paavo Tynell , where perforated brass and mesh foliage exemplifies the refined craftsmanship of mid-century Finnish design; along with a striking wooden coffee table by American architect Samuel Marx and a distinctive collection of Birger Kaipiainen ceramics, blending functional design with ornamental beauty. Patinated brass floor lamp, c.1950 by Paavo Tynell for Galerie Eric Philippe at Design Miami.Paris 2025 (Image courtesy of Galerie Eric Philippe) Similarly celebrating gilded excellence, debut exhibitor Yves Macaux Gallery (Vienna) showcases Viennese masterpieces, spanning the ornamental exuberance of the Wiener Werkstätte to the restrained elegance of early modernist design. Highlights include Josef Hoffmann’s brass vessel and cutlery, alongside Adolf Loos’ longcase clock, exemplifying the period’s duality in metalwork—from baroque opulence to minimalist sophistication. Longcase Clock, c.1904 by Adolf Loos for Yves Macaux Gallery at Design Miami.Paris 2025 (Image courtesy of Yves Macaux Gallery) Meanwhile, Karry Berreby (Paris) and Galerie MiniMasterpiece (Paris) explore metallics through the lens of jewelry. Karry Berreby presents a curated selection of vintage and contemporary pieces, ranging from iconic houses such as Piaget, Boucheron, Bulgari, and Cartier to striking works by emerging designers, including a Chopard opal and diamond watch (c. 1975) and Inesa Kovalova’s Flow Earrings. For its second appearance at Design Miami.Paris, Galerie MiniMasterpiece reveals its latest creations inspired by Korean artist Lee Ufan and French designer Pierre Charpin, as well as American artist Andres Serrano and Franco-Argentine artist Pablo Reinoso. Spotlighting 18k gold, sterling silver, and black raw diamonds, jewelry is transformed into both adornment and artistic expression. GEOMETRY & SPATIAL DIALOGUE Exploring the interplay of geometry, material, and spatial dialogue, this year’s gallerists present a number of striking examples showcasing dimensional design. Maria Wettergren (Paris) makes their Design Miami.Paris debut with a curated presentation exclusively highlighting leading women designers from Scandinavia and Korea. Highlights include Norwegian artist Hanne Friis , who will showcase her textile sculptures Flood and White Object, meticulously crafted through intricate folding and hand-sewing techniques. Referencing natural cycles and bodily forms, her densely layered textiles evoke a sense of organic growth—like quiet eruptions emerging from within. Inhwa Lee’s Material Illusion 288 explores the legacy of Yanggu White Clay, a material historically mined in the Bangsan region of South Korea for over 400 years during the Goryeo Dynasty. When fired at high temperatures, the clay reveals an ethereal whiteness. Through her delicate porcelain works, Lee preserves this rich heritage, capturing fleeting expressions of light and honoring the cultural and artisanal traditions of Yanggu. A continuation of the celebration of Korean craft exhibited at Design Miami.In Situ Seoul this September, 2025, Lee highlights Korea’s enduring artistry through innovative, materially rich practices that bridge past and present. White Object, 2021 by Hanne Friis for Galerie Maria Wettergren at Design Miami.Paris 2025 (Image courtesy of Galerie Maria Wettergren) Material Illusion 288, by Inhwa Lee for Galerie Maria Wettergren at Design Miami.Paris 2025 (Image courtesy of Galerie Maria Wettergren) Nilufar (Milan) will present a collection of vintage and contemporary designs, united by a shared focus on material integrity, sculptural form, and artisanship. Highlights include works by Gabriella Crespi , including the rare Eclipse low table, featuring a metamorphic silhouette composed of crescent moon shaped layers. Meanwhile, pieces by Brazilian modernist Zanine Caldas offer a grounded counterpoint, celebrating the natural rhythm of wood through intuitive, monolithic forms. Offering a contemporary juxtaposition, highlights include Christian Pellizzari’s hallucinatory Rye Ergot lamp in Murano glass, and a console by Objects of Common Interest from their Lucid Dreamscape collection. Eclipse low table, 1980s by Gabriella Crespi for Nilufar at Design Miami.Paris 2025 (Image courtesy of Nilufar Ph. Filippo Pincolini) Decorative object, 2024 by Allegra Hicks for Nilufar at Design Miami.Paris 2025 (Image courtesy of Nilufar Ph. Filippo Pincolini) Dedicated to supporting the creation of contemporary and limited edition works, Galerie kreo (Paris) will present exclusive designs by pioneering contemporary designers. Contemporary highlights include Ronan Bouroullec’s Flou console—featuring a bold fusion of materials, this piece pairs a silver mirrored cast-glass top with a hammered silver metal base. The thick glass surface encapsulates a fluid, wave-like pattern within, creating a sense of organic movement and dynamic textures. Meanwhile, Marco Campardo’s butter yellow Jello bench epitomizes Campardo’s pioneering creativity; created using moulds made from laminated cardboard, the resulting bench exhibits a lasting imprint of these subtle creases and lines. These designs are placed in dialogue with exceptional works by French and Italian masters of 20th century lighting, including Gino Sarfatti’s 1050/2 Floor light, dating to 1951. Composed of a black marble base, brass stem, and two lacquered metal lampshades in black and yellow, the lamp provides a striking yet complementary contrast to the adjacent console and bench. 050_2 Floor light, 1951 by Gino Sarfatti for Galerie kreo at Design Miami.Paris 2025 (Image courtesy of Galerie kreo) Flou Console, by Ronan Bouroullec for Galerie kreo at Design Miami.Paris 2025 (Image courtesy of Galerie kreo) DESIGN AT LARGE HIGHLIGHTS This year’s Paris fair will feature an extensive Design at Large program, showcasing ambitious sculptures and conceptually innovative works. Presented throughout the courtyard, interior, and gardens of L’Hôtel de Maisons, the program will highlight large-scale, rare, and significant pieces spanning both contemporary and historic design. Los Angeles-based designer, James de Wulf , will debut Singing Ping Pong Table—a tune table made from layers of aluminum plates. Whenever played, the table responds with a healing sound bath. Presenting at Design Miami for the first time, multidisciplinary design studio ATRA (Mexico City) will showcase Aerial Symmetry, created in collaboration with Pedro Reyes . Inspired by concepts around geometry, time, and memory, the work is composed of several stand-alone structural pieces, whose form echoes sections of a pyramid; at the center of the installation is a chair by Reyes. Through the imagined vantage of an aerial view, the chair becomes a marker—a reference viewed from the sky—encouraging a consideration of how early civilizations composed their surrounding spaces: with reverence for the stars, the sun, and the imperceptible drift of cosmic rhythms. Making its debut at Design Miami.Paris, ammann//gallery (Cologne) will present White Swan and Pouf by Indian-born designer Satyendra Pakhalé . Seamlessly blending industrial design with artisanal craftsmanship, Pakhalé’s Swan series foregrounds marble as a material rich in cultural heritage and symbolic resonance. Emphasising its emotional and tactile qualities, White Swan and Pouf invite a sensory experience that goes beyond visual appreciation—evoking empathy, memory, and a quiet nostalgia. White Swan and Pouf, 2025 by Satyendra Pakhalé for ammann__gallery at Design Miami.Paris 2025 (Image courtesy of ammann__gallery) Aerial Symmetry, 2025 by Pedro Reyes for ATRA at Design Miami.Paris 2025 (Image courtesy of ATRA) The Future Perfect (New York) will also make its debut at the fair as part of the Design at Large program, presenting The Soul Garden by Vikram Goyal . Rooted in the poetic tradition of Indian fables and inspired by the sculptural legacy of François-Xavier and Claude Lalanne, the installation is a sensory and symbolic meditation on animals as vessels of myth, memory, and moral inquiry. Goyal, known for reinterpreting Indian craft through a sculptural and contemporary lens, showcases five hand-sculpted animals—Elephant, Turtle, Tiger, Crocodile, and Snake—each embodying a distinct universal virtue. Visitors are invited to sit among the works, engage with accompanying story booklets and Panchatantra excerpts, and experience custom scent activations created by olfactory artist Sissel Tolaas. Through storytelling, scale, and scent, The Soul Garden invites reflection on empathy, transformation, and ecological consciousness. maison parisienne (Paris) shines a spotlight on the hand-crafted linen sculptures of French artist Aude Franjou . Set to be installed throughout the Hôtel de Maisons, Franjou’s vibrant, tentacle-like vines and roots will unfurl across the balcony of the étage noble and weave through the metal arches encircling the garden, creating a poetic dialogue between textile and historic architecture. Radiant shades of yellow, orange, and red amplify the natural beauty of linen while offering a striking contrast to the neoclassical building’s ornate ironwork. LEFEBVRE & FILS (Paris) will present L’Immortelle by design duo Feipel & Bechameil . The 2.8-meter-tall sculpture made of cast aluminum, takes the form of a fantastical tree. The sculpture embodies an augmented, hybrid, and curious form of nature. The presentation marks a major milestone in the duo’s career, as it will be offered for sale for the first time, having previously exhibited in several European institutions and now making its debut in a fair setting. Embrassade en rouge opéra, 2024 by Aude Franjou for maison parisienne at Design Miami.Paris 2025 (Photographer_ Vincent Leroux) L’Immortelle by Feipel & Bechameil for LEFEBVRE & FILS at Design Miami.Paris 2025 ADDITIONAL HIGHLIGHTS In addition to the gallery highlights set to go on show, Design Miami also announces the following additional programming highlights: Designers of Tomorrow Design Miami will be collaborating with Apple to recognize emerging designers and their creative practice using iPad, with a presence at Design Miami.Paris 2025. Manufactures nationales showcases the excellence of French craftsmanship Formed in January 2025 through the merger of Mobilier national and the Cité de la Céramique – Sèvres & Limoges, Manufactures nationales is a public institution dedicated to decorative arts, crafts, and design. Combining heritage and creation to support education, research, innovation, preservation, and international outreach, the presentation will platform over 53 artistic crafts practiced within its manufactures and workshops. PARAGONE presents Le Bain du Collectionneur by Edgar Jayet with the support of Maison Lelièvre Paragone presents Le Bain du Collectionneur at Design Miami.Paris, a furniture collection designed by Edgar Jayet, set within a scenography freely inspired by the pavilion designed by Jacques-Émile Ruhlmann in 1925. The project is supported by the historic upholstery fabric house Lelièvre. Envisioned as a manifesto of French taste, this project reimagines the intimate world of a contemporary collector, merging imaginary journeys, exquisite craftsmanship, and the memory of stylistic heritage. Naviva ®, A Four Seasons Resort presents “Immersion: Return to Stillness” Inspired by Naviva, a distinctive Four Seasons retreat, a traveling bamboo pavilion makes its debut offering a multi-sensory experience at the intersection of art, nature, and luxury hospitality. Built from sustainable bamboo and canvas materials using traditional Mexican construction techniques by local artisans, the traveling pavilion echoes the resort’s arrival portal and immerses visitors in cinematic visuals, natural soundscapes, and a signature organic scent designed to evoke memory, connection, and restoration. Both an artistic statement and a case study in biophilic design, the pavilion invites audiences to rethink the future of luxury hospitality—before finding its permanent home at Naviva’s coastal sanctuary in 2026. Design Miami.Paris Galleries. Boccara Gallery Carpenters Workshop Gallery Galerie Chastel-Maréchal Galerie Desprez Breheret Galerie Downtown Francois LAFFANOUR Galerie Eric Philippe Galerie kreo Galerie Mitterrand Galerie Meubles et Lumières Galerie MiniMasterpiece Galerie Patrick Seguin Galerie SCENE OUVERTE Galerie Yves Gastou Galleria Rossella Colombari Friedman Benda Hostler Burrows KARRY BERREBY Lebreton Maria Wettergren Mondavilli Scagliola Gallery Morentz Gallery NILUFAR Patrick Parrish Studio Pierre Marie Giraud Salon 94 Design SIDE GALLERY Thomas FRITSCH - ARTRIUM GALERIE MAXIME FLATRY Yves Macaux Gallery Design Miami.Paris Design at Large ammann // gallery ATRA x Pedro Reyes Boccara Gallery Brazil Modernist - Pereira Matis Carpenters Workshop Gallery Daguet-Bresson Friedman Benda Galerie Desprez Breheret Galerie Mitterrand Galerie Yves Gastou Giulia De Jonckheere Design James de Wulf, LLC LEFEBVRE & FILS maison parisienne Roham Shamekh Room57 Gallery The Future Perfect Galeire SCENE OUVERTE Design Miami.Paris Special Projects Paulin Paulin Paulin Design Miami.Paris Partners Apple Cadogan Tate COVA Daum Fornasetti Manufactures nationales Naviva®, A Four Seasons Resort Perrier-Jouët Paragone Range Rover Salomon Editions Vitra Address: 51, rue de l’Université | 75007 Paris, France Schedule of Events By Invitation Only | Tuesday, October 21. Members Preview. 10:00 AM - 13:00 PM Collectors Preview. 13:00 PM - 19:00 PM Show Days Wednesday, October 22. 11:00 AM - 19:00 PM Thursday, October 23. 11:00 AM - 19:00 PM Friday, October 24. 11:00 AM - 19:00 PM Saturday, October 25. 11:00 AM - 19:00 PM Sunday, October 26. 11:00 AM - 18:00 PM Visiting the Fair Passes to the fair are available for purchase here or at designmiami.com . Accredited members of the media can register for a press pass here. ML Staff. Courtesy of Miami.Paris

The Community Foundation of Broward has awarded WLW Catalyst Grants to 27 arts and cultural organizations across Broward County. Funded by Wayne and Lucretia Weiner’s Donor-Advised Fund, the grants—up to $200,000 over two years—will support bold new initiatives, expand reach, and strengthen programs. Launched in April, the WLW Catalyst Grants received over 100 applications. Recipients include institutions like the Stranahan House, which will create a virtual museum in the Metaverse, and Slow Burn Theatre, which plans to expand its backstage training and launch a costume rental service. Mad Arts will also grow its tech-art education programs for underserved youth. “These grants will create powerful, long-term cultural impact in our community,” said Community Foundation CEO Jennifer O’Flannery Anderson, Ph.D. The 27 WLW Catalyst Grant recipients include: African American Research Library and Cultural Center Art Prevails Project Black Violin Foundation BLINC Brazilian Voices Brévo Theatre Broward Art Guild Broward Performing Arts Foundation Business for the Arts Broward Developing Dreams Foundation Exceptional Theater Company Florida Atlantic University History Fort Lauderdale Gold Coast Jazz Society Hued Songs Las Olas Capital Arts Mad Arts Master Chorale of South Florida Museum of Discovery and Science New Canon Chamber Collective New City Players Ocean Rescue Alliance International Pompano Beach Hive Theater The Pride Center at Equality Park Seraphic Fire Slow Burn Theatre Stranahan House   The WLW Catalyst Grants align with the Foundation’s commitment to enriching arts and culture—one of its six core focus areas. In 2024 alone, the Foundation invested nearly $4 million in arts funding. Learn more at www.cfbroward.org . By ML Staff. Photo/Jurien Huggins, Unsplash

Braman Motors has unveiled its fully transformed BMW + MINI showroom in Miami, redefining the traditional car dealership as a lifestyle-focused destination. The renovation follows BMW’s global RETAIL.NEXT design framework, emphasizing immersive design, digital integration, and sustainability. “This transformation is about reimagining how we connect with our clients,” said Alex Shack, COO at Braman Automotive. “Every detail—from the layout to the materials—was designed to support a seamless, elevated customer experience.” The upgraded showroom integrates BMW and MINI under one cohesive space while maintaining distinct brand identities. Key zones include: Concierge Reception  with open sightlines and highlight vehicle displays Sales Lounges  featuring soft seating and digital tools M Car Display  dedicated to BMW’s high-performance lineup Refreshment Bar  with barista-style coffee and lifestyle products New Vehicle Delivery  areas with a private, lounge-style setup Architecturally, the space uses continuous ceiling and floor treatments, warm neutral tones, and modular furnishings to promote flow and flexibility. Behind the scenes, back-of-house areas have also been optimized for efficiency. Sustainability was a core focus in the redesign, incorporating features like energy-efficient lighting, cool roofing, rainwater systems, and low-consumption water fixtures. The space aligns with BMW’s global environmental targets. Braman BMW + MINI has been a fixture in South Florida’s luxury auto scene for nearly five decades. With this new chapter, the brand aims to set a higher standard for automotive retail in Miami and beyond. For more information, visit www.bramanmiami.com . By ML Staff. Photos/Braman Motors

The Adrienne Arsht Center has unveiled a new permanent mural by Miami-based mixed media artist TYPOE. The large-scale work, titled Paper Stage (Allegory of Life) , now adorns the exterior wall of the Carnival Tower, facing Biscayne Boulevard. The 20-by-30-foot mural was officially unveiled during a public event at the Thomson Plaza for the Arts. Commissioned by the Arsht Center, the site-specific piece reflects TYPOE’s signature style and draws inspiration from 19th-century paper stage models, blending abstract figures, nature, and theatrical elements. “This project is a meaningful opportunity to bring my vision to life in a space that reflects Miami’s cultural energy,” said TYPOE. The mural is part of a year-long collaboration between TYPOE and the Arsht Center. In addition to the mural, TYPOE also designed the 2025 Arsht Awards and the center’s upcoming holiday card. “TYPOE’s work is a powerful visual statement and a public invitation to experience the creativity that defines Miami,” said Johann Zietsman, president and CEO of the Arsht Center. The new mural replaces Eduardo Kobra’s Ballerina , which was displayed on the same wall from 2018 to 2025. The Arsht Center continues its tradition of integrating public art across its campus, highlighting both international and local artists. By ML Staff. Top photoPaper Stage (Allegory of Life) by TYPOE .Photo by Eyeworks Production

Model and media personality Brooks Nader turned heads in New York City wearing a full GapStudio look while presenting Zac Posen with the Fashion Innovator award at the 12th Annual Daily Front Row Fashion Media Awards. Nader wore the GapStudio Jersey Off Shoulder Midi Dress from the upcoming Fall/Winter 2025 collection, paired with the Spring 2025 Corset Belt and Old Navy’ s newly launched Romantic Bracelet Bag . The ensemble showcased Gap Inc.’s elevated design direction under Posen, who serves as Executive Vice President and Creative Director. The event spotlighted Posen’s impact on redefining American fashion through GapStudio, a premium design segment within Gap. Created at the brand’s New York headquarters, GapStudio emphasizes elevated style, craftsmanship, and quality — hallmarks of Posen’s signature aesthetic. By ML Staff. Photos/GapStudio, Courtesy of Getty

When people think about fashion, they picture runways, photo shoots, and bold new collections. What don’t they picture? Spreadsheets. But here’s the truth: no matter how stylish your brand is, if your finances are messy, things can unravel fast. I’ve seen it happen: creative brands with huge potential end up struggling, not because the clothes aren’t amazing, but because the numbers behind the scenes don’t add up. Managing money might not sound glamorous, but it’s one of the most powerful tools a fashion brand can have. So, why does every fashion brand need a better accounting system? Let’s walk through it together. When Style Meets Spreadsheets Fashion moves fast. Trends change overnight, seasons bring fresh collections, and customers expect constant newness. With so much energy going into the creative side, it’s easy to let the financial side slip into the background. But here’s the catch: poor accounting shows up everywhere. Late invoices mean late payments. Disorganized expense tracking means you have no clue which products are actually profitable. And messy records? They can ruin tax season before it even starts. Imagine this, you’ve launched a new line you’re excited about, but you don’t realize the production costs were higher than expected. Sales look good on the surface, but once everything’s tallied, the margins are razor-thin. Without solid financial tracking, you might not catch that problem until it’s too late. That’s where a reliable accounting system comes in. It’s not just about numbers—it’s about clarity. The Cost of Sticking With Outdated Tools I get it. When you’re just starting out, spreadsheets feel “good enough.” They’re free, flexible, and familiar. But as your brand grows, so do the problems. Manual entry is a recipe for mistakes. Forget one expense here or mistype a number there, and suddenly your financial picture is way off. That tiny error can snowball when you’re making decisions about ordering inventory or planning your next collection. And then there’s the time cost. How many hours have you lost to chasing receipts, updating spreadsheets, or trying to reconcile numbers that don’t match? Time that could’ve gone into designing, marketing, or   building relationships with customers . The hidden cost of outdated tools isn’t just frustration; it’s missed opportunities. While you’re tangled up in admin work, competitors are using smarter systems that free up their time and energy. Accounting as a Growth Tool, Not Just Record-Keeping Here’s something a lot of people miss: accounting isn’t just about keeping track of expenses. Done right, it’s a growth tool. A good system can show you which products actually bring in profit, not just revenue. It can forecast cash flow, so you know when you’ll have the money to reinvest in your next collection. It can highlight which markets are performing better so you can double down where it matters. Think about it, would you design a collection without paying attention to trends? Probably not. So why run your finances without paying attention to insights? Accounting systems give you data-driven clarity so you’re not guessing. And let’s be honest, in a business as unpredictable as fashion, guessing is risky. Choosing the Right Fit for Fashion Brands Of course, not every accounting system is the same. Fashion brands need something that balances simplicity with real functionality. You don’t need a tool made for giant corporations, but you do need features that keep pace with your growth, like invoicing, expense tracking, and integration with e-commerce platforms. This is where a lot of small brands hit a turning point. The turning point for many fashion brands comes when they start comparing options and discover that QuickBooks alternative software  like Wave often gives them the balance of affordability and functionality they’ve been missing. The goal isn’t just to “keep books,” it’s to have a system that works with you, not against you. Choosing the right fit isn’t about finding the flashiest features. It’s about finding what actually supports the way your business runs day-to-day. Real Benefits of Upgrading So, what happens when you do invest in a better system? A few things change right away. First, you get time back. No more endless hours spent trying to reconcile numbers or dig through receipts. Automation handles what used to take forever. That means more time to focus on designing your next collection, building your brand presence, or connecting with your customers. Second, you get fewer surprises. With real-time tracking, you know where you stand financially at any given moment. If expenses are creeping up, you’ll see it early and adjust before it becomes a crisis. Third, you set yourself up for growth. Expanding into new markets? Adding new product lines? Collaborating with influencers or retailers? A better accounting system can handle the complexity without breaking a sweat. In short, upgrading your system doesn’t just make your life easier; it gives your brand the foundation it needs to thrive long-term. Fashion’s Strongest Accessory At the end of the day, your accounting system is like the strongest accessory your fashion brand can wear. It doesn’t take center stage, but it holds everything together. Without it, even the best designs can fall flat because the business side can’t support the creative side. The good news? You don’t have to be a finance expert to make it work. You just need a system that’s built with you in mind, one that helps you see the big picture without drowning you in details. So, if you’ve been putting off upgrading your accounting system, now’s the time to take a closer look. Ask yourself: Is my current setup helping my brand grow, or is it holding me back? Because in fashion, staying ahead isn’t just about the next trend, it’s about making sure your business is strong enough to keep up. By ML staff. Image courtesy of Pexels.

Debuting at III Points Festival 2025, their first collaboration uses digital art to spotlight immigration and resilience through immersive storytelling. South Florida’s acclaimed III Points Festival has announced the recipients of its 2025 artist grants, awarding $10,000 across digital and physical art categories. Out of more than 200 submissions, Aes – The Miracle Ghost (TMG) and Yoni Yonson, two South Florida-based artists known for their distinctive work in digital and street art, were among the 15 winners selected. Their work will be showcased during the festival on October 17–18. The call for submissions was curated by the Miami Art Society (MAS) , led by founder Juan Pablo Sanchez , who has curated multiple art programs for III Points in the past. “We received over 200 proposals, each offering unique and innovative perspectives. Narrowing it down to just 15 was no easy task,” Sanchez noted. For TMG and Yonson, this marks their first official collaboration after years of creative parallel paths and friendship. Their winning digital animation depicts a ghost captured by a UAP (unidentified aerial phenomenon) beneath the night sky. Beyond its striking visuals, the piece serves as a metaphor for the systemic deportation of undocumented immigrants in the United States. “The ghost represents the resilience of the human spirit, while the UAP symbolizes the system that seeks to erase, and displace it,” the artists explained. As immigrants and children of immigrants, both TMG and Yonson infuse the piece with personal meaning and a reflection of the lived experiences of communities impacted by enforcement practices. The selected digital works will be projected in a dedicated indoor gallery space at III Points, running continuously from 3:00 PM to 4:00 AM throughout the festival weekend. The installation offers festival goers an immersive experience that combines bold aesthetics with pressing social commentary, reinforcing the role of art as a space for dialogue and reflection. With its long-standing reputation for elevating artistic innovation, III Points continues to spotlight creators whose work bridges cultural, social, and creative boundaries. The inclusion of TMG and Yonson underscores the festival’s mission to showcase artists who pair aesthetic vision with social relevance. By ML Staff. Content/images courtesy of M.A.S.

At GDVD Interiors, design isn’t just what we do—it’s what we love. We are a passionate, collaborative team of designers and creatives dedicated to transforming spaces into deeply personal, beautifully curated reflections of the people who live, work, and gather in them. From residential dream homes to commercial spaces that inspire, we approach every project with an unwavering commitment to detail, creativity, and storytelling. Our goal is simple: to turn your vision into a space that feels effortlessly you. With a client-first philosophy and an eye for timeless design layered with character, we bring together old-world charm, modern sophistication, and a thoughtful approach to every decision. At GDVD, we believe design has the power to bring dreams to life —and we’re here to make that happen for everyone we work with. GDVD designs with intention, beginning not with how a spacelooks, but how it should feel. A meaningful home, to us, islayered, soulful, and deeply personal—a reflection of thepeople who live there, where beauty and function coexist. .GDVD is drawn to projects that tell a story, whether it’sbuilding from the ground up or reimagining an existingspace with a fresh perspective. Our aesthetic is warm,timeless, and collected, rooted in texture, memory, andpurpose to create spaces that feel lived-in, grounded, andthoughtfully designed. Brand Aesthetic & Philosophy GDVD’S aesthetic blends old-world charm with modern sophistication, often weaving together vintage finds, soulful textures, sculptural forms, and warm, earthy palettes. GDVD’s signature "collected look" is never about perfection—it's about meaning. GDVD believes that a home should feel lived in, not staged; emotionally resonant, not trendy. Rooted in the belief that beauty lies in balance,GDVD expertly juxtaposes the refined with the rustic, a velvet sofa against limewashed walls, a vintage light fixture hovering above a minimalist stone table—to create spaces that are both elegant and grounded. We gravitate toward materials that age gracefully and finishes that invite touch, aiming to create environments that offer comfort and connection above all else. About Geri Geri Del Vento is a Miami-based interior designer known for creating layered, character-rich spaces that feel deeply personal yet effortlessly refined. With roots in the performing arts and a background in dance and stage design, Geri brings a uniquely intuitive and expressive approach to interiors. Each project is choreographed to reflect the client’s soul, lifestyle, and story. Geri has led over 60 residential and commercial projects across the U.S., from boutique retail spaces to new construction homes. She also curates a print collection inspired by memory, movement, and travel—an extension of her expressive design philosophy. Her work has been featured in both digital and print platforms, with collaborations including Wayfair, Cosentino, and other design-forward brands. Her aesthetic blends old-world charm with modern sophistication, often weaving together vintage finds, soulful textures, sculptural forms, and warm, earthy palettes. Geri's signature "collected look" is never about perfection — it's about meaning. She believes that a home should feel lived in, not staged; emotionally resonant, not trendy. For more information, visit: geridelvento.com . Follow on Instagram , Pinterest , and Twitter (X). By ML Staff. Content/images courtesy of Geri Del Vento Design.

Miami Living’s special Art Basel Miami Beach guide cuts through the overload of event info, offering clear details on ticket pricing, where to stay, what to expect this year, and more. Think of it as your savvy friend who knows the ins and outs of Miami Art Week so you can enjoy the art (and the beach)! When is Art Basel Miami Beach 2024? This year's event, taking place from December 6-8 at the Miami Beach Convention Center . Miami Beach Convention Center. Image courtesy of Art Basel. What is Art Basel All About? Art Basel Miami Beach  launched in 2002 as the American extension of the renowned Art Basel fair, founded in Switzerland in 1970 by MCH Group to spotlight contemporary and modern art on a global stage. The Miami Beach edition, which started in 2002, is the most prominent art fair in the Americas and typically occurs in early December.  It’s now a central part of Miami’s cultural scene, attracting art collectors, galleries , artists, and enthusiasts from around the globe, with 80,000 visitors annually. Art Basel is primarily an event showcasing modern and contemporary art from both established and emerging artists. It serves as a global meeting point where art, culture, business, and social life converge, making it a must-attend event for anyone passionate about contemporary art. Photo credit: Stephen Friedman Gallery Why is Art Basel so Important? Art Basel is a key event in the global art world due to its immense influence and prestige. It attracts top galleries, collectors, and curators, setting trends in modern and contemporary art. The fair is a platform for cultural exchange, promoting both emerging and established artists while driving significant art sales, which shape the global market. Art Basel also supports non-profit organizations and hosts high-profile cultural and social events that foster connections and collaborations within the industry. How is Art Basel Miami Beach Organized? Art Basel Miami Beach is divided into several sectors, each dedicated to different facets of contemporary and modern art. The main sector, Galleries, features leading international galleries presenting works by emerging talents and established masters. We have created a comprehensive gallery guide here . Other sectors include Meridians, which showcases large-scale projects curated by Yasmil Raymond, and Nova, focusing on recent works by one to three artists. Positions highlights solo presentations by emerging artists, while Survey focuses on galleries exploring historically significant artistic practices. Additional sections like Kabinett feature curated exhibitions within booths, and Conversations offers live debates with cultural thought leaders. View of Osgemeos's installation at Lehmann Maupin's booth, Art Basel Miami Beach, 2023. Photo credit: Art Basel. What’s New and Exciting at Art Basel Miami Beach 2024? Art Basel Miami Beach 2024 will feature 283 galleries from 38 countries. Yasmil Raymond will curate the 2024 Meridians sector for the first time, bringing her expertise as the former Director of Portikus and Rector of the Hochschule für Bildendende Künste-Städelschule in Germany to the large-scale projects that push the boundaries of traditional art fair formats. Other exhibition sectors, such as Nova  and Positions , will continue to focus on emerging artists, showcasing innovative and new works. Meanwhile, the Kabinett  sector will offer intimate, thematic exhibitions. The 2024 edition will also host the popular Conversations  program, with a premiere artist talk by Hank Willis Thomas. This discussion series remains a key platform for art-world dialogue and networking, enriching the experience for collectors, curators, and art enthusiasts alike. What Are the Must-See Highlights of Art Basel Miami Beach? This year, Art Basel Miami Beach unveils six standout show experiences, offering a diverse and exciting range of art worth exploring. Meridians: Showcasing Monumental Artworks: This edition of Meridians, titled "State of Becoming," features 18 projects, including works by Alice Aycock, Rachel Feinstein, and José Parlá, and explores themes like democracy's fragility and global climate anxiety. The showcase includes recent works alongside notable historical pieces. Woody the Othello's Cool Composition, Art Basel Miami Beach, 2019, presented by Jessica Silverman Gallery and Karma. Photo credit: Art Basel. Strategic Relocation and Focus: Meridians moves to the south end of the show floor, next to the Nova and Positions sectors, focusing on monumental sculptures, paintings, and installations, enhancing the fair’s contemporary art offerings. Rare Works: Helly Nahmad Gallery presents 20th-century masters like Picasso and Basquiat. Hirschl & Adler Modern debuts Franz Kline’s works from the 1940s. Gallery Wendi Norris highlights Cuban artist María Magdalena Campos-Pons alongside Spanish Surrealist Remedios Varo. Rare works by Jacqueline Lamba and Claude Cahun are also featured. The Helly Nahmad Gallery. Photo credit: Art Basel. Significant Works in Meridians: Curated by Yasmil Raymond, highlights include a new Danh Vō sculpture from White Cube and Franz West’s  Urs  from Van de Weghe. Museum Connections: Rachel Feinstein’s new bronze sculpture links to her survey at The Bass, and a diptych by José Parlá connects to an exhibition at Pérez Art Museum. New Galleries: The fair welcomes 34 new galleries and exhibitors from cities like Bogotá, Madrid, and Jakarta. Notable newcomer works include paintings by I Gusti Ayu Kadek Murniasih and sculptures by Tarek Lakhrissi at Galerie Allen. Which Galleries are Participating at Art Basel Miami Beach 2024? Miami Living brings you a comprehensive gallery and art guide highlighting all the galleries and artists participating in this year’s Art Basel Miami Beach 2024, held at the Miami Beach Convention Center. The guide is organized into six sections following the official Art Basel lineup: Galleries, Nova, Positions, Survey, Meridians, and Kabinett. What other events are worth attending during Art Basel Miami Beach? The Best of Italian Luxury Design  is a premier event celebrating Italian interior design brands and high-end Made-in-Italy products. The event is designed for home owners, architects, interior designers, and design enthusiasts. The 5th edition takes place in at curated sites during Art Week as shown below: Salone del Mobile.Milano: December 4, 2024 Event:   Salone, Milano and Beyond When:  December 4, 2024 Event hours:  By invitation only Where:   Soho Beach House, Ocho Rooftop Terrace, 4385 Collins Ave Miami Beach, FL 33140  ( view map ) RSVP : By invitation only Learn more : Salone del Mobile.Milano Artemide Inc: December 2-8, 2024 Event:   Artemide Miami Showroom When:  December 2-8, 2024 Event hours:  Open by appointment Where:   4141 NE Second Avenue, Unit 105 D/F, Miami, FL 33137  ( view map ) Event hours: Open by appointment Learn more : Artemide Inc . B&B Italia: December 2-8, 2024 Event : The Collection When : December 2-8, 2024 Event hours:  Monday to Friday 10 am - 6 pm Saturday 11 am - 5 pm Sunday Closed Where : 4141 NE 2nd Avenue, Suite 115, Miami, FL 33137 ( view map ) RSVP : Not required Learn more : B&B Italia Kartell: December 1-31, 2024 Event:   Joyful Delight When:  December 1-31, 2024 Event hours:  Monday-Saturday 10 am - 6 pm Where:   490 Biltmore Way, Coral Gables, FL 33134-5718  ( view map ) RSVP : Not required Learn more : Kartell Meridiani Miami: December 3-6, 2024 Event:   In collaboration with Meridiani Miami, MarcoRossi Contemporary Art presents: Sergi Barnils When:  December 3-6, 2024 Event hours:   From 12:00 pm to 5:00 pm Where:   446 NW 28th St., Miami, FL 33127  ( view map ) RSVP : Not required Learn more : Meridiani Miami Minotti Miami: December 2, 2024 Event:  Minotti 2024 Collection When:  December 2, 2024 Event hours:  Showroom open Monday to Friday from 9:30 am to 6:00 pm, Saturday 12:00 noon to 5:00 pm Where:  3801 NE 2nd Avenue, Minotti, Miami, 33137 ( view map ) RSVP : Not required Learn more : Minotti Miami Pininfarina: December 4-6, 2024 Event:  Step Into A Childhood Dream When:  December 4-6, 2024 Event hours:  By appointment only Where:  270 NE 61st St., Miami, FL 33137-2127 ( view map ) RSVP : Not required Learn more : Pininfarina Snaidero: December 6-8, 2024 Event:   Snaidero When:  December 6-8, 2024 Event hours: Mon – Fri. 9 am – 5 pm after hours by appointment only Where:   1855 Griffin Road, Ste C270, Dania Beach, FL 33004 ( view map ) RSVP : Not required Learn more : Snaidero Scavolini Miami Store: December 1-31, 2024 Event:   Explore Scavolini's Miami Store When:  December 1-31, 2024 Store hours:  Mon-Fri: 9:00 a.m. - 6:00 p.m. Sat: 11.00 a.m. - 5.00 p.m. Where:   2600 Ponce de Leon Coral Gables, FL 33134  ( view map ) RSVP : Not required Learn more : Scavolini Miami Store Visionnaire: December 4-9, 2024 Event:  Visionnaire debuts at Design Miami When:  December 4-9, 2024 Event hours:    Design Miami Wednesday, December 4, 1pm–7pm Thursday, December 5, 11am–7pm Friday, December 6, 11am–7pm Saturday, December 7, 11am–7pm Sunday, December 9, 11am–6pm Where:   Convention Center Drive & 19th Street, Miami Beach, FL 33139 ( view map ) RSVP : Not required Learn more : Visionnaire The Italy-America Chamber of Commerce Southeast: December 4-6, 2024 Event:  The Best of Italian Design - Art Week Edition When:  December 4-6, 2024 Event hours:  4:00pm-9:00pm Where:  Istituto Marangoni Miami, Miami, FL 33137 ( view map ) RSVP : Not required Learn more : The Italy-America Chamber of Commerce Southeast How Much and What Types of Tickets are Available at Art Basel Miami Beach? At Art Basel Miami Beach, a variety of ticket options are available to accommodate different visitor preferences. Be aware that tickets are limited for each day, so it’s best to purchase yours as early as possible to secure your spot. First Access Tickets  ($120): These tickets provide single-day entry to the fair starting at 11 a.m., allowing early access before the general public. Day Tickets  ($85): These are timed tickets that offer entry to the fair for a single day, with available slots between noon and 4 p.m. Reduced Day Tickets  ($65): Available for Miami Beach residents, seniors, and veterans, these tickets grant single-day access at a discounted rate. Children’s Tickets  ($10): Children aged 12 or under can attend the fair for $10, as long as they are accompanied by an adult. Premium Packages  (starting from $650): These packages include VIP access to exclusive events like the Vernissage on December 5, an all-access pass for the fair, entry to select area museums, and additional perks​ How to Get Tickets to Art Basel Miami Beach? Tickets can be purchased online  or at the Miami Beach Convention Center. First Access  tickets, priced at $120. When are the Art Basel Miami Beach VIP Preview Dates? Art Basel Miami Beach begins with exclusive VIP previews on December 4-5, culminating in a Vernissage celebration on the evening of December 5. The fair opens to the public from December 6-8. Photo credit: Art Basel What are the hours of Art Basel Miami Beach? Private Days (by invitation only) Wednesday, December 4, 2024, 11am to 7pm, First Choice VIP guests Wednesday, December 4, 2024, 4pm to 7pm, Preview VIP guests Thursday, December 5, 2024, 11am to 7pm, First Choice and Preview VIP guests Thursday, December 5, 2024, 4pm to 7pm, Vernissage VIP guests Public Days Friday, December 6, 2024, 11am to 6pm Saturday, December 7, 2024, 11am to 6pm Sunday, December 8, 2024, 11am to 6pm Where is Art Basel Miami Beach Held? Miami Beach Convention Center 1901 Convention Center Drive Miami Beach, FL 33139 Photo credit: Miami Beach Convention Center Where to Park at Art Basel Miami Beach? Both valet parking and self-parking are available at the Miami Beach Convention Center, but they are limited and it's preferred to arrive early to secure a spot. Valet parking is available with pickup and drop-off on Washington Avenue, Convention Center Drive, and 19th Street and Convention Center Drive. The onsite parking garage offers $20 flat fee self-parking, and there are also municipal and private parking spaces throughout Miami Beach. Check the full guide to transportation created by the Art Basel. Where to Stay during Art Basel Miami Beach? Since parking is limited during Art Basel Miami Beach, it's preferred to stay at a walking distance from the Miami Beach Convention Center. The fair has three official hotel partners offering discounts  of up to 20%: W South Beach - Google Map W South Beach The Ritz-Carlton, South Beach - Google Map Photo credit: John Stephens/The Ritz-Carlton Grand Beach Hotel Miami Beach - Google Map Photo credit: Grand Beach Hotel Miami Beach Other options include The Setai, Miami Beach , located about 0.7 miles from the convention center and the Faena Hotel Miami Beach , around 1.2 miles. Booking early is highly recommended as hotels tend to fill up quickly during Art Basel. What Should You Wear During Art Basel Miami Beach? To make the most of your experience, we recommend wearing comfortable shoes, as there's plenty to explore. Can You Bring a Pet to Art Basel Miami Beach? Pets are generally not allowed at Art Basel Miami Beach  unless they are service animals. The fair has strict policies regarding animals in order to ensure the safety and comfort of all attendees and to protect the artwork. Service animals, which are trained to assist people with disabilities, are typically permitted in accordance with local laws. If you're planning to bring a pet, it's best to check directly with the fair organizers or the Miami Beach Convention Center to confirm their current policy on pets. Is Art Basel Miami Beach Elderly and Disabled Individual Friendly? The fair offers several accessibility features to ensure a comfortable experience for everyone: Wheelchair Accessibility : The Miami Beach Convention Center is fully accessible with ramps, elevators, and wide paths to accommodate wheelchairs and mobility aids. On-site Assistance : Manual wheelchairs and scooters are offered complimentary and available on a first-come, first-served basis. Rest Areas and Seating : The convention center has rest areas and seating throughout the venue, making it easier for elderly visitors and those with mobility challenges to take breaks as needed. Parking and Transportation : Accessible parking spaces and drop-off points are available close to the entrance. Photo credit: Art Basel Is Smoking and Vapors Allowed Inside the Art Basel Miami Beach Venue? Smoking and vaping are not allowed inside the Miami Beach Convention Center, where Art Basel Miami Beach is held. This is in line with general policies that prohibit smoking and the use of e-cigarettes in indoor public spaces. Attendees will need to step outside to designated smoking areas if they wish to smoke or vape. For specific rules or designated smoking areas, it’s best to check with the event organizers or venue staff. Where Can I Eat Inside the Art Basel Miami Beach Venue? Inside the Miami Beach Convention Center during Art Basel Miami Beach, there are several dining options available for attendees. These include on-site cafes, food stalls, and lounge areas where visitors can grab a bite to eat or enjoy beverages. The convention center often hosts a range of food offerings, from quick snacks to full meals, with choices like sandwiches, salads, and gourmet options to cater to various tastes. On the show floor, which attendees can access with VIP Card or Ticket, some of the restaurant options are: Survey Plaza  | Empanadas, coffee and beverages by Cortadito  Nova Plaza  | Empanadas, coffee and beverages by Cortadito  Plaza C | Sushi, bowls, and snacks by Sushi Maki  Central Cafe | Italian sandwiches, sweets, and coffee by Rosetta Bakery  On the exhibitor lounge, accessible for exhibitors only there's a selection of specialty items from catering offerings at the show. Opening Hours: Monday, December 2, 8am-8pm Tuesday, December 3, 8am-8pm Wednesday, December 4, 8am-9pm Thursday, December 5 – Sunday, December 8, 9am-8pm Monday, December 9, 8am-8pm On the collectors lounge, that can be accessed with VIP card only, the options are: Collectors Lounge Bar | Local ingredient driven salads, sandwiches, and bites Champagne Bar | Ruinart Champagne Where to Eat During Art Basel Miami Beach (outside the Miami Beach Conventional Center)? Closer to the Miami Beach Convention Center, there are a few options for visitors to enjoy a nice meal: A mara Modern Latin-American cuisine in a waterfront setting. Address: 3101 NE 7th Ave, Miami; +1 305 702 5528 Google Maps Photo credit: Amara Boia De Modern American cooking with a strong Italian influence. Address: 5205 NE 2nd Ave, Miami, +1 786 209 6310 Google Maps Photo credit: Boia De Elastika Culinary art comes to life.  Address: 191 NE 40th St, Miami, +1 305 209 3100, reservations@elastikamiami.com   Google Maps Photo credit: Elastika Mandolin Aegean A Greek and Turkish bistro in Buena Vista. Address: 4312 NE 2nd Avenue, Miami; +1 305 576 6066 Google Maps Photo credit: Gesi Schilling/Mandolin Aegean What Are Some of the Sustainability Projects at Art Basel Miami Beach? Catering Practices: Together with Sodexo Live!, the official catering service provider of the Miami Beach Convention Center, the following sustainable practices are implemented at the Art Basel Miami Beach show: Boosting plant-based meals Driving responsible and local sourcing Reducing waste Supporting communities through food donations and volunteerism Transitioning to biodegradable and compostable products What Other Events Can You Expect During Art Basel Miami Beach? In addition to the main Art Basel venue, a vibrant array of activities awaits, including parties, outdoor art events, and several must-attend satellite happenings. To keep up with all the excitement, we highly recommend checking out our dedicated Art Basel section for the latest updates. By ML Staff. Images courtesy of each featured venue on this story. Tog gif by KroppaDigital