Inter Miami CF II (3W-5L-1D, 10 points) fell 4-2 on the road against Crown Legacy FC tonight. Alejo Ristano and Mateo Saja scored the team’s goals in the match at Mecklenburg County Sportsplex in Matthews, North Carolina. Lineup Notes Inter Miami CF II took the pitch with Ivan Schmid in goal; Alejo Ristano, captain Giovanni Ferraina, Tyler Hall and Samuel Basabe made up the back four; Preston Plambeck, Bailey Sparks and Cristian Ortiz started in the midfield; Mateo Saja and Idoh Zeltzer-Zubida lead the team’s attack. Match Action Inter Miami II opened the match on the front foot, with Ristano finding an early opener for the visitors in the second minute of action. The defender headed home a set-piece delivery into the box from Zeltzer-Zubida to record his second goal this MLS NEXT Pro regular season. The assist, meanwhile, was the third for Zeltzer-Zubida this campaign. The home side then equalized in the 15th minute through forward Emmanuel Uchegbu. Miami reclaimed its lead in the 25th minute, with Saja striking with a first-time right-footed finish inside the box to capitalize on a cross from the right wing from Zeltzer-Subida, who recorded his second assist in the match and fourth of the season. The goal, meanwhile, was the fourth for Saja this regular season. Crown Legacy then scored twice before the break, prior to adding another in the second half for the final 4-2 scoreline. Next Match Next, Inter Miami II will visit in-state rivals Orlando City B on Saturday, May 17 at Osceola Heritage Park at 7 p.m. ET to continue with the MLS NEXT Pro regular season action. By ML Staff. ContentiImage courtesy of Inter Miami CF

Join a chic morning of movement and matcha on May 16th in the dreamy courtyard of {petite} Maman in The Design District. The experience includes an invigorating Pilates class led by Babe Hot Pilates, followed by delicious brunch bites and matcha by Maman. Each participant will receive an outfit from FRN Active and Pilates socks from Molly Grace to wear during class. DATE: Friday, May 16, 2025 TIME: 9AM - 11AM ADDRESS: {Petite} Maman 140 NE 39th Suite 136 Miami Florida, 33137 ML Staff. Content/image courtesy of MDD

In many ways, the Miami HEAT’s 2024-25 felt like three seasons packed into one. There were the early stages, training camp through Thanksgiving or so, when the build of the previous five seasons continued. There was something to prove after consecutive years spent in the Play-In Tournament, a shorthanded First Round loss to the Boston Celtics still fresh on the minds of many, but with Tyler Herro exploding out of the gates and an influx of youth on the roster, there were reasons to be encouraged. Then the season took a quick and drastic turn, December and January spent in a state of flux as all parties sorted out the situation around Jimmy Butler. Closure arrived at the trade deadline, a deal with the Golden State Warriors bringing in Andrew Wiggins, Davion Mitchell and Kyle Anderson. There was clarity, at least as far as the roster was concerned, though the path forward was hardly set in stone. Was this the beginning of a new era, or merely a stop on the way to a destination down the road? There were moments of hope and levity in each segment, to be sure. A football-play game winner from Nikola Jovic in November. Taking down Cleveland in early December. Bam Adebayo’s buzzer beater over the Spurs in early February. A six-game winning streak in March. Winning two Play-In games on the road to become the first 10 seed to advance to the playoffs. “What I told the team, and this is not any kind of moral message or victory,” Erik Spoelstra said. “What you want out of a season is to be able to come together for whatever reason and improve and do something. We were all faced with a very uncomfortable segment of the season. There were other segments of the season where it was what it was, but during the losing streak where we were playing great, making progress and losing games, I said it so often that you want to get a team that feels like its worthy to win. We were definitely feeling like we were worthy to win and we were still losing.” But the one thing all three stretches had in common was that the results weren’t up to snuff, not to the standards of not only the franchise, but of the players on the court. Of the rises and falls on this rollercoaster, it will be the struggles that will linger in the minds of most. The roster uncertainty. The struggles against good teams in the regular season. The 10-game losing streak. The Cavaliers slamming the door shut, completing their sweep in Miami to a historically lopsided tune. Nobody is going to call it a good season, nor a successful one. Nor should they. Reflections on what went wrong are necessary and, in the long term, healthy. Nobody is too good for or above a year like this. The league works in cycles. No matter your structural longevity, there’s no immunization against time. “We put ourselves out there,” Spoelstra said. “When you put yourselves out there as competitors you’re going to put yourselves out there for everything, and we deserve it. We deserve the criticism, we deserve the embarrassment of the last two games. It’s not what our organization is about but we put ourselves out there to fight in the Play-In, two road Play-In games, to earn our right to go to the playoffs. And those two games were something. We felt like it was going to lead to lot more and that was irrational on our part.” The individual players, however, deserve more context and nuance. The on-court story of the year was undoubtedly first-time All-Star Tyler Herro. A conversation with Erik Spoelstra years in the making clicked with Herro after Miami’s five-game loss to Boston and he came into this year a changed player – new shot profile, new approach as he balanced on and off-ball play. That profile didn’t quite sustain through the latter months as he had to assume more ballhandling duties post-trade, but Herro made a second wave of adjustments, becoming one of the best upper-paint finishers in the league as teams pressured him off the arc. “Coming into this season thinking I was going to playing a lot off the ball,” Herro said. “That was what I worked on all last summer, trying to change my game into playing off the ball, being a recipient of other guys attacks. I started the season like that, played really well in that role, and then as things changed I started to have the ball in my hands a little bit more. I thought I did pretty well with that.” You won’t find anyone that would claim Miami was on an even playing field with Cleveland in the playoffs, such an imbalance making it easier for the higher seed to load up on a team’s primary scorer, but it was nonetheless a mixed bag for Herro when it came to translating his gains to a very different style of playoff basketball. His 33 points (on 10-of-13 shooting on two-pointers) in Game 2 was just as much of a proof of concept as his Game 2 against Boston the season before, but 17 combined points in the two games in Miami as Cleveland doubled down on their pressure and showed the HEAT the door fell just as short as everyone else on the roster. The dark cloud of those final two games will follow everyone for a while, though you suspect nobody will take that experience harder than Adebayo, taking his role as captain as seriously as one could. In some ways it was an odd year for Adebayo, a bit of a ramp up in the earlier months coming off the Olympics as he was mired in one of the first real shooting slumps of his career while his defensive numbers – still top tier elite in one-on-one situations – took a bit of a hit as he plugged as many holes as he could. After those first two months or so, it was a typical Adebayo season. Similar usage, similar efficiency, similar impact that all lined up with his role and numbers of the previous handful of campaigns since the team asked him to take on more shot creation responsibility. He still had to navigate the same rotational waters as Herro – rather than balancing on and off the ball, Adebayo’s burden has long been walking the line between creating for all his perimeter shooters with screens and handoffs while still pursuing matchups to attack – and will likewise have to think about leading a team seeking more offense and better late-game finishes after Miami went 14-28 in clutch games. “I learned closing games isn’t as easy as people make it look,” Herro said. “That’s my improvement this summer is how I can figure out ways to help this team win games at the end of games.” What shouldn’t go unmentioned whenever Adebayo’s season is remembered is that he did add the three to his game, taking 2.8 a night while making 35.7 percent of them including over 40 percent from the corners. For a first season taking threes at relative volume, that’s wildly successful. Not to the point where defenses were particularly worried about those shots, by the way they defended them – Cleveland was happy to leave Adebayo and Kel’el Ware alone at the arc, and the playoffs tell the most relevant tale – but Adebayo was good enough that teams might also rethink their strategies down the road. Aside from the Butler trade with Golden State, which brought clear and definitive closure to an era in Miami that lasted five-plus years, the story of the year was the development of Ware, likely to make an All-Rookie team. Specifically, that he developed enough, beyond merely showcasing his clear and natural athleticism and talent, to make the pairing of him and Adebayo viable as an on-court product. There are degrees to this, of course. Together, Adebayo and Ware had a Defensive Rating that would have ranked No. 2 in the league behind Oklahoma City. That didn’t translate to the postseason when Cleveland put up just about the highest Offensive Rating ever recorded in a playoff series, with Ware running into the steep learning curve of playoff basketball, but the regular season numbers tracked with the film. As the roster is currently constructed, everyone involved appears to be committed to seeing the double-big look out. As Ware develops – his offseason focus, in his words, was to improve his strength – the defense should be rock solid. It's the offense where questions remain. An Offensive Rating of 113.5 is below average on its own – workable on paper, but well behind what is typically required of the contender class – and even then it might have been inflated a bit by the team shooting over 40 percent from three in those minutes. That can change, but for as encouraging as the minutes were the first foray for the pairing did not dramatically alter Miami’s offense for the better, and Miami’s offense is where they have, by far, the most to gain. The number worth remembering is that in the four-game series against Cleveland, the Cavaliers had a Shot Quality (expected field-goal percentage) on two-pointers that would have ranked No. 1 in the regular season. Miami’s same number would have ranked No. 30. Offense is a question, too, for Davion Mitchell, probably the surprise of the season after he came over in the multi-team trade in February. Mitchell’s defense arrived as advertised, his on-ball pressure a huge boon to a defense lacking in perimeter options. His offense, however, far exceeded expectations. The speed in transition and the occasional bully-ball drives were helpful, to be sure, as were his snappy passing reads, but shooting 44.7 percent from the arc (plus 7-of-14 in the playoffs) on nearly 100 attempts blew everything he had previously done in his career out of the water. That number won’t stay that high because it doesn’t stay that high for anyone. If Mitchell can retain some of those jumper gains and, most crucially, force defenses to start respecting him more rather than going under on his pick-and-rolls, that’s another element that could add a bit more punch. The HEAT’s internal developmental program had wins, as usual. Beyond Ware, Pelle Larsson showed more than enough as a rookie that it’s not wild at all to say he could have a 10-year career with his physical, 3-and-D skillset even if both sides of that coin will require improvement. Nikola Jovic again turned more of his promise into production, and his passing may be one of the most important skills on the team moving forward especially when it comes to offering upside against the best defensive units. Building forward will require consistency – you can’t build around a specific skillset until you build the trust that you can be an every-night player – which Jovic spoke to during his Exit Interview, but given he's only 21 years old there’s little reason to expect anything less than a further upward trajectory. It’s too early to say much about Keshad Johnson, Josh Christopher or Isaiah Stevens. Year Two is when players who started with the Sioux Falls Skyforce typically show if they’re ready to start grabbing occasional minutes. Just as much as Miami’s struggles as a team this season must be acknowledged, so too do those of the players. Jaime Jaquez Jr. and Terry Rozier both had something of a lost year, Jaquez Jr. hitting road bumps every time he began to gather momentum as his jumper stalled out and hindered the rest of his development. Rozier began the season as a starter, the question at that time how he and Herro could coexist in the backcourt with Herro planning to play more off the ball, and ended it out of the rotation as his offense remained stuck in a slump he couldn’t shake. Dru Smith was starting to earn a serious role earlier in the year, after returning from an ACL injury, only to tear his Achilles tendon in a moment that broke a thousand hearts. The rest of the veterans did what was expected of them. Duncan Robinsson – still one of the most underrated players on the roster for how he, especially when working with Adebayo, causes and forces serous and damaging overreactions from defenses by simply running hard around a handoff – and Alec Burks remained the sniper they’ve always been. Haywood Highsmith is as dependable a role player as you’ll find, incredibly consistent as a shooter and defender on a night-to-night basis. Kyle Anderson’s ability to handle and run offense was a boon for Herro later in the season, some teams fundamentally ill-equipped to handle his unique brand of slow-motion offense. Andrew Wiggins struggled along with everyone else against the Cavaliers but otherwise provided the same level of tertiary usage and efficiency he has everywhere else, his ability to attack mismatches in the post a crucial dynamic in the team’s post-trade landscape. There is talent here, perhaps more than a 37-win season would indicate, but talent guarantees little these days. The thing about Erik Spoelstra teams is that they have typically already cut as much of the low-hanging fruit as possible. There are no obvious quick fixes or band-aids. Improvement, real improvement that translates into wins and postseason equity, will most likely come from development. And there is plenty of youth and talent to develop. If nothing else, this season leaves everyone here, with a group that, as Spoelstra often said, proved itself worthy of winning even if the wins didn’t always come, a good though occasionally leaky defense with an offense that could explode in bursts even as it dealt with serious late-game struggles. For the past five seasons, this team earned itself a place in the conversation about championship contenders. Sometimes they were square in the middle of that conversation, sometimes they were on the fringes, the team that many rightfully didn’t want to deal with. That era is now over, and the last few months weren’t enough to tell us if a new one has begun. This group, every player in a new role or position than they were in eight months ago, will have to prove itself all over again, not only as worthy winners but winners outright, as a team that deserves to be spoken about as a threat to play well into May The only way you can prove that is to do it. The chance for that, with Adebayo and Herro at the helm, will come. Basketball always returns, always offering more chances. Either you seize them, or somebody else will. For Miami HEAT tickets click here. By ML Staff. Courtesy of NBA. F

Fireworks are a fantastic way to add a little sparkle and excitement to any celebration. Whether you’re hosting a wedding, birthday party, or a public event, selecting the right firework display pack can elevate the experience, making it unforgettable. But with so many options available, how do you know which one is perfect for your event? This guide will walk you through everything you need to know about choosing the ideal firework display pack. Factors to Consider When Choosing the Right Firework Pack When picking the right firework display pack, a few key factors will help guide your decision: Event Type :
The type of event you're hosting will significantly impact your choice. For example, weddings and birthdays often benefit from smaller, more colourful fireworks that won’t overwhelm guests. On the other hand, large public events, like New Year’s Eve celebrations or fireworks festivals, may call for grander, multi-shot packs with bigger bursts of colour and noise. Consider the vibe and atmosphere you're aiming for, and choose a display that complements it. Audience Size :
A larger event typically requires a bigger firework display, so be sure to choose a pack with enough fireworks to entertain a crowd. If you're hosting a smaller, more intimate gathering, a smaller pack with fewer but more impressive fireworks may suffice. Also, consider the space available for spectators; you don't want fireworks that are too close for comfort! Safety Concerns :
Fireworks can be dangerous if not handled correctly, so make sure to choose a pack that comes with clear safety instructions. Always check the packaging for any safety certifications, and be aware of local laws and regulations regarding fireworks. You’ll also want to consider the age of your guests—some packs may be too loud or intense for young children. Duration of Display :
How long do you want your firework display to last? Some packs are designed for quick, intense bursts of excitement, while others offer a more extended show. Think about the pacing of your event and how long you want the fireworks to keep people engaged. Get your event-ready firework assortments  today from Anfield Fireworks. Matching Fireworks to the Theme of Your Event Fireworks aren’t just about light and noise—they can be an essential part of setting the tone for your event. Here are some ways to match the display to your theme: Colour and Effect Variety :
Different firework colours and effects can match the theme of your event perfectly. For a wedding, for example, you might choose elegant gold or white fireworks, while a Christmas event could benefit from festive red and green colours. If you're hosting a themed party, such as a Hollywood extravaganza, consider fireworks that match the glamour and drama of your theme. Sound Level :
Some people love the loud bangs of fireworks, but others may find them overwhelming. For more family-friendly or intimate events, look for packs with a quieter, more subtle display. There are plenty of options out there that deliver stunning visual effects without too much noise. Location and Weather Considerations Your location and the weather will impact your firework selection. Here’s how to plan ahead: Outdoor vs. Indoor Displays :
Most firework displays are designed for outdoor events, but there are smaller, indoor-safe fireworks available for smaller gatherings. When choosing a display, ensure the fireworks are suitable for your event location. For large outdoor events, consider how visible the fireworks will be based on the space and crowd size. Weather Impact :
Fireworks can be affected by weather conditions such as wind and rain. If you’re hosting an event outdoors, always have a backup plan in case of adverse weather. Some fireworks are more wind-resistant, while others may not perform as well in wet conditions. Keep an eye on the forecast, and be prepared to adjust if necessary. Conclusion Choosing the right firework display pack can be the difference between a memorable event and one that fades into the background. By considering factors like event type, audience size, safety, and budget, you can create a spectacular show that everyone will enjoy. Remember to match the fireworks to your event’s theme, plan for the weather, and always prioritise safety. With the right firework display, you’re sure to light up the night and create memories that will last a lifetime. By ML staff. Image courtesy of Pexels.

Boxing is a sport with a rich history, brimming with emotion, drama, and raw intensity. When it comes to live sports events, few can compare to the experience of watching a boxing match in person. While many sports offer exciting live events, boxing holds a special place for fans, thanks to its unique blend of athleticism, storytelling, and the visceral thrill that comes with every punch. Let’s take a closer look at what makes boxing stand out from other live sports events. 1. The Intensity of One-on-One Combat Unlike team sports where athletes rely on the support of teammates, boxing is a raw, individual battle between two fighters. The intensity of watching two athletes square off in the ring, each one solely responsible for their fate, is unlike any other sport. Every punch, every movement, and every decision could change the outcome of the match in an instant. The pressure is on the fighters alone, and the audience feels that tension, which makes every moment more electrifying. In many team sports, the action can feel diluted because multiple players are involved, and while the excitement is palpable, it's not always as personal. In boxing, however, the focus is entirely on the fighters—there’s no hiding from the spotlight. The outcome relies purely on skill, strategy, and heart, which makes each fight incredibly intense and unpredictable. Here are some of the major fight nights happening soon . 2. The Emotional Rollercoaster The emotional journey of a boxing match is often a wild ride, unlike any other sport. Fans are on the edge of their seats throughout the entire event, constantly shifting between hope, anxiety, and joy. Whether it's the fear of a devastating knockout or the excitement of a comeback, boxing's unpredictable nature keeps the emotional intensity at a high level. The personal stories behind each fight also contribute to the emotional engagement. Fans are often emotionally invested in the fighters' journeys—their struggles, sacrifices, and triumphs. This added layer of storytelling can make boxing feel more like a dramatic narrative, heightening the stakes beyond just the athletic competition. In other live sports, the connection to players may not be as personal or individual, which makes boxing’s emotional rollercoaster so unique. 3. The Atmosphere of the Arena The atmosphere in a boxing arena is unlike any other live sports event. While other sports have passionate crowds, boxing crowds bring a different kind of energy. The tension in the air is palpable, especially as the fighters make their entrances. The roar of the crowd, the sounds of the bell, and the intense focus on the ring create a thrilling environment that’s hard to replicate. The build-up to the match itself is an experience in its own right. Fans chant, cheer, and even jeer, creating an electrifying environment that makes every round feel like it could be the last. In team sports, the action can be spread across a large field or court, but in boxing, all eyes are on the ring, which gives the sport a more concentrated, immersive atmosphere. 4. The Unpredictability of the Fight In boxing, every match can change in the blink of an eye. A single punch can turn the tide of the entire fight, making each moment more thrilling. Unlike sports like football or basketball, where a comeback can take time to build, boxing's fast-paced, explosive nature means the momentum can shift instantly, keeping the audience on edge. The possibility of an unexpected knockout or a sudden surge of energy from one fighter keeps everyone guessing. Fans might expect a fight to follow a certain pattern, but boxing often defies predictions, making it one of the most exciting live sports to watch. In other sports, the outcome may feel more predetermined, but boxing offers that constant sense of uncertainty, which keeps fans engaged until the final bell rings. How Long Will a Boxing Match Last? If you’re new to the sport of boxing and want to learn about fights before you go, you’re probably wondering how long a match lasts. Perhaps you’ve heard about fights that last for several rounds, while some end earlier than anticipated. Indeed, there’s some unpredictability when it comes to boxing. Here’s what you need to know about the duration of a fight. Level Taken into Account The level of the fight will have an impact on how long the match can last. For example, if you’re attending a championship fight, this can last up to 12 rounds. You’ll find that each round can last around three minutes. There can be short breaks for the boxers too. Note that the experience of fighters and whether their match is a non-title event can mean that fewer rounds are played. Note that in amateur boxing, you can find that matches only last around three rounds. They can be three minutes each. Don’t forget that there will be short breaks included for the boxers to address wounds or hydrate. Why a Match Ends Early Of course, there are different scenarios, which means that boxing matches can end a lot earlier. For example, one of them can be due to a knockout. This means that the boxer throwing the punch will be the victor. There can also be technical knockouts and disqualifications, which can mean that the referee has a part to play.  Conclusion Boxing stands apart from other live sports events in many ways. The raw intensity of one-on-one combat, the emotional rollercoaster, the unpredictable nature of the fights, and the electrifying atmosphere all combine to make watching boxing live a truly unique experience. Whether it's the personal stories of the fighters, the sense of history, or the spectacle of the event, boxing offers something different from the typical live sports event. For true fans of the sport, there’s no better way to experience it than in person. By ML staff. Image courtesy of Pexels.

We’ve all experienced it—rushing through the morning, frantically searching for toothpaste or a clean towel in the cluttered chaos of a bathroom. It’s stressful, time-consuming, and sets the tone for a busy day ahead. But what if your bathroom could be an oasis of organisation, helping you start your day on the right foot? Enter the wall-mounted bathroom cabinet. A simple yet incredibly effective storage solution that can make your mornings more organised and far less stressful. Let's explore how wall-mounted cabinets can transform your bathroom into a clutter-free space and give you the calm start you deserve. The Benefits of Wall-Mounted Bathroom Cabinets When you think about storage solutions for your bathroom, a wall-mounted cabinet might not always be the first thing that comes to mind. But once you discover the many benefits, you’ll see why it should be your go-to choice for bathroom organisation. Space-Saving Bathrooms, especially smaller ones, can feel cramped when clutter takes over. Wall-mounted cabinets help solve this problem by freeing up valuable floor space. With the cabinet mounted on the wall, you’ll have more room to move around, making your bathroom feel larger and more open. View space-saving cabinet styles  by clicking the link. Accessibility How many times have you spent precious minutes rummaging through drawers or under the sink to find that one item you need? Wall-mounted cabinets put your essentials right at eye level, making it quick and easy to access everything you need, whether it’s your toothpaste, soap, or hair products. Aesthetic Appeal A bathroom that’s free from clutter not only feels better but looks better, too. Wall-mounted cabinets have a sleek, modern design that can instantly elevate the look of your bathroom. Whether you prefer a minimalist style or something with a bit more character, there’s a design that will suit your space and enhance your décor. How Wall-Mounted Cabinets Contribute to a Stress-Free Morning Mornings can be chaotic enough without the added stress of a disorganised bathroom. A well-planned bathroom setup with a wall-mounted cabinet can make your morning routine run smoothly, leaving you with more time to enjoy your day. Quick Access to Essentials Having your everyday toiletries and products neatly organised in a wall-mounted cabinet means you won’t waste any time searching for them. Everything is in one place and easy to grab, whether you're brushing your teeth or grabbing a towel for the shower. With this kind of organisation, you can breeze through your morning routine without the usual stress. Reduced Visual Clutter Clutter doesn’t just affect your physical space—it also affects your mind. Seeing items strewn across countertops or piled in drawers can create unnecessary stress. By moving everything into a wall-mounted cabinet, you instantly clear up surfaces, giving your bathroom a clean, peaceful vibe that encourages a calm start to your day. Time-Saving The more organised your bathroom, the less time you’ll spend on decisions. When everything has its place, you won’t have to waste time choosing between a messy countertop or a chaotic drawer. This can shave minutes off your morning routine and help you start your day feeling more in control. Elements to Look for in a Wall Cabinet Are you struggling to narrow down your choice of wall cabinet? This can be a tricky task in your bathroom, and there are many designs on offer. Indeed, they all come with different features, and it can be tricky to know what you’ll use or if it’ll be a novelty. Generally, there are a few elements that are popular with wall cabinets and are chosen year after year. So, let’s take a look at what they are. Mirror Everybody wants a mirror in their bathroom. You’re going to use this to get ready in the morning, whether it’s brushing your teeth or shaving. But, if you’re pushed for space on the walls of your bathroom, you can look for a mirror wall cabinet. This is going to provide a convenient height for getting ready and save space in a compact bathroom. Shaving Point Do you want to be able to charge shavers in the bathroom? Well, you can look for a wall cabinet that has one. There are some designs that offer this as a feature, which can be easily installed. It’s better than having one fitted into the wall, which can take a lot of work. Lights Do you want to create a relaxing ambience in your bathroom? Well, you want to start by switching off the ceiling light. Instead, you want small lights. Indeed, you can get a wall cabinet that has lights on it. These can also be used as a task light when combined with a mirror. Conclusion Wall-mounted bathroom cabinets are more than just a storage solution—they’re the secret to a clutter-free, stress-free morning. By improving organisation, reducing visual clutter, and saving you time, these cabinets transform your bathroom into a functional and stylish space. Whether you're short on space or looking to enhance your bathroom's design, a wall-mounted cabinet is a smart choice. So why not start your day the right way with a well-organised bathroom? It’s time to experience the calm that comes with an organised, stress-free morning routine. By ML staff. Image courtesy of Pexels.

There was a time when mid-century modern style was not as cool and desirable as it is today — when the sleek lines of a 1960s Scandinavian sideboard or the metallic sheen of a Jean Prouvé  cabinet were not the aspirational focus of every interior design magazine. ‘Back in the early 2000s, there were very few dealers who offered mid-century,’ says Agathe de Bazin, head of Design  at Christie’s in Paris. ‘Collectors had to go the extra mile to find these things.’ From left: Jean Prouvé (1901-1984), a pair of ‘Visiteur’ armchairs, circa 1945 (estimate: €150,000-200,000); Ron Arad (b. 1951), ‘Blo-Void III’ armchair, circa 2006 (€30,000-50,000). Both offered in Design on 21 May 2025 at Christie’s in Paris. On the wall is Damien Hirst (b. 1965), Untitled, 2000 ($150,000-200,000). Offered in the Post-War and Contemporary Art Day Sale on 15 May 2025 at Christie’s in New York This makes Tiqui Atencio Demirdjian all the more remarkable. ‘I learned from the best,’ says the author and collector, citing her friend, the late interior designer Frédéric Méchiche, whose sophisticated yet eclectic incorporation of trends and eras into his clients’ homes earned him a reputation as a design maverick with a superlative eye. Not only did he show her ‘the value and beauty of mid-century modern furniture’, he also inspired her to place it alongside pieces from other periods. Creative combinations have become a hallmark of her style. ‘It seems obvious to us now, but few people would have thought of pairing an American designer like George Nakashima with a European like Mathieu Matégot back in 2006,’ says Bazin. ‘I love how well Ms Atencio Demirdjian managed to combine these things — she really is a pioneer.’ From post-war industrial chic to post-millennial biomorphism, here are nine outstanding pieces selected by Atencio Demirdjian, all offered in the Paris Design sale on 21 May 2025. Jean Prouvé, ‘BA 12’ sideboard, circa 1946 The resourceful French designer Jean Prouvé had an instinctive talent for blending the traditional with the industrial. A pioneer of post-modern architecture, Prouvé never hid the construction process, boldly making visible the screws, joints and nails in his ingenious designs. This ‘BA 12’ sideboard embodies Prouvé’s philosophy of truth in design, combining the smoothness of a Brancusi sculpture with an uncompromising toughness. Jean Prouvé (1901-1984), ‘BA 12’ sideboard, circa 1946 . 39 x 78¾ x 17¾ in (99 x 200 x 45 cm). Estimate: €100,000-150,000. Offered in Design on 21 May 2025 at Christie’s in Paris Serge Mouille, three-armed floor lamp, circa 1952 This celebrated floor lamp was conceived by the French virtuoso Serge Mouille , a metalsmith turned lighting designer who used his craft to create deceptively simple, ingenious lamps in black-enamelled aluminium. With their sleek, graphic style, narrow profile and high functionality, they won the designer great acclaim in the 1950s. Serge Mouille (1922-1988), three-armed floor lamp, first version, circa 1952 . 81⅞ x 59 x 36¼ in (208 x 150 x 92 cm). Estimate: €70,000-90,000. Offered in Design on 21 May 2025 at Christie’s in Paris Mathieu Matégot, ‘Nagasaki’ side chairs, circa 1954 The Hungarian-born French designer Mathieu Matégot developed the technical process known as ‘Rigitulle’ during his imprisonment in a mechanical engineering factory in Germany during the Second World War. The technique, which became his signature, allows sheet metal to be shaped and folded in a way that mimics fabric. These ‘Nagasaki’ side chairs are a perfect example of the practice: they appear almost weightless, but have a hidden solidity. Mathieu Matégot (1910-2001), a pair of ‘Nagasaki’ side chairs, circa 1954 . Each: 29½ x 22¼ x 23¼ in (74.5 x 56.5 x 59 cm). Estimate: €6,000-8,000. Offered in Design on 21 May 2025 at Christie’s in Paris Georges Jouve, Cylindres, circa 1955-1968 The ceramicist Georges Jouve had intended to become an architect before his plans were interrupted by the Second World War. Having served as a soldier in the French Liberation Army, he began making ceramics as a way of earning a living after he escaped from a German prisoner-of-war camp. Jouve sought inspiration for his designs in early modern art movements such as Cubism and abstraction, and soon settled on his signature style: smooth, minimal objects glazed in strong metallic colours, combining functionality with a liquid beauty. Left: Atelier Jouve (1964-1968), Cylindre, circa 1964-68 . 8¼ x 9¾ in (21 x 25 cm). Estimate: €20,000-30,000. Right: Georges Jouve (1910-1964), Cylindre, circa 1955 . 10¼ x 12¼ in (26 x 31 cm). Estimate: €30,000-50,000. Both offered in Design on 21 May 2025 at Christie’s in Paris Charlotte Perriand, coffee table, circa 1955 In the 1930s, the revolutionary French designer Charlotte Perriand showed her passion for modern materials by creating stark, uncompromising furniture that was astonishingly radical. She was such a hardline modernist that she used to wear a necklace of ball bearings, and even wrote a diatribe against wood. That all changed in the 1950s, when a trip to Japan reawakened her love of nature. Her subsequent designs echoed the natural world through the use of organic materials. Charlotte Perriand (1903-1999), coffee table, circa 1953 . 13½ x 54¾ x 20¾ in (34.5 x 139 x 52.5 cm). Estimate: €25,000-35,000. With a Georges Jouve (1910-1964), ‘Oursin’ vase, circa 1960 . 2¾ x 7⅞ in (7 x 20 cm). Estimate: €2,500-3,500. Both offered in Design on 21 May 2025 at Christie’s in Paris Poul Kjærholm, ‘PK 9’ dining chair, 1960 Poul Kjærholm designed furniture with the gravity of a sculptor, creating beautiful, austere, modernist works. The ‘PK 9’ dining chair was one of his most innovative constructions, combining modernity with a respect for human scale. The Danish designer believed in being true to his materials, resulting in timeless furniture that still looks contemporary today. Poul Kjærholm (1929-1980), a suite of four ‘PK 9’ chairs, 1961, E. Kold Christensen edition . Each: 30 x 22¾ x 23¾ in (76 x 58 x 60 cm). Estimate: €8,000-12,000. Offered in Design on 21 May 2025 at Christie’s in Paris George Nakashima, ‘R’ bench, 1972 Anyone who has seen the 2020 documentary Woodworker will know what an extraordinary man George Nakashima was. An architect and designer who believed in the divinity of craft, he said that his hand-carved wooden pieces were a way for the tree’s spirit to live on in a new form. Nakashima drew on his Japanese and American heritage, together with his nomadic wanderings in India, to create furniture imbued with a soulful energy. George Nakashima (1905-1990), ‘R’ bench, 1972 . 13¼ x 61 x 28 in (33.5 x 155 x 71 cm). Estimate: €15,000-20,000. Offered in Design on 21 May 2025 at Christie’s in Paris Isamu Noguchi, ‘Pierced Table’, 1982 The Japanese American polymath Isamu Noguchi is celebrated for his graceful, well-structured creations. The artist believed in the life-enhancing power of sculpture, using his skills to create harmonious designs that could be enjoyed by everyone. His simple ‘Akari’ paper lamps are still in production today. This ‘Pierced Table’ — designed in 1982 — has a lively sensibility, reflecting the artist’s lifelong fascination with playgrounds, which he saw as utopian social spaces. Isamu Noguchi (1904-1988), ‘Pierced Table’, 1982 . 22 x 37 x 35¾ in (56 x 94 x 91 cm). Estimate: €50,000-70,000. Offered in Design on 21 May 2025 at Christie’s in Paris Ron Arad, ‘Blo-Void III’ armchair, circa 2006 Ron Arad evades categorisation: he is an innovator who has been pushing the boundaries of the creative industries for decades, bringing his restless brilliance to the domestic interior in pieces such as this sculptural, biomorphic ‘Blo-Void III’ chair. He attributes his non-conformity to the influence of Marcel Duchamp and Man Ray , artists who pioneered new forms of creativity in the early modern era. The British-Israeli designer became a household name in the early 1990s for his polished D-Sofa , which has broken records at auction. Ron Arad (b. 1951), ‘Blo-Void III’ armchair, circa 2006 . 30¾ x 49⅝ x 23⅝ in (78 x 126 x 60 cm). Estimate: €30,000-50,000. Offered in Design on 21 May 2025 at Christie’s in Paris Click here  for the latest Christies auctions. ML Staff. Content/image courtesy of Christies.

New World Jinzhou Hotel officially opens its doors, marking a significant milestone in the brand's expansion in China. The rich cultural heritage of the Liaoxi Corridor converges with contemporary modern aesthetics. Inspired by the theme “Half Mountain, Half Sea; City’s Vibrance, Ever Bright,” the hotel captures the gentle flow of the Linghe River, the robust spirit of Yiwulv Mountain, the vastness of Bohai Sea, and the brilliance of Red Beach, resulting in a design narrative of “Majestic Mountains and Seas, Vibrant Elegance.” This signature landmark, located in the city’s core, redefines the heights of upper-upscale business, leisure and cultural travel experiences in Jinzhou, offering global guests an immersive journey where nature's epics and urban vibrancy intertwine. Culture as the Soul, Nature as the Rhythm New World Jinzhou Hotel invites a top domestic design team to bring its vision to life, embodying the concept of “Lobby Lounge as the City’s Living Room.” The design skillfully integrates local characteristics with urban living, showcasing an elegant aesthetic that blends modernity and classicism. The three-story high lobby lounge breaks traditional boundaries, creating a striking first impression inspired by the rushing Linghe River: a green wall resembles ivy cascading from Bijia Mountain, while the island bar mimics the rocks of Bohai Bay. Contemporary art installations in hues reflecting Red Beach evoke the ebb and flow of tides, reminiscent of intricate Manchu embroidery. The "Dream Spiral Staircase" gracefully ascends, dancing with crystal chandeliers, symbolizing the spirit of exploration. A perforated metal canopy in the drop-off area, inspired by “Stars Over the Sea,” welcomes guests with a pine tree bowing to greet them, telling the unique story of the Liaoxi land from the moment of arrival. New World Jinzhou Hotel enhances business experiences through technology. The grand ballroom features a 7-meter high, column-free space, with ceilings and carpets that metaphorically evoke the epic tales of Liaoxi, providing ample space for large events. It can be reconfigured into two multifunctional rooms, complete with holographic projection and LED screens showcasing the beauty of Red Beach. Eight multifunctional rooms and a VIP suite feature modular partitions to cater to diverse needs for smaller events. The escalator corridor creates a “Time Tunnel” with light and shadow, while the tea break area offers unique refreshments, redefining traditional business meeting boundaries with a “fresh” experience. A Private Sanctuary Amidst Scenic Views The hotel has 215 guest rooms, featuring high-quality amenities with themes of “Mountain and Sea Mist” and “Linghe Dawn,” subtly embedding cultural genes within contemporary minimalism. Dual sinks and standalone bathtubs enhance the quality and ritual of the bathroom space, while contemporary decor quietly reshapes the textures of Jinzhou’s mountains and seas—the silhouettes of fishing boats on the Linghe River shift with changing light, allowing guests to connect with the city's soul even in private spaces. The Gym is located on the third floor and is fully equipped, including a separate yoga room for guests to regain balance through exercise. The lobby lounge on the first floor offers select coffees and teas, with soft music and expansive space providing a poetic respite amid busy schedules. Culinary Delights in Liaoxi The Jinxiu All-Day Dining Restaurant features designs inspired by Manchu paper-cut patterns that create a play of light and shadow. Seating arrangements form semi-open “forest cabins,” and the buffet counter is inspired by the pebbles of the Linghe River, offering a dynamic variety. Breakfast includes freshly made Jinzhou bean skin rolls, while the dinner barbecue replicates the vibrant atmosphere of the “Ancient Tower Night Market.” Tableware patterns subtly incorporate celestial motifs from Fengguo Temple, creating a cultural feast for both the palate and the eyes. The hotel’s Chinese restaurant and private dining rooms reimagine Liaoxi’s cultural narrative with minimalist lines, using low-saturation colours to create a “de-symbolized Eastern elegance.” Flexible room configurations facilitate a silent dialogue between tradition and modernity, transforming the essence of mountains and seas into exquisite dishes and drinks. “The hotel is not just a stop on one’s journey; it should also be a driving force for the city's progress,” said Mr. Wang Zhe, General Manager of New World Jinzhou Hotel. The opening of New World Jinzhou Hotel is a symphony of culture, nature, and brand, weaving the grandeur and warmth of Liaoxi into a contemporary language of taste. With the spirit of the mountains and seas, a new brilliance is born—join New World Hotels & Resorts in this temporal and spatial rendezvous in Liaoxi, witnessing the eternal dialogue between urban vibrancy and luxurious artistry. ML Staff. Courtesy of Rosewood Hotel Group

Japan's Kanoa Igarashi banked third over three-to-four-foot surf at the Bonsoy Gold Coast Pro event on Saturday to boost his 2025 World Surf League (WSL) Championship Tour (CT) chances as Ítalo Ferreira retained the men's title lead with Caitlin Simmers and Molly Picklum staying in the top three overall on the women's side. After finishing runner-up at the last Rip Curl Pro Bells Beach event behind friend Jack Robinson, Igarashi knew another good showing at Burleigh Heads on the Gold Coast of Queensland would help move him up the 2025 standings as the 2020 Olympic silver medallist looks to win his first CT title. This time around, the 27-year-old edged out Brazil's Ian Gouveia 12.86 to 12.67 in a Round-of-32 thriller, then upped his game to sneak past veteran Jamie O'Brien - who had beaten American Griffin Colapinto in the last 32 - 17.17 to 15.54 to book a quarter-final spot against South African Jordy Smith, who had seen off Brazilian João Chianca in the last 16. Igarashi dug deep in the last-eight clash to get past recent Surf City El Salvador Pro champion Smith 14.34 to 13.84, however wildcard Julian Wilson was a different proposition in the semi-finals as the Australian - who defeated Ferreira in the Round of 32 - got the upper hand with a great performance to book his final spot against Brazilian Filipe Toledo. With Robinson defeated in the Elimination Round and Lexus Pipe Pro runner-up Leonardo Fioravanti also out early in the last 32, 2022 and 2023 WSL champion Toledo took his chance to bag his first 2025 victory thanks to a brilliant final showing of 17.60. It came on the back of a long barrel to giant hack that earned an 8.53 and an aggressive two-turn combo that collected a 9.07, which helped him to just eclipse Wilson's valiant 17.20 in a rematch of the 2015 final that Toledo also won. After sitting out the 2024 season, Toledo, 30, said: "I took the year off to take care of myself, to take care of my family, just like [Julian] did, but I came back a little earlier than him. It feels damn good to be back. The rematch again after so many years, we want to win so bad every time we're in a final. As Julian said, it just brings the fire out of us." 2019 WSL champion Ferreira still leads the title race from compatriot Yago Dora with Smith just behind in third place and Igarashi up two spots to fourth place with momentum now behind him. In the women's event, American Caroline Marks could not replicate her MEO Rip Curl Pro Portugal win from earlier in the season as she was bundled out in the last 16 by France's Vahiné Fierro with reigning WSL champion Simmers unlucky not to progress herself in the Round of 16 after a 12.84 to 12.50 loss to eight-time WSL champion Stephanie Gilmore. Australian Picklum did manage to make it through the last 16 after a win over American Bella Kenworthy, but came up short against Hawaiian Bettylou Sakura Johnson 15.33 to 13.37 next time out. Canadian Erin Brooks excelled on the other side of the draw to defeat American Lakey Peterson in the Round of 16, then produced a masterclass in the last eight to see off Gilmore 17.76 to 14.27. Brooks revealed: "That heat was so crazy, I'm so lucky that I was able to surf against Steph. I've looked up to her my whole life and right when I got on Tour her and Carissa [Moore] kind of took time off, which is fair because they've put in so much effort to this sport, but I was like, 'No, I want to surf against you guys.' I'm just glad to get the win off of her because she's so amazing." Australian Sally Fitzgibbons, though, was too classy for Brooks in the semi-final as she booked a final spot against Sakura Johnson, who claimed a maiden WSL title in a one-sided contest 15.33 to 7.83. After thrilling thousands of fans who lined the famous surfing headland, Sakura Johnson, 20, said: "This is the best feeling in the world. I'm over the moon to have my first win on the Gold Coast. It's taken so much hard work and a lot of patience and perseverance to put everything together. This year was a really hard year for me, dealing with injuries and a whole bunch of other things." Hawaiian Gabriela Bryan retained a narrow lead over Simmers and Picklum in the women's title race with Marks down one place to seventh overall and Brooks moving up two spots into eighth place. The 2025 Championship Tour now moves on to the Western Australia Margaret River Pro event, which starts on May 17 with Robinson and Bryan looking to win again just like they did in 2024. Explore more World Surf League content HERE . By ML Staff. Content/images courtesy of RedBull

Immerse yourself in the world of Italian Craftmanship and join Tod's in-store for a demonstration from one of Tod's artisans from their factory in Brancodoro, Italy. Additionally, enjoy complimentary hot-stamping with any purchase. DATE AND TIME: Thursday, May. 15, 2025 11:00 AM - 5:00 PM ADDRESS: Tod's, 9700 Collins Ave, Bal Harbour ML Staff. Content/image(s) courtesy of Bal Harbour Shops

Sotheby’s Contemporary Day Auction is honored to present an extraordinary selection of works by some of the most significant artistic voices of the last century this May. Highlights include exceptional works by many of the most critically acclaimed artists of the 20th and 21st centuries, including Alexander Calder, Joan Mitchell, David Hockney and George Condo. The Contemporary Day Auction will feature exceptional examples from distinguished private and public collections including: Roy’s Lichtensteins: Works from the Collection of Dorothy and Roy Lichtenstein, Keith & Tony: Works from the Tony Shafrazi Collection, A Friend of the Arts: Property from the Collection of Joanne Von Blon, Property from The Walker Art Center and from The Phillips Collection, Spirit of Dreams: Property from the Joseph H. Hazen Family Collection, Modern Perspectives: Property from the Collection of Rolf & Margit Weinberg, and many more. Register to bid. Presented in partnership with CELINE. ML Staff. Content/image courtesy of Sotheby's

The Post-War and Contemporary Art Day Sale on 15 May will feature masterful works by some of the most impactful artists of the last century. Leading the sale are defining works by 20th-century visionaries such as  Joan Mitchell ,  Helen Frankenthaler  and  Alexander Calder , alongside significant works by celebrated and innovative 21st-century artists including  Richard Prince ,  Jean-Michel Basquiat  and  Simone Leigh . The auction will showcase extraordinary works from prestigious private and public collections, including Works from the Collection of Sir Anthony Caro , For Art’s Sake: Selected Works by Tiqui Atencio and Ago Demirdjian , Property from the Collection of Ellin and Bernhard Blumenthal , A Triumph of Figuration: Selections from the Joel and Carole Bernstein Family Collection, and Love, Keith: Works from the Estate of Joan P. Haring. Auction times 15 May 10:00 AM (EDT) Lots 501-638 15 May 02:00 PM (EDT) Lots 701-813 ML Staff. Content/image courtesy of Christie's