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  • What a Corporate Video Actually Costs in Miami in 2026?

    Image by DepositPhotos Video marketing has become essential for expanding your business in South Florida. By 2026, more than 86% of companies operating in Miami will use video as their primary marketing strategy. Corporate video production demand has also risen by 22% within the last two years. Miami's hospitality sector, luxury real estate, and international commerce are pushing corporations to invest in high-quality video content to gain a competitive edge. From influencer marketing agencies in Miami to full-scale production campaigns, the demand for professional video content has never been higher. 86% companies incorporate video marketing Demand increased by 22% Miami businesses are visual branding Base videos start at $5,000- $10,000 High-end videos, campaigns and commercials can go up beyond $85,000 The price is determines the quality of production Corporate video costs in Miami depend on the production complexity, equipment, crew, talent, how many production days, post production deliverables and usage rights. Working with a dedicated corporate video production company helps businesses scope projects accurately before committing to a budget. For instance, an interview-style video might cost $5,000 - $10,000 whereas an elaborate commercial production could go over $85,000. Corporate Video Types & Typical Lengths The type of video you're producing shapes nearly every cost downstream such as crew size, equipment, location count, and planning. A stylistic, multi-location car commercial for a new product launch demands far more of all four than a simple interview-style message from a company executive. We'll break down pricing in detail below; first, here are the corporate video types Miami companies typically produce in 2026, and how long each usually runs. Video Type Typical Length CEO / Executive Message 1 - 2 Minutes Company Overview / About Us 2 - 3 Minutes Product Demonstration 1 - 2 Minutes Customer Testimonial Video 1 - 2 Minutes Animated Explainer Video 60 Seconds High-End Brand Commercial 15, 30 & 60 Seconds Important Note on Video Production Costs The video production cost will depend on many factors, such as the vision, the talent, the shooting sites, permits, insurance, special effects, graphics, and other production factors. For instance, a simple executive message might need just a small crew and one location, but a commercial that involves celebrities, helicopter shooting and visual effects will carry high production costs. Since no two projects are alike, production costs are usually assessed after discussing the creative direction, scope, logistics, and desired outcomes. This approach guarantees proper budgeting for each project rather than relying on generalizations about cost. The Three Stages of Production To understand corporate video pricing, it is necessary to examine the three principal stages of video production: pre-production, production, and post-production. All charges listed in an agency’s quote fall into one of these categories. Pre-Production (The Planning Stage) Before shooting begins, it is essential to plan thoroughly. Planning usually consumes about 15% to 20% of the budget overall. Without proper planning, waste occurs during filming. Scriptwriting & Concept Development: Scriptwriters in Miami have an hourly rate ranging from $75-$150. An average two-minute corporate video would take about 4-8 hours to write. Storyboarding: The process of creating storyboards before filming is priced at about $50-$100 per page. Location Scouting & Permits: Finding the right venue and getting permits from the local authorities involves some expenses. An application fee of $100 to $200 is required to obtain an official permit from Miami-Dade County. Production (The Filming Stage) Image by DepositPhotos This is the most expensive aspect of the entire process. This involves the physical laborers, specialized equipment, and the physical space of the studio. In 2026, the labor costs in Miami will be influenced by the cost of living and industry demands. Director/Producer: Manages the creative direction and schedule. Day rate ranges from $800 to $1,500. Director of Photography (DP) / Camera Operator: Manages the cameras and visuals. Day rate ranges from $1600 to $4000. Normally comes with a standard camera package, basic lens kit, tripod and media cards. Audio Engineer: Delivers clear, broadcast-quality sound. Even beautifully shot content loses its impact the moment the audio falls short, which makes this one of the most underrated roles on set. Their daily rates start at $1,200 and run up to $2,500 depending on the professional wireless audio package - camera hops, IFB’s transmitters and receivers, and lavaliers. Larger, more involved shoots with multiple talent may require a second engineer or an assistant for gear prep and management. Equipment Rental: Consists of high-end cameras such as 4K or 8K cinema cameras, Cinema Prime Lenses or zoom lenses, various stabilizers including steadicams, jibs and cranes, camera cars or chase vehicles, lighting trucks from 1 Ton up to 3 Ton grip and lighting packages, set builds, displays and props and camera drones. Equipment costs can vary from $1,000 per day up to $50,000 per day depending on the size and complexity of the project. Post-Production (The Editing Stage) This is when everything falls into place for the story. Here, editors join the raw footage, fix any sound issues, create corporate logos, and finalize the video. This process takes about 30% to 40% of the entire budget. Video Editing: The cost of video editing is in the range of $85-$180 per hour for Miami-based video editors. A regular corporate project takes around 15-30 hours to edit. Color Grading: Color grading helps make your video look high-end and consistent, at a rate of $100-$180 per hour. Audio Mixing & Sound Design: The process of balancing audio elements such as voiceovers, background music, and eliminating ambient sound ranges from $75-$130 per hour. Music Licensing: The copyright fees for using commercial background music amount to between $150-$400 per track. Hidden Costs to Consider in Miami While evaluating the production quotation, it is necessary to examine the elements that could be missing from an ordinary quotation. Particular considerations in Miami video production projects tend to increase costs. Travel and Parking Fees: The cost of parking one production vehicle in either Downtown Miami, Brickell, or Miami Beach is approximately between $50-$100 per day. If there are three production vehicles, the costs will be high. On-Camera Talent Fees: Using professionals to play parts rather than utilizing employees of your corporation is going to cost you between $500 and $1,200 per actor per day, in addition to other fees for online usage. Revisions: All agencies have two sessions for minor editing. However, if you request any significant structural changes to the video after it is completed, you will be charged additional editing rates. How to Maximize Your Corporate Video Budget When you have a strict budget at work, there are ways for you not to lose any quality but also stay within your budget: Batch Your Content: Record your content on one day. Most production houses calculate their prices on either a full-day or half-day basis. Instead of recording each executive separately over three days, record them all on one day and cut the cost of hiring crews. Book your Production Company Early: Most Miami video production company’s calendars get full quickly so it's important to secure your shoot date(s) on their production calendars. Most do so by accepting a 50% deposit to lock in the date(s). Prepare the Location Early: Ensure that the selected room in your workplace is neat, silent, and free. Any delay due to a lack of access to the room or noise will directly increase the cost per hour. Lock the script early: Keep your script tight and follow it. Any changes to the basic idea during editing would require the team to redo their work, doubling post-production costs. Image by DepositPhotos Conclusion Proper planning is essential when budgeting for creating an organizational video in Miami. With 2026 approaching, factors such as crew, equipment, post-production, and creative input will determine the total cost. Understanding current market rates is therefore very important. To achieve result-oriented results, it is essential to work with a team that offers dedicated corporate video production services. Professional production teams help businesses create good corporate and commercial videos by utilizing advanced videography skills and real world experience dealing with real world clients. They also offer transparent pricing and customized production packages for businesses looking to maximize ROI. By ML Staff. Images courtesy of DepositPhotos

  • Prada Highlights Minimalist Sandals for Summer

    Prada has introduced a new selection of women’s sandals that highlights minimalist design and a sense of lightness for the summer season. The collection focuses on essential shapes and refined lines that create a pure and delicate expression of summer elegance. The sandals feature fine straps and knotted details, which give each style a clean silhouette with a distinctive look. The new sandals are available through Prada’s official online boutique alongside other women’s footwear designs. Shoppers can also explore the latest arrivals in women’s styles and men’s collections through the brand’s website. By ML. Photo(s)/Prada

  • Tiffany & Co. Highlights Summer Jewelry Styles With Mixed Metals and Matching Motifs

    Tiffany & Co. is spotlighting a range of summer jewelry looks that emphasize bold silhouettes, coordinated motifs and mixed metals across its signature collections. The House is encouraging clients to build seasonal looks around matching HardWear by Tiffany designs, which are presented as a way to create a polished, cohesive style. Pieces are offered in gold, white gold and rose gold, allowing customers to choose a single metal or coordinate sets across the collection. Tiffany is also promoting Knot by Tiffany pieces that pair different metals for contrast, highlighting mixed metal styling as a key approach for summer. The campaign invites clients to explore popular jewelry styles, consult with in store diamond experts, book appointments and personalize designs through services available on the company’s official website. More information on current collections and services is available on the Tiffany & Co. website. By ML. Photo(s)/Tiffany & Co.

  • Can You Own a Voice? Taylor Swift’s Latest Legal Move Raises Big Questions for AI and Copyright

    Taylor Swift has filed a trademark application covering her voice and stage image. It includes a photo of her performing in her distinctive bejewelled Eras Tour bodysuit and two voice recordings: “Hey, it’s Taylor” and “Hey, it’s Taylor Swift.” Swift at the IHeartRadio Music Awards in March 2026. Associated Press/Canva It’s the latest example of the singer using her status and power to challenge industry norms and assert the rights of artists. In 2014, Swift removed her entire catalogue from Spotify in protest at the low level of artist remuneration generated by the platform (later relenting in 2017). In 2019, she began rerecording her previous albums in protest at the acquisition of her back catalogue by alleged industry foe Scooter Braun’s Ithaca Holdings, giving her back control over masters of her songs. The new “Taylor’s Versions” outperformed the original versions on streaming services. Although the actor Matthew McConaughey beat Swift to the punch by successfully trademarking some of his famous spoken lines of movie dialogue earlier this year, she appears to be the first music artist of note to take the step. The move raises some interesting issues in terms of copyright law and the rights of music artists. ‘Passing off’ and deepfaking In music, both sound recordings and the songs which they embody are protected by copyright law. Much of the income generated by the music industry is based on the commercial exclusivity to exploit these forms of intellectual property (IP), which that law ensures. All of Swift’s vocals are protected from copying in terms of being sampled without permission. But the question of whether or not a vocal being performed (or manufactured in the case of AI) to sound like Swift is a copyright infringement is less clear. In 1988, Bette Midler successfully sued Ford Motor Company for using an impersonator to perform her songs in TV adverts. This case suggests that deliberately copying a singer’s voice, style and tone can amount to passing off. In UK law, passing off is a common law tort involving misrepresentation that causes reputational or financial damage. In the US, similar protection is provided under the Lanham Act, which also guards against misleading imitation. Swift has also experienced the darker side of deepfakes, including fake pornographic images and AI-generated photos showing her wearing a “Swifties for Trump” T-shirt ahead of the last US presidential election. The US Take It Down Act, covering explicit deepfake content was passed into law in 2025. Similar protection is possible in the UK via the Data (Use and Access) Act 2025. While further legislation is being developed in the US to address AI-generated impersonation more broadly, Swift’s move to trademark both her voice and visual likeness suggests a desire to retain stronger legal control over her identity. This may give her a basis for pursuing civil action under common law or intellectual property rights when objectionable AI-generated content appears. Given her significant wealth and influence, such legal routes may also allow for faster enforcement than relying solely on the criminal justice system. The trademarks registered both by McConaughey and Swift arguably only offer protection for exactly what has been registered on the basis of the scope of a trademark being “what you see is what you get”. However, the fact that many platforms require proof of IP registration before taking down potentially infringing content suggests that having these trademarks in place will act as a powerful deterrent against future fakes at the very least. Training data A more complex issue for Swift and artists in general is the use of their existing works as data by AIs to create new works. For example, I could prompt an AI to write a song for me in the style of Fearless-era Swift but performed by a voice that is a cross between Norah Jones and Diana Krall. It would be very hard to prove that any particular piece of IP had been infringed, as the AI would be synthesising dozens of songs and performances to achieve its creation. However, new content would have been created via the mining of existing IP; a songwriter’s moral right of integrity protects against adaptation of their works without permission, and musicians and songwriters have become increasingly concerned that they are not being recompensed sufficiently, or indeed even consulted about AI using their work. In the UK, the Musicians Union has launched an initiative demanding consent and remuneration for AI training and AI-generated music. The UK government has pulled back from its previous line of allowing an exemption for AI training on copyrighted works in favour of more creator control after strong opposition to this stance from the creative industries. The image of Swift in her Eras Tour bodysuit is one of the things she’s trying to copyright. Christine Olsson/EPA The UK Performing Rights Society, which collects royalties from around the globe for its songwriter and composer members (and their publishing companies) when their work is performed live, broadcast or streamed, has declared that it will not register AI-generated works. However, it will register works which it classes as AI-assisted. This leads to the question of how much human input needs to be evidenced for a piece of music to be copyright-able. In UK copyright law, the Copyright, Design and Patents Act allows for recordings “generated by computer” but a song or composition needs to display originality to acquire the law’s protection – a product of skill, judgement and labour which should arguably involve significant human involvement, but how much? There have been some positive developments for artists’ earnings, with certain AI companies recently reaching settlements with major music rights holders over the use of training data in music generation. However, artists such as Swift may still need stronger protection to prevent the unauthorised use, imitation and commercial exploitation of their distinctive vocal styles. The current regulatory grey areas around AI’s use of IP have been likened to the wild west. With her trademarking initiative, Swift has donned her Stetson, pinned on her five-point star badge and declared herself the new sheriff in town. Words by Justin Morey, Senior Lecturer in Music Production, Leeds Beckett University. Special thanks for The Conversation. Support and donate today.

  • GOLDLAW Teams Up with DAS Beer Garden to Host Street Soccer Party on July 19

    Going for the gold! GOLDLAW is teaming up with DAS Beer Garden to host a Street Soccer Party in Downtown Abacoa. When all eyes are on the world’s biggest stage, the community is invited to watch the world's biggest soccer tournament at DAS Beer Garden, Jupiter’s neighborhood hangout and taproom, on Sunday, July 19, from 12 p.m. to 6 p.m. The free family-friendly event is open to the public. Soccer, football, fútbol – whatever fans want to call it – DAS Beer Garden has got it. Named one of “The Top 100 Sports Bars to Watch the World Cup” by Yelp in partnership with FOX Soccer, DAS Beer Garden has a rotating list of over 70 craft beers and 25+ indoor and outdoor TVs, with full audio, to catch all the action. In addition to its regular indoor and outdoor TVs, guests can expect an oversized LED screen with sound on in the street to cheer on their favorite team and celebrate every kick, save, and score. Leading up to the main match, fans will enjoy family-friendly games, including GOLDLAW’s interactive El Dorado soccer game, participate in giveaways, and more. Axcents, a musical venture that covers modern top 40 hits, dance, Latin and rock genres, will be kickin’ up the beats and serving good times. Attendees will also enjoy free sweet treats from GOLDLAW’s new Sweet Justice Ice Cream Truck. The Sweet Justice ice cream truck is a symbol of GOLDLAW's commitment to giving back to the community it has proudly served for over 20 years. Serving those who serve the community, the Sweet Justice truck delivers an assortment of free ice cream to South Florida residents and heroes from Palm Beach County up the Treasure Coast to the Port St. Lucie area. DAS Beer Garden will be scoring big and celebrating all month long. Starting Thursday, June 11, fans can watch the global tournament games at DAS Beer Garden. Each time the United States Men's National Soccer Team makes a goal, guests will receive a free DAS Lager. GOLDLAW will be on-site during the following matches, giving out GOLDLAW-branded swag and informational materials: Friday, June 12, from 7 to 11 p.m. – USA vs. Portugal Saturday, June 13, from 4 to 8 p.m. – Brazil vs. Morocco Wednesday, June 17, from 3 to 6 p.m. – England vs. Croatia Tuesday, June 23, from 3 to 7 p.m. – England vs. Ghana Thursday, June 25, from 8 to 11 p.m. – USA vs. Türkiye Saturday, June 27, from 3 to 7 p.m. – Panama vs. England Craig Goldenfarb, Esq., founder and CEO, and his firm, GOLDLAW, are active in their community, supporting programs and organizations that benefit the underserved communities in the areas of sports, education, and disease affliction. Some of the various organizations GOLDLAW directly supports include Urban Youth Impact, Wounded Warrior Project/Wounded Warriors of South Florida, American Heart Association, TOPsoccer, RDK Foundation, MS Society, and the Food Bank of Palm Beach County, among others. By ML Staff.

  • The Underline Hosts Bipartisan Miami-Dade Legislative Delegation for 2026 Session Update

    Nine members of the Miami-Dade Legislative Delegation from both sides of the political aisle gathered on The Underline’s Inter Stage on June 9 to discuss key outcomes of the 2026 Florida Legislative Session, provide updates on legislation impacting South Florida, and address the issues shaping Miami-Dade's future, including housing affordability, workforce development, environmental resiliency and economic growth. The Miami-Dade Legislative Delegation and community leaders gather on The Underline Hosted by The Underline and sponsored by the Miami Downtown Development Authority and the Miami-Dade Beacon Council, the Legislative Update brought together state senators and representatives serving communities across Miami-Dade County for one of the largest post-session gatherings of the county's legislative delegation. Throughout the discussion, legislators highlighted several initiatives aimed at strengthening Miami-Dade's economy and quality of life. Topics included Talent Bridge, a workforce development initiative designed to better connect students, educational institutions and employers; resiliency efforts addressing flooding and extreme weather impacts; investments in bicycle and pedestrian safety; support for veterans and individuals experiencing homelessness; and how AI is shaping our education. A recurring theme throughout the discussion was the need for collaboration on issues unique to Miami-Dade County. Legislators spoke about the challenges of balancing rapid growth with affordability, infrastructure needs and environmental resilience, while ensuring the county remains competitive and accessible for future generations. "This event showcases the support that the Miami-Dade Delegation has provided to Miami-Dade as a whole," said Eulois Cleckley, CEO of The Underline. "This event highlighted The Underline’s unique role of bringing people together and gave the community a chance to hear directly from its elected leaders." Participating legislators included Senators Alexis Calatayud (R), Ileana Garcia (R), Shevrin Jones (D) and Ana Maria Rodriguez (R), and Representatives Wallace Aristide (D), Demi Busatta Cabrera (R), Ashley V. Gantt (D), Dotie Joseph (D) and Alex Rizo (R). By ML Staff.

  • Miami Performing Arts Guide June 16–23: Best Theater, Plays, Dance & Live Shows

    Miami Living’s picks for performing arts from June 16–June 23, featuring live performances including dance, comedy, cultural conversations and more across the Miami metro area. Celtic Throne performs on June 22 Slow Burn Theatre Co — June 18 Purchase Tickets A dynamic regional theatre production known for Broadway-level staging and strong musical direction. Slow Burn Theatre Co consistently delivers polished ensemble performances with immersive sets and emotionally driven storytelling, making it one of South Florida’s most respected theatre companies. Alfred Robles — June 18 Purchase Tickets Stand-up comedian Alfred Robles brings his high-energy comedy style and sharp observational humor to South Florida. His sets focus on relatable life experiences, cultural commentary, and strong crowd interaction designed to keep audiences engaged throughout. Arnez J — June 19 Purchase Tickets Veteran comedian Arnez J delivers fast-paced, physical stand-up comedy filled with impressions, storytelling, and energetic stage presence. Known for his dynamic delivery, he keeps audiences laughing with nonstop humor and expressive performance style. Gay Men’s Chorus of South Florida — June 19 Purchase Tickets A powerful choral performance blending classical vocal technique with contemporary and theatrical arrangements. The ensemble is known for emotionally rich harmonies and uplifting programming that bridges opera, musical theatre, and modern concert performance. Celtic Throne — June 22 Purchase Tickets A high-energy Irish dance and theatrical production combining traditional choreography with modern stage design. Celtic Throne delivers a visually striking performance with rhythmic precision, storytelling, and large-scale ensemble movement. By ML Staff. Photos courtesy of each performer

  • Sekhmet Sculpture Serves as Sotheby’s Unofficial Mascot in London

    For more than a century, a bust of the ancient Egyptian goddess Sekhmet has presided over the front entrance of Sotheby’s London on New Bond Street, becoming a quiet fixture of the auction house’s daily life. Carved from diorite around 1320 BCE, the lion headed figure predates the London building and the firm itself. Installed above the doorway of the New Bond Street premises, the sculpture has acquired a reputation among staff and visitors as Sotheby’s unofficial mascot, watched by clients arriving for sales and exhibitions. Unlike works that pass through the saleroom with documented ownership histories, Sekhmet’s precise provenance remains uncertain. Over decades the bust has accumulated stories and superstitions, from informal rituals observed by employees to speculation about how the sculpture first came to occupy its position above the entrance. Readers can learn more about the sculpture’s history and its place in the company’s culture through Sotheby’s published features. By ML. Photo(s)/Sotheby’s

  • Art Basel Returns to Basel With Global Program From June 18–21

    Art Basel will return to Messe Basel from June 18 to 21, turning the Swiss city into a temporary hub for galleries, collectors, artists, and cultural figures from around the world. The 2025 edition brings together contemporary and historic works by artists including Kara Walker, Pierre Huyghe, Ibrahim Mahama, Ed Ruscha, Willem de Kooning, and Helen Frankenthaler, as well as pieces by Pablo Picasso, Mark Rothko, Louise Bourgeois, Jean-Michel Basquiat, Cy Twombly, Yayoi Kusama, Jeff Koons, Arthur Jafa, and Tracey Emin. A new project titled Warehouse Artefacts, presented by art.klub at Messe Basel, will connect contemporary art with club culture through an immersive environment created by Daft Punk co-founder Thomas Bangalter, artist Julian Charriere, and Berlin-based DJ and producer Rampa. The experience will reconfigure the fairgrounds as a fragmented dancefloor informed by rave culture. Beyond the halls, Art Basel will activate public spaces across the city, with installations such as Kader Attia’s "Untitled (Rainsticks)" and Haegue Yang’s "Intermediates," which respond to Basel’s courtyards, riverfront, and bridges. Museum interiors, public squares, and historic landmarks will host works that extend the fair’s reach into the urban landscape. Public days at Messe Basel are scheduled from Thursday, June 18, to Sunday, June 21, from 11 am to 7 pm each day. Additional information is available on the official Art Basel website and visitors can purchase tickets online. By ML. Photo(s)/Art Basel

  • Sotheby’s Highlights New York Blue Diamond And Landmark Art Sales

    Sotheby’s is presenting a series of high profile sales and exhibitions in New York and London this season, spanning rare colored diamonds, fine jewelry and important modern art. Rare Fancy Intense Blue Diamond Leads New York High Jewelry Sale A 10.02 carat Fancy Intense Blue Diamond will headline Sotheby’s High Jewelry auction in New York on 16 June. The stone is described as both exceptional and rare, adding to a legacy of important blue diamonds that have passed through the auction house. The jewel forms part of a broader selection of high jewelry to be offered in the city. Sotheby’s is also revisiting notable blue stones from previous sales to contextualize the significance of the upcoming lot. David Hockney Remembered After Death At 88 Sotheby’s is marking the death of David Hockney, the English painter, draughtsman, printmaker and stage designer, who has died at the age of 88. The auction house is reflecting on his achievements across multiple media and on the enduring influence of his work within post war and contemporary art. High Jewelry Sale Features Leading New York Houses The New York High Jewelry auction will also include pieces by Tiffany & Co., Harry Winston and David Webb alongside other leading jewelers. Sotheby’s notes that these works represent some of the city’s most recognizable jewelry names. The sale invites bidders to consider a cross section of design, from historical houses to more contemporary interpretations, with estimates that reflect the current demand for signed jewels. Cartier Watch Designs Spotlighted In New York As the Shapes of Cartier Collection travels to New York, Sotheby’s is examining the appeal of Cartier’s watchmaking through the perspectives of three contemporary tastemakers. The feature looks at how design, brand heritage and wearability contribute to the maison’s position within the broader market for collectible watches. Renoir Portraits Offered Via Private Sale In New York Four portraits by Pierre Auguste Renoir, spanning four decades of his career, are available through a private sale with Sotheby’s in New York. The works are on view at Marcel, giving collectors the opportunity to study the evolution of Renoir’s approach to the human figure over an extended period. Picasso Portraits From The Lewis Collection To Be Sold In London Sotheby’s London will present a group of personal portraits by Pablo Picasso as part of the sale "Masterpieces from The Lewis Collection." The works, which reflect the artist’s relationships and changing stylistic interests, are being highlighted through a dedicated video that examines their themes and provenance. Sea Island Property LoweTide Showcases European Inspired Design Beyond the auction calendar, Sotheby’s is featuring LoweTide, a property on Sea Island, Georgia, which emphasizes European style architecture and interior design as part of its real estate offerings. The listing extends Sotheby’s activity into the luxury property market, aligning residential presentation with the firm’s existing focus on fine art and objects. By ML. Photo(s)/Sotheby’s

  • Versace Unveils La Vacanza 2026 Beachwear Selection for Men

    Versace has introduced a new La Vacanza 2026 beachwear selection for men, offering pieces designed for seaside getaways and poolside occasions. The selection features statement swimwear and resort styles intended to transition from the beach to leisure settings, reflecting the fashion house’s recognizable aesthetic across prints and cuts. The La Vacanza 2026 men’s beachwear range is available at Versace boutiques and online at versace.com. By ML. Photo(s)/Versace

  • Florida Grand Opera Prepares New Season and Calls for Subscriber Support

    Florida Grand Opera is preparing its upcoming season with new productions, sets, costumes, and internationally recognized singers, aiming to deliver performances that build on the company’s 85-year history in South Florida. The company notes that subscription revenue covers only a portion of production costs, with ticket income accounting for about 30 percent of the funding needed for each opera. Additional donor support helps underwrite world-class singers, a live orchestra, and the extensive artistic and technical work required to stage grand opera. Supporters who contribute alongside their subscriptions receive access to dress rehearsals, a donor lounge, and special events. Florida Grand Opera says that philanthropic gifts also enable it to share performances with students, veterans, individuals with disabilities, and underserved communities across South Florida through outreach and educational programs. Founded in 1941 as the Opera Guild of Greater Miami, Florida Grand Opera now presents classic grand opera, contemporary works, and new commissions in Miami-Dade and Broward Counties. The organization, which operates the Florida Grand Opera Studio artist training program, is currently under the direction of Maria Todaro and continues to present productions across the region. More information about the company and its programs is available on the Florida Grand Opera website. By ML. Photo(s)/Florida Grand Opera

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