American Heritage Schools, the top-ranked PK3 through 12 college preparatory school in Florida, is proud to announce its annual “K-9 Cause: An Evening of Art” auction benefiting the Broward Sheriff’s Foundation’s Retired Canine Relief Fund, on Saturday, April 20. Everyone loves dogs; however, police dogs, or K-9s, are a special breed. Instead of enjoying the pampered pet lifestyle, K-9s dedicate their entire lives to working daily to protect and serve citizens in our community along with their fearless handlers. They are considered law enforcement officers, whose duties include constant training, apprehending suspects, and searching for explosives, drugs, and missing persons. When the K-9s retire, their law enforcement handlers graciously adopt them and continue to care for them, as these K-9s have become their friends for life. Recognizing that the medical and healthcare for these K-9s can get quite costly, the Broward Sheriff’s Foundation has established the Retired K-9 Healthcare Fund. This Fund pays for up to 50% of the wellness care costs for all retired K-9s from any local law enforcement agency in Broward County. Inspired by a little boy’s passion for animals and art, American Heritage Schools is raising money to “fund this fund” by selling artistic renditions of these fine K-9s. Jackson Laurie, a sophomore at American Heritage Schools, and his parents Dr. Douglas Laurie and Nikki Laurie-Van Allen have partnered with the National Art Honor Society and the award-winning Fine Arts faculty at American Heritage to create artwork of these very K-9 being honored. American Heritage Schools, Broward Campus, will be hosting a Silent Auction for these original works of art, as well as a limited supply of prints for sale at our K-9 Cause event. 100% of all funds raised from this event will benefit the Broward Sheriff Foundation’s Retired K-9 Relief Fund. For more information about the event and to purchase tickets, please visit: https://www.retiredk9cause.org/ By ML Staff. Image courtesy of American Heritage Schools

An exploration of divergent expressions and common threads Mario Schifano, TV Landscapes, 1970, Colored photographic transfer on canvas, 29 × 36 1⁄4, Image by Paolo Vandrasch, Collection of BFF Banking Group BFF Banking Group unveiled its latest endeavor, the art exhibition Contemporary Echoes: Rediscovering Italian Art from 1950-1980, Artworks from the BFF Collection, in partnership with International Arts and Artists. Curated by renowned art historian, critic, and curator, Renato Miracco, and presented in New York City and Washington, DC, the exhibition sheds light on the intrinsic relationships between American and Italian artists between 1950 and 1980, exploring mutual influences and developments during this period. Piero Dorazio, Untitled, 1964, Watercolor on paper, 19 5/8 x 27 1/2 inches, Image by Paolo Vandrasch, Collection of BFF Banking Group Inspired by the book Italian and American Art - An Interaction - 1930s – 1980s, the exhibition serves as a captivating exploration linking the artistic journeys of Italian and American artists, drawing inspiration from the bank’s art collection dating back to the late 1980s. Twentieth-century Italian art often remains obscured in terms of its origins and historical context. Curator Renato Miracco expresses, "From this perspective, we must see the attempts on one side, the Italian one, to find a vital and confrontational space, and on the other, the American one, a desire for ancestral roots." The exhibition employs both textual and visual mediums to delve into the ways Italian art embraced the allure of American art and vice versa, fostering mutual knowledge. The exhibition features twenty-four works by ten prominent Italian artists: Valerio Adami, Franco Angeli, Enrico Baj, Alberto Burri, Giuseppe Capogrossi, Mario Ceroli, Piero Dorazio, Gio’ Pomodoro, Mario Schifano, and Emilio Tadini. Giuseppe Capogrossi, Surface 148, 1957, Tempera on paper, 9 7/8 x 19 3/4 inches, Image by Paolo Vandrasch, Collection of BFF Banking Group Massimiliano Belingheri, CEO of BFF Banking Group, adds: “BFF's commitment to the cultural field is the fruit of the group's sense of responsibility towards the community and towards Italy's artistic heritage, and emerges out of the desire to give back to society a part of the value that BFF generates, in line with the group's social and sustainability policies. The richness of these initiatives is a source of inspiration for us. BFF has always recognised art’s capacity to teach everyone all about the importance of imagination, creativity and innovation – crucial tools to be used as part of the effort to foster the growth of individuals, businesses and society as a whole”. Mario Ceroli, Portrait of Cy Twombly, 1975, Collage of balsa on cardboard, 38 7/8 × 27 1/2 inches, Image by Paolo Vandrasch, Collection of BFF Banking Group Contemporary Echoes follows the success of the touring exhibition Art Factor – The Pop Legacy in Post War Italian Art, which visited various European cities and will conclude in the museum area of the bank’s new headquarters in Milan set to open this fall.  Casa BFF Museum, in the future Milan headquarters of BFF, is set to officially open in spring 2025. Alberto Burri, Cretto, (Cracked), 1971, Etching, 26 3/8 x 38 inches, Image by Paolo Vandrasch, Collection of BFF Banking Group Contemporary Echoes: Rediscovering Italian Art from 1950-1980, Artworks from the BFF Collection is made possible under the patronage of the Italian Ministry of Foreign Affairs and International Cooperation as well as the Italian Ministry of Culture. The exhibition is free of charge as part of BFF’s commitment to sharing and promoting art widely. The exhibition, which is currently on view in New York through March 28, 2024 will travel to Washington, DC from April 5 to June 2, 2024. Franco Angeli, Untitled, 1965, Enamel on paper, 39 3/8 x 55 1/8 inches, Image by Paolo Vandrasch, Collection of BFF Banking Group Through the lens of encounters between luminaries of the art world, "Contemporary Echoes" illuminates the divergent perspectives on materiality and individualism that defined the era. By uncovering layers of mutual influence and artistic evolution, the exhibition sheds new light into previously obscured narratives in 20th-century Italian art, reaffirming the enduring power of cultural exchange to shape and enrich our understanding of the world. For additional information please visit: athillyer.org/contemporary-echoes www.artsandartists.org www.bff.com Enrico Baj, Seated woman, Mixed media, 1972, 31 1/2 × 24 inches, Image by Paolo Vandrasch, Collection of BFF Banking Group About the Curator, Renato Miracco Renato Miracco is an art historian, critic, and curator.  He has been Director “per chiara fama” of the Italian Cultural Institute in New York, Cultural Attaché at the Italian Embassy to the United States and Member of the Board of Guarantors at the Italian Academy at Columbia University.  Miracco has curated over 87 exhibitions worldwide, including: an anthological exhibition on Giorgio Morandi at the Metropolitan Museum, New York; the Burri, Fontana, and Manzoni exhibition at the Tate Modern, London; an anthological exhibition dedicated to Giacomo Balla at the Pinacoteca do Estado de São Paulo (Brazil); and a retrospective of Italian art of the 1950s and 1960s at the Hirshhorn Museum, Washington, DC.  He is currently the Guest Curator at the Phillips Collection (Washington, DC) where he recently curated a monographic exhibition on Giuseppe De Nittis, which was considered among the ten best exhibitions between the U.S. and Europe in 2023. About International Arts & Artists International Arts & Artists (IA&A) is a nonprofit organization dedicated to increasing cross-cultural understanding and exposure to the arts internationally through exhibitions, programs and services to artists, arts institutions and the public. About BFF Banking Group BFF Banking Group is the largest speciality finance provider in Italy and a leading player in Europe for Factoring and Lending services towards Public Administrations; in Italy, it also provides securities services and corporate payment services. The Group operates in nine countries in Europe. From L to R: Massimiliano Belingheri, CEO of BFF Banking Group; Fabrizio Di Michele, Consul General of Italy in New York; Renato Miracco, curator and art historian; Greg Houston, President and CEO of International Arts and Artists. By ML Staff. Images courtesy of BFF Banking Group

Miami Living recently interviewed Taylor Fritz to uncover his thoughts on Miami and beyond. On Miami “I’ve always enjoyed being in Miami. I now live there, so I’m excited to be able to drive to the tournament and then drive back home to my place after playing. The city has always been a place that I really enjoy going to. It is a lot of fun, and I have a lot of friends there. It is very different from the other US cities that I’ve been to. And what makes it special to me is that I have a lot of great memories.” Off the Court “I chill at my place, play some video games, and relax, but I could definitely see myself going and playing some golf with friends. And there are so many good restaurants like Komodo and Zuma. Going to South Beach is fun. There is just a lot to do there.” On Climate Change “It’s important as players that we do the best we can because we play a sport that requires so much travel, which has a big impact on the environment. So it is important that we try to do as much as we possibly can to offset it.” More on Fritz Taylor Harry Fritz, born October 28, 1997, is currently America’s top tennis player, currently ranked 9th in singles by the ATP. In a remarkable journey since his ATP debut in 2015, Taylor Fritz has consistently surged through the ranks of men’s tennis, marking significant milestones along the way. Notably, in 2016, he became the youngest American since 1988 to reach an ATP final, showcasing his early promise. This momentum continued as he achieved his first top-25 ranking in 2019, accompanied by his maiden ATP Tour title at the Eastbourne International. Fritz’s breakthrough year came in 2022 when he clinched the prestigious Indian Wells title, reached the quarterfinal at the Australian Open, and ascended to the top 10 for the first time in his career. This trajectory persisted into 2023 as he claimed five ATP titles, soared to a career-high ranking of world No. 5, and made a notable quarterfinal appearance at the US Open. In 2024, Fritz’s prowess was reaffirmed as he advanced to the quarterfinals of the Australian Open, defeating established players like Stefanos Tsitsipas, solidifying his status as a prominent force in men’s tennis. Fritz has a son born in 2017 from his previous marriage to professional tennis player Raquel Pedraza. Since June 2020, he has been in a relationship with fashion influencer Morgan Riddle. Taylor Fritz Stats Age: Age 26, Oct 28, 1997 Birthplace: San Diego, California Career High: 5 Singles Titles: 6 Miami Open Best: QF 2023 Prize Money: $14,732,983 www.instagram.com/taylor_fritz MORE TENNIS You may also like Miami Living's conversations with: Daniil Medvedev Jannik Sinner Taylor Fritz Coco Gauff Aryna Sabalenka Victoria Azarenka James Blake By Markin Abras. Image courtesy of Taylor Fritz via Instagram.

Miami Living recently had a conversation with Daniil Medvedev to delve into his perspectives on Miami and beyond. On Miami “Oh, I love Miami. I absolutely love it as a city, and I’m so happy that last year I managed to get the title. I would call it a fun city with big energy. I really love coming there. Almost the entire city of Miami is closely situated on water, and we don’t really see that often. As soon as you go five minutes away, there is an ocean around. This makes it very beautiful, especially the blue waters. I do really love it. A memorable moment would be winning last year. As I said, I really love the city and was really, really happy to hold the title.” Off the Court “There are good restaurants there for sure. I have one of my best friends living in Miami, and we have a lot of fun before the tournament. We try to spend time together, and I ask him if he wants to do this or that, and he says, you have a tournament… stay in your hotel and don’t go anywhere. Now he has a restaurant so I’m going to spend all my time there.” On Climate Change “I think it’s good that tournaments, including myself, are trying to use less plastic as much as possible, especially with a lot of bottles that we use when drinking water. We are trying to make a change.” MORE ON Medvedev Daniil Medvedev, born February 11, 1996, stands at 6.49 feet tall (1.98 m) and is a formidable counter puncher in tennis, renowned for his powerful first serve, clocking at 148 mph. His flat groundstrokes and strong return of serve wear opponents down in lengthy baseline rallies. With an exceptional ability to play consistently, he excels on hardcourts. Medvedev’s journey to success began with his ATP Tour debut in 2015 and saw significant breakthroughs, including his first ATP Tour singles titles in 2018. His rise continued with a top 10 debut in 2019, followed by a triumphant victory at the ATP Finals in 2020. With 20 ATP Tour singles titles to his name, including the prestigious 2021 US Open, 2020 ATP Finals, he has clinched six Masters titles at different venues, a feat accomplished by only six players. Medvedev, currently holding the world No. 3 spot, reached the pinnacle of the sport as the world No. 1 in men’s singles. Off the court, he married Daria Chernyshkova in 2018, with whom he credits for his improved performance on the court. Fluent in multiple languages, including French and English, Medvedev’s international upbringing adds depth to his persona. He’s endorsed by Lacoste, Tecnifibre, Bovet, and others, cementing his stature beyond the court. Daniil Medvedev Stats Age: 28, Feb 11, 1996 Birthplace: Moscow, Russia Career High: 1 Singles Titles: 20 Miami Open Best: Winner 2023 Prize Money: $39,301,567 www.instagram.com/medwed33 MORE TENNIS You may also like Miami Living's conversations with: Daniil Medvedev Jannik Sinner Taylor Fritz Coco Gauff Aryna Sabalenka Victoria Azarenka James Blake By Markin Abras. Image courtesy of Danill Medvedev via Instagram.

Miami Living recently engaged in a dialogue with Victoria Azarenka to explore her insights on Miami and beyond. On Miami “I know people say New York never sleeps, but Miami is right up there, never sleeping (laughs). It’s a huge cultural city. I feel like the energy there is just crazy with all the Latin vibes, music, and food. It’s a great city, an amazing city for sports with basketball, hockey, baseball, and tennis. It’s definitely an inspiring city where people love sports. I travel around the world and I’ve experienced different kinds of fan bases, but the one in Miami is always festive. You just want to dance there all the time.” Off the Court “I love to eat, and the Miami food scene is definitely good. One of my friends, David Grutman, has many amazing restaurants that you can just pick any of them and you’ll have a good time. So food is always very special. Also, I’m very much a homebody. I don’t necessarily love going out too much, but the city of Wellington, FL, is not too far from Miami where all the world’s horses are. It is something that I love a lot.” Memorable Moments “Winning there three times was obviously very, very memorable! And being able to play at the old tennis facility in Key Biscayne was special. Since we changed venues, the tournament has grown even bigger. So it has the potential to become even bigger. It’s an exciting time. It feels a bit different for sure, but definitely feels exciting.” More on Azarenka Victoria Azarenka, born on July 31, 1989, is a professional tennis player from Belarus. She reached the world No. 1 ranking in singles on January 30, 2012, holding it for 51 weeks and finishing the year as No. 1. Azarenka has won 21 WTA Tour singles titles, including two Australian Open titles in 2012 and 2013. She has also been a runner-up at the US Open twice and reached the final of the 2020 US Open. Throughout her career, Azarenka has won numerous prestigious tournaments, including six Premier Mandatory and four Premier 5 tournaments. She also claimed the singles bronze medal at the 2012 London Olympics and was the runner-up at the 2011 WTA Finals. Additionally, she consistently ranked in the top 10 singles players from 2009 to 2013. In doubles, Azarenka has won 10 WTA Tour titles and reached four major finals. She also won three mixed doubles titles, including two majors and an Olympic gold medal in 2012. Azarenka was born in Minsk, Belarus, and moved to Scottsdale, Arizona, at age 15 to pursue tennis training. She later became registered in Monaco but bought a house in Manhattan Beach, California, as her principal residence. Azarenka dated American musician Redfoo and has been open about her battle with depression during her injury-induced absence in 2014. Azarenka has one son, Leonard, with former boyfriend Billy McKeague. Their custody battle led to Azarenka withdrawing from tournaments in 2017 until she returned to the tour in 2018. In March 2022, she expressed sadness and concern over the Russian invasion of Ukraine, given her Belarusian roots and the historically friendly relations between Belarusians and Ukrainians. Victoria Azarenka Stats Age: 34, Jul 31 1989 Birthplace: Minsk, Belarus Career High: 1 Singles Titles: 21 Current Ranking: 33 (as of Feb 2024) Miami Open Best: Winner 2009, 2011, 2016 Prize Money: $36,977,739 www.instagram.com/vichka35 MORE TENNIS You may also like Miami Living's conversations with: Daniil Medvedev Jannik Sinner Taylor Fritz Coco Gauff Aryna Sabalenka Victoria Azarenka James Blake By Markin Abras. Image courtesy of Victoria Azarenka via Instagram.

Manta5, the innovators behind the world’s first electric hydrofoil bike, have now unveiled the Hydrofoiler SL3, available for purchase and rent in Miami. This groundbreaking watercraft offers a thrilling alternative to jet skis, combining speed, fun, and physical activity on the water. The Hydrofoiler SL3 is engineered to replicate the intuitive cycling experience on land, featuring sleek design and superior engineering. With no compromise, riders can expect nimble maneuverability, speed, and the ability to carve through water effortlessly. Founder Guy Howard-Willis emphasizes the learning curve and enjoyment of the experience, comparing it to mastering a land bike. The SL3 facilitates a quick transition from novice to confident rider, opening up opportunities for both fresh and saltwater adventures. The unique sensation of cycling on water is Manta5's signature experience, offering riders a surreal escape from trails and traffic. With the ability to glide over the water's surface and observe marine life below, it's an unparalleled experience that must be tried firsthand. Similar to aircraft, the Hydrofoiler SL3 utilizes hydrofoil 'wings' to lift the rider higher out of the water as speed increases. Combining human power with an electric assist motor enables riders to adjust their level of assistance, extending ride times and accessibility. Constructed from carbon fiber and aircraft-grade aluminum, the SL3 is buoyant and lightweight, making it easily transportable without the need for a trailer. Designed to withstand the marine environment, it features dual layer battery housings and safety tilt sensors for added reliability. Head of Product Hayden Reeves highlights the commercial reliability of the SL3, ensuring it meets the demands of hire and tourism operators. Its durability and performance make it a top choice for recreational buyers as well. Manta5's vision extends beyond leisure, aiming to establish foil biking as a competitive sport. Founder Guy Howard-Willis envisions a future where the sport could even become an Olympic event. The Hydrofoiler SL3 is now available through authorized resellers, with demo opportunities and events scheduled. For more information, visit manta5.com and join the water cycling revolution. EXPERIENCE MANTA5 Book a rental with Efoil Miami Website Instagram By Markin Abras. Images courtesy of Manta5.

Miami Living Magazine sat down with James Blake, the Director of the Miami Open, to delve into what fans can expect this year, provide an overview of the tournament, and highlight activities for fans to enjoy. Markin Abras: Reflecting on the past 4 years since the relocation of the Miami Open from Key Biscayne to Hard Rock Stadium, what notable transformations have you observed (challenges, advances, etc.)? James Blake: I think the Miami Open presented by Itaú has really settled into its home at the Hard Rock Stadium. Obviously, it was a big move at the time and it’s a very different setup from Key Biscayne, but the facilities in place for the players and fans at Hard Rock Stadium are second to none, and the move overall has been a big success. The players are now able to take advantage of all the best-in-class facilities in position for the Dolphins year-round, and the campus itself has been developed and expanded in the past four years, offering guests what I think is one of the best on offer at any events. We are able to bring together all that Miami has to offer for what I believe is the most culturally immersed tennis festival on the tour circuit. MA: What are some lesser-known behind-the-scenes efforts that you are personally involved in making the Miami Open a world-class tennis tournament? James Blake: It’s pretty much everything from player liaison to player experience and facilities to operations to match scheduling and planning. When I played on Tour, I literally had no understanding of the amount of planning, preparations, and work that go into delivering a successful tournament of this magnitude. We are lucky to have the experienced team at IMG in place at Hard Rock Stadium year-round working day-to-day on the operations side of the event, and although it is a big job, I love the challenge and working with our team to make the Miami Open presented by Itaú even better every year. MA: As the Director of the Miami Open, what have been some formidable obstacles and moments you have encountered thus far? James Blake: I think the move to the Hard Rock Stadium was the most formidable moment, uprooting a successful tournament with the intention of giving it the space to develop and grow was a necessary move for the future of the event. It was unknown territory for me, and it has been a steep learning curve, but it’s a process I have enjoyed being a part of very much. There are so many aspects to operating a tournament of this level and scale that, as a player, you don’t tend to give too much thought to, but I have loved learning about it. I feel really comfortable in this role now as I head into my 6th year as Tournament Director and proud of everything our team has achieved so far. MA: This year sees the introduction of Wheelchair Tennis and Major League Pickleball at the Miami Open. Could you shed some light on the decision-making process behind these additions? James Blake: The second week is incredibly exciting on the show courts, but there is obviously less going on on the outside courts, and we wanted to make sure there is still plenty going on for the fans on grounds passes to watch and enjoy. Wheelchair tennis is so skillful and is an absolutely phenomenal watch; it’s now a big part of the Grand Slams, and we definitely wanted to incorporate it into the Miami Open, so we are delighted it is making its debut this year. We will be looking to build and expand the wheelchair competition next year, and we are very fortunate to have a legend of the game, Shingo Kunieda, step in as the Tournament director to help navigate this integration. The Major League Pickleball Showcase is another great addition for fans. It’s growing in popularity in the US right now, especially among tennis players, so it makes a great addition to the programming. MA: Looking ahead to this year’s tournament, what can Miami Open fans anticipate in terms of new events/experiences and offerings? James Blake: First and foremost, tennis is going to be amazing – the world’s best men and women competing in one of the most important events in tennis. From Medvedev to Sinner to Sabalenka to Gauff to all the US players in the field, it is a very exciting time for tennis right now as the younger players are establishing themselves at the top echelons of the game. We will miss our defending women’s champion Petra Kvitova this year, but it is for the very happy reason that she is expecting her first child. There is no doubt this year that we have stepped up the off-court offerings with pop-ups of around 30 of Miami’s top bars and restaurants, as I mentioned earlier, showing up all around campus. The choice is unreal, and although there are way too many to mention, newcomers this year include David Chang’s Fuku Chicken, Cheeseburger Baby, Ella’s Oyster Bar, Piper-Heidsieck Champagne Garden, No.3 Gin Lounge, and Milos, the first premium bookable dining option at the tournament. Don’t worry, all the firm favorites are returning too such as Sushi Maki, Kiki on the River, and Bodega Taqueria y Tequila, the Dobel Tequila Bar, the Botran Rum Lounge, Santa Margherita, and all the amazing food trucks in The Grove. There are new sponsors and new activations at every turn for fans to enjoy, in between watching all the world-class tennis on the 10 Championship courts! Left to right: Francisco Lindor, Carlos Alcaraz, and Chad Ochocinco; Coco Gauff and Jimmy Butler; Jon Bon Jovi; Maluma MA: Can you share some memorable interactions or moments you’ve had with Stephen M. Ross? James Blake: I think the biggest moment was in 2019 moving the tournament to Hard Rock Stadium and together with our teams, creating the first stadium court within an NFL Stadium. MA: What tips would you offer to Miami Open attendees to enhance their overall enjoyment and make the most of their experience at the tournament? James Blake: I think wearing a comfy pair of shoes would be my number one tip as there is so much to see around campus. Even if you are lucky enough to have tickets for the stadium, make sure you take the time to walk around and enjoy everything on offer at the event as I think the spectator experience this year really is the best we’ve ever lined up and there is so much to see. MA: Departing from tennis-centric topics, how do you unwind and recharge yourself? James Blake: Spending time with my family is the way I mainly spend my time away from tennis. I still enjoy playing tennis – although I retired some ten years ago, the last couple of years I have been hitting with Stanford rising star Hudson Rivera – he even got me back into competition last year when we played doubles together in an ITF event! I also enjoy playing golf, basketball, pickleball, and watching pretty much all sports, especially the New York Mets, and playing a bit of poker from time to time. MA: Finally, any personal favorite places you like to go in Miami? James Blake: I love going out to eat downtown Miami, the atmosphere and vibe are always amazing, but most of my favorites will be coming on campus this year with pop-ups, so for the last two weeks in March, the Hard Rock Stadium will be my favorite place to be! MORE TENNIS You may also like Miami Living's conversations with: Daniil Medvedev Jannik Sinner Taylor Fritz Coco Gauff Aryna Sabalenka Victoria Azarenka James Blake By Markin Abras | Photos by Miami Open Presented by Itaú

January 1, 1960 was a Friday, gas was selling for 31 cents a gallon, and Senator John F. Kennedy wasn’t yet a presidential candidate. It was also the day Memorial Healthcare System (MHS) joined the Greater Hollywood Chamber of Commerce. Hollywood Chamber Legend Award (Marie Suarez, Peter Powers, Ben Wesley) More than 64 years later, Memorial is still aligned with its community business organization, and was honored with the chamber’s “Legacy Award” for being its oldest member. Formal recognition took place during a luncheon at the Diplomat Beach Resort. “The impact Memorial Healthcare System has had on our organization is immeasurable,” said Marie Suarez, executive director of the Greater Hollywood Chamber of Commerce. “They’ve provided leadership, spread our mission and vision, and, most importantly, provided high-quality healthcare that helps attract people and businesses to our city.” Memorial Regional Hospital CEO Peter Powers and Caitlin Stella, CEO at Joe DiMaggio Children’s Hospital, are current chamber board members. Former MHS leaders Frank V. Sacco, Zeff Ross, and Douglas Zaren are just a few of the many that have helped shape the chamber in the last six-plus decades. “All those individuals shared their knowledge, facilitated our growth, and shared a common goal of improving our community. The partnership we’ve had with Memorial has been priceless,” said Suarez. Hollywood Chamber Legend Award (Peter Powers, Jennifer Mossadeghi) “During most of the time we’ve been serving the health needs of the community in south Broward, the chamber has been equally effective on the economic front,” said K. Scott Wester, president and CEO of Memorial Healthcare System. “We’re equally vested in ensuring the area thrives, and we’ve done it through collaboration and unified actions.” # # # Hollywood-based Memorial Healthcare System (www.mhs.net) is a national leader in quality care and patient, physician, and employee satisfaction. Its commitment to deeper caring and smarter health prioritizes a person-centered approach that has delivered safe, positive outcomes for 70 years. Featuring multi-disciplinary collaboration, research, innovation, and transparency within its many facilities, Memorial is focused on removing barriers, increasing access, and providing equitable care throughout the region. It employs a staff of more than 16,000 and operates six hospitals, numerous primary, urgent, and 24/7 care facilities, medical office buildings, a health specialty center, and nursing home. To learn more, visit mhs.net and connect on Facebook, X, Instagram, YouTube, and LinkedIn. By ML Staff. Images courtesy of Memorial Healthcare System

With 13 Oscars nominations and seven wins – including best picture – “Oppenheimer” was the star of the 96th Academy Awards. The U.S. detonates an atomic bomb at Bikini Atoll in Micronesia in the first underwater test of the device. Universal History Archive/Getty Images Christopher Nolan’s blockbuster, which told the story of the making of the atomic bombs that were dropped on Hiroshima and Nagasaki, added to its awards season haul that includes five Golden Globes and seven BAFTA awards. But as a historian whose research has revolved around the survivors of the bombings, I cannot help but be disappointed that, yet again, the dominant narrative of the bombs chugs along. This narrative has long informed how Hollywood and the U.S. media have addressed nuclear weapons. It paints the bombs’ creation as a morally fraught but necessary project – an extraordinary invention by exceptional minds, a national project that was a matter of life or death for a country mired in a global conflict. To use the bombs was a difficult decision at a challenging time. Yet it’s important to remember that, above all, the bombs saved democracy. There is something that strikes me as so inward-looking to this narrative – it is so focused on the stress over losing an arms race, on fears of making a mistake, on anxiety over what would happen if bombs were to one day be dropped on the U.S. – that it drowns out what actually did happen after the bombs were detonated. A barren cultural landscape When Nolan was pressed over why he chose not to show any images of Hiroshima, Nagasaki or the victims, he said, “less can be more” – that the subtext of what’s not shown is even more powerful, since it forces audiences to use their imaginations. But what images from popular culture do audiences even have to pull from? From the 1950s to the 1980s, many Hollywood films explored the fear of a nuclear apocalypse. Only a few depicted mass deaths on the ground – “The Day After” comes to mind – but virtually none showed survivors who looked or sounded like real survivors. ‘Oppenheimer’ director Christopher Nolan. Adrian Dennis/AFP via Getty Images Instead, films such as “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” simply showed mushroom clouds and bird’s-eye views of the bombs from above. When cameras did zoom in on the ground in films such as “Panic in Year Zero!” and “Testament,” they revealed Americans bracing for or panicking about the bomb being dropped on them. Watching these films, it’s easy to believe that if a nuclear attack had ever occurred, it must have been in a U.S. city. This genealogy of films also includes collective biopics of a sort, in which a nuclear drama unfolds among scientists, military officials and politicians. In the 2024 book “Resisting the Nuclear: Art and Activism across the Pacific,” one chapter describes how Oppenheimer and Albert Einstein reenacted the Trinity test in “Atomic Power,” a 1946 film that celebrates the role of science in U.S. military might. They note that in the film’s outtakes, Einstein seemed unfocused while Oppenheimer appeared stilted. Clearly, the two scientists were uncomfortable with their newly assigned role as promoters of a mesmerizing, dangerous technology. If “Oppenheimer” expands on this personal discomfort, the film keeps firmly in place the disconnect between the bombs’ creators and the destruction they wrought. The bombs didn’t discriminate In the end, films like “Oppenheimer” offer few, if any, new insights about the bombings of Hiroshima and Nagasaki and their repercussions. More than 200,000 people perished, and the lives lost included not only Japanese civilians but also Koreans who had been in Japan as forced laborers or military conscripts. In fact, 1 in every 10 people who survived the bomb were Koreans, but the U.S. government has never recognized them as survivors of U.S. military attacks. To this day they struggle to get access to medical treatment for their long-term radiation illness. Relatives of conscripted Koreans killed in the U.S. atomic bombings of Hiroshima and Nagasaki protest at the Japanese embassy in Seoul in 2005. Seung-il Ryu/NurPhoto via Getty Image Moreover, about 3,000 to 4,000 of those affected by the bombs were Americans of Japanese ancestry, as I have shown in my book about Asian American survivors of the bombings. Most of them were children who were staying with their families, or students who had enrolled in schools in Japan prior to the war because U.S. schools had become increasingly discriminatory to Asian American students. These non-Japanese survivors – including many U.S.-born citizens – have been known to scholars and activists since at least the 1990s. So it feels surreal to watch a film that depicts the bombs’ effects purely in the context of the U.S. at war against its enemy, Japan. As my work shows, the bombs didn’t discriminate between friend and foe. It is not that Christopher Nolan ignores the bombs’ power to destroy. He gestures toward it when he depicts J. Robert Oppenheimer, the nuclear physicist played by Cillian Murphy, imagining a nuclear holocaust when giving a celebratory speech to his colleagues after the bomb was dropped on Hiroshima. But what Oppenheimer sees in this hallucination is the face of a young white woman peeling off – played by Nolan’s daughter, Flora – not those of the Japanese, Korean and Asian American people who actually experienced the bombs. Later in the film, Oppenheimer looks away from the images of Hiroshima’s ground zero when they’re shown to him and his Manhattan Project colleagues. I wondered, as I watched this scene, whether this decision encourages the audience to look away, too. Global reverberations Even if this film is seen purely through the lens of entertainment, Nolan could have chosen to recognize why the bombs are such a galvanizing subject to begin with: They have done much, much more than make white, middle-class Americans feel anxious or guilty. Their blasts reverberated across the globe, tearing apart not only America’s wartime enemies but also colonized peoples and racial minorities. Cold War nuclear production disproportionately hurt Native and Indigenous Americans who worked at uranium mines and the residents of the Pacific Islands chosen as the sites of several dozens of U.S. nuclear tests. For those on the receiving end, the effects of the nuclear explosions are not a thing of the past. They are a daily reality. And the effects of radiation continue to plague not just humans but the environment. Scientists still don’t know what to do with highly radioactive nuclear waste, whether it’s from nuclear power plants or former nuclear test sites that remain off-limits because they are too contaminated to inhabit. As global conflicts increase the possibility of nuclear war, it’s certainly important to talk about the ongoing legacies of the bombings of Hiroshima and Nagasaki. But to create a more balanced understanding of nuclear weapons, it would be helpful if talented filmmakers like Nolan made more of an effort to look beyond the narrow immediacy of a mushroom cloud. By ML Staff. Images courtesy of Oscars

Lily Gladstone, Ryan Gosling, Mark Ronson, Grace Gummer, Greta Gerwig, Andrew Wyatt, Bad Bunny, Kirsten Dunst, Jesse Plemons and Kingsley Ben-Adir wore Gucci to the 96th Annual Academy Awards at the Dolby Theatre on March 10, 2024 in Los Angeles, California. Lily Gladstone, nominated for Best Actress in a Leading Role for ‘Killers of the Flower Moon’, wore a Gucci custom gown created in collaboration with Indigenous designer Joe Big Mountain of Ironhorse Quillwork. The midnight blue velvet gown features a hand wrapped porcupine quilled border in blue with natural woven star design and sterling silver plated three-bead edging. The cape features floral designs in a porcupine quilled zig-zag stitch double-lined with sterling silver beads, backed with smoked deer hide. Additional details can be found attached. Ryan Gosling, nominated for Best Actor in a Supporting Role for ‘Barbie’, wore a single-breasted custom Gucci black wool suit with metallic beaded hand embroidered trim, black matching trousers and shirt and black patent leather lace-up shoes. Mark Ronson, nominated for Best Original Song for ‘I’m Just Ken’, wore a single-breasted custom Gucci tuxedo in black wool with gold Round Interlocking G button detail, white shirt, black satin bowtie and Horsebit loafers in black leather. Grace Gummer wore Gucci custom gown with a deep-V neckline, all over embroidered slip dress with sequins in Rosso Ancora and red leather sandals. Greta Gerwig, nominated for Best Adapted Screenplay for ‘Barbie’, wore a custom Gucci champagne color gown, fully embroidered with crystals. Andrew Wyatt, nominated for Best Original Song for ‘I’m Just Ken’, wore a single-breasted Gucci black wool suit, white shirt, black satin bowtie and black leather lace-up shoes. Bad Bunny, presenter for International Feature Film, wore a Gucci Men’s Fall Winter 2024 black wool cloth double-breasted suit and rubber sole moccasins in black leather with Horsebit detail. Kirsten Dunst wore a Gucci custom white silk dress with square neckline, silver leather sandals. Jesse Plemons wore a single-breasted custom Gucci tuxedo in black wool, white shirt and black satin bowtie. Kingsley Ben-Adir wore a single-breasted custom Gucci tuxedo in black wool, white shirt, black satin bowtie and Gucci Horsebit loafers. Images Courtesy of Gucci/Getty Images

Miami City Ballet (MCB) is a world-renowned ballet company located in the heart of Miami. Established in 1985 by Founding Artistic Director Edward Villella, MCB has become one of the most diverse and prestigious classical ballet companies in the nation. With a repertoire of over 100 ballets and a robust international roster of dancers, MCB showcases the best of classical and contemporary ballet. In this guide, we will take a closer look at MCB's artistic leadership, extensive repertoire, talented dancers and domestic and international touring. We will also explore the unique features of their headquarters, the Ophelia & Juan Js. Roca Center, and how MCB is making an impact on the community through their educational and outreach programs. Overview Miami City Ballet (MCB), established in 1985 by Toby Lerner Ansin and Edward Villella, is a beacon of excellence in the dance world. Celebrated for its dynamic interpretations of George Balanchine's work, MCB has earned international acclaim under the artistic direction of Lourdes Lopez. With a repertoire that spans over 100 ballets, including classical masterpieces and contemporary premieres, MCB showcases the depth and diversity of ballet. Based in Miami Beach, Florida, at the Ophelia & Juan Js. Roca Center, MCB extends its impact through extensive performance seasons across South Florida and tours nationally and internationally. The Miami City Ballet School, integral to its mission, cultivates young talent, furthering MCB's commitment to excellence, innovation, and education in the arts. History Miami City Ballet (MCB), praised as "an exceptional troupe" by The New York Times, was founded in 1985 by philanthropist Toby Lerner Ansin and ballet legend Edward Villella in Miami. It rapidly became one of the world's premier interpreters of George Balanchine's choreography. Under the artistic direction of Lourdes Lopez since 2012, MCB has continued to flourish, presenting high-caliber dance performances across the U.S. and internationally. With a repertoire of over 100 ballets, including 12 world premieres, MCB showcases a mix of classical works and innovative contemporary pieces. The company also operates the Miami City Ballet School, established in 1993, which is among the largest dance training programs in the nation, emphasizing inclusivity and diversity in classical ballet. Artistic Leadership Lourdes Lopez, a former principal dancer with New York City Ballet, has been at the helm of Miami City Ballet since 2012. As Artistic Director and CEO, she has brought her vast experience as a performer and choreographer to MCB, infusing the company with a new level of technical precision and artistic expression. With strong ties to the ballet world, Lopez has taken MCB on a journey of growth and expansion, collaborating with renowned choreographers such as Alexei Ratmansky, Liam Scarlett, and Justin Peck. Her innovative vision and leadership have earned her numerous accolades and awards, solidifying MCB's reputation as one of the leading ballet companies in the world. Types Of Performances Miami City Ballet (MCB) showcases a diverse range of performances, blending the rich heritage of classical ballet with contemporary innovation. Central to its repertoire are the works of George Balanchine, reflecting MCB's foundation in Balanchine's technique and style. In addition to these, MCB stages beloved classical ballets that are fundamental to the art form, offering audiences a taste of traditional ballet's beauty and narrative depth. The company is also committed to contemporary ballet, commissioning world premieres and featuring pieces by groundbreaking choreographers, thus pushing the boundaries of dance. Season highlights include the cherished holiday classic, George Balanchine’s The Nutcracker®, and a variety of repertory programs that present a mix of these styles, demonstrating MCB's versatility and its role in advancing the dance scene. Where they are located Miami City Ballet is headquartered in Miami Beach, Florida, at the Ophelia & Juan Js. Roca Center. This state-of-the-art facility, designed by the renowned architect Bernardo Fort-Brescia of ARQUITECTONICA, serves as the heart of MCB's artistic creation, training, and administrative operations. The 63,000 square foot building includes eight rehearsal studios, a 200-seat theater created by combining two studios, school facilities, wardrobe department, costume shop, and a fully equipped therapy room. Situated in a vibrant cultural hub, the center supports MCB's mission to be a leading force in dance, both locally and internationally. MCB's presence in Miami Beach places it at the crossroads of the Americas, reflecting the city's diverse cultural landscape in its programming and outreach activities. How Miami City Ballet is Making an Impact Miami City Ballet (MCB) has been making a significant impact on the community since its inception. Through their education and outreach programs, MCB strives to make ballet accessible to all, regardless of age or socio-economic background. Their School Outreach Program provides dance instruction and scholarships to over 19,000 students annually throughout Miami-Dade County. The MCB Community Outreach Program offers free performances and lecture-demonstrations to underserved communities, reaching over 5,000 people each year. In addition, MCB partners with local organizations to present dance classes and workshops for individuals with special needs, promoting inclusivity in the art form. Through these initiatives, MCB is fulfilling its mission of enriching the cultural landscape of Miami and beyond, and inspiring future generations to appreciate and participate in the beauty of ballet. Features of the Ophelia & Juan Js. Roca Center The Ophelia & Juan Js. Roca Center, MCB's headquarters, boasts a range of unique features that make it an ideal space for artistic creation and community engagement. Aside from its state-of-the-art studios and theater, the center also includes a costume shop with over 9,000 costumes, a ballet library, and an archive of MCB's performances and history. One particularly notable feature is the "Marjorie S. Fisher Dance Studio," named after the founder of Miami City Ballet School, which features a wall of floor-to-ceiling windows that provide natural light for dancers during rehearsals. Overall, the Ophelia & Juan Js. Roca Center stands as a symbol of MCB's commitment to excellence and innovation in the world of ballet. Future Goals and Plans As Miami City Ballet continues to thrive under the leadership of Lourdes Lopez, it has set ambitious goals for the future. One of its main objectives is to continue expanding its repertoire by commissioning new works from emerging choreographers and collaborating with renowned dance companies from around the world. MCB also plans to further grow its education and outreach programs, reaching even more students and communities across Miami-Dade County. Additionally, the company aims to continue building a diverse and inclusive environment within its School and Company, fostering a sense of unity and belonging among its dancers, faculty, staff, and audiences. Through these goals and plans, Miami City Ballet is determined to continue pushing the boundaries of classical ballet while staying true to its foundation in George Balanchine's legacy. In doing so, MCB will remain a leading force in the dance world, inspiring audiences and future generations with its commitment to excellence, inclusivity, and diversity. Support Miami City Ballet Miami City Ballet's impact reaches far beyond the stage. Through its performances, education and outreach programs, and community engagement initiatives, MCB is making a difference in the lives of thousands of individuals in Miami and beyond. By supporting MCB, you are not only helping sustain a world-class ballet company but also investing in the enrichment of your community. Your support enables MCB to continue presenting exceptional performances, nurturing the next generation of dancers, and promoting the art form to a wider audience. Join Miami City Ballet in its mission to make ballet accessible to all and experience the beauty and innovation of this renowned ballet company firsthand. So why not become a part of the MCB family today and help shape the future of dance? How to Get Involved There are several ways to get involved with Miami City Ballet and support its mission. One way is to attend their performances and spread the word about the company's work through social media and word of mouth. Another way is to become a member or donor, as contributions from individuals play a crucial role in sustaining MCB's operations and programs. For those interested in pursuing dance as a career, MCB offers year-round programs through its School and summer intensive programs, providing top-notch training from world-renowned instructors. Volunteering opportunities are also available, allowing individuals to contribute their time and skills to furthering the company's mission. By getting involved with Miami City Ballet, you not only support the arts but also play a part in shaping the future of dance. Every contribution, big or small, makes a difference and helps MCB continue its legacy of excellence and impact. FAQs What can dedicated ballet aficionados expect from the upcoming season at Miami City Ballet? Most dedicated ballet aficionados can look forward to an exhilarating season that honors the legacy of beloved pioneer choreographers like george balanchine's passing and Jerome Robbins, alongside contemporary masterpieces by Alonzo King. With exciting mixed programs that include both timeless classics and never before seen pieces, fans will experience the depth and diversity of ballet as an art form. Are there any world premieres or company premieres planned for this season? Yes, this season promises to be particularly special with the inclusion of a world premiere that is set to captivate audiences with its innovative choreography and compelling narrative. Additionally, the season will feature a company premiere of a work by acclaimed choreographer Alonzo King, known for his visionary approach to ballet. These premieres are part of our commitment to bringing fresh, dynamic content to our stage. How does Miami City Ballet honor the legacy of George Balanchine following his passing? Miami City Ballet pays homage to George Balanchine, one of the most revered choreographers in the ballet world, by continuing to perform his iconic works as part of our repertoire. Each season includes several performances from the Balanchine canon, ensuring that new generations of ballet fans alike can experience the genius of his choreography. What can audiences expect from the mixed programs featured in the upcoming season? Audiences can anticipate a rich tapestry of ballet with mixed program that showcase three or four ballets in a single evening. These powerhouse pieces range from the classic masterworks of George Balanchine and Jerome Robbins to contemporary creations by Alonzo King. Impact Miami City Ballet's success and impact can be attributed to its dedication to excellence, innovation, and inclusivity. Through its education and outreach programs, community engagement initiatives, and commitment to diversity, MCB is making ballet accessible to all and inspiring future generations to appreciate and participate in this beautiful art form. With its state-of-the-art Ophelia & Juan Js. Roca Center, ambitious goals for the future, and various ways to get involved, Miami City Ballet continues to push the boundaries of classical ballet while honoring its roots in Balanchine's legacy. So come join MCB on its journey to redefine the world of dance, and be a part of something truly special. As they say, "dance is for everyone," and Miami City Ballet is leading the charge in making that a reality. By ML Staff. Images courtesy of Miami City Ballet

A star-studded event held on Sunday, March 10th, 2024, at the home of Guy Oseary supported by Gucci, celebrated the 96th Annual Academy Awards. Madonna co-hosted the exclusive event, which was the final destination for award winners and nominees on Hollywood’s biggest night. Attendees were prohibited from taking photographs or posting on social media, but artist JR managed to capture exclusive imagery from the star-studded after-party. Other notable attendees included Alex Rodriguez, Andrea Bocelli, Anya Taylor Joy, Ashton Kutcher and Mila Kunis, Austin Butler, Axl Rose, Barry Keoghan, Beck, Billie Eilish, Camille Rowe, Charles Melton, Chloe Sevigny, Chris Hemsworth, Chris Rock, Cillian Murphy, Cindy Crawford, Dave Grohl, Demi Moore, Diane Kruger, Dominic Sessa, Donald Glover, Ellen DeGeneres, Ellie Goulding, Emma Watson, Finneas, Glen Powell, Hailey Bieber, Hari Nef, Jennifer Lawrence, Jeremy O’Harris, Jimmy Kimmel, Jon Hamm, Kaia Gerber, Ke Huy Quan, Kim Kardashian, Lana Del Rey, Larry David, Lenny Kravitz, Leonardo DiCaprio, Leslie Mann, Madonna, Martin Scorsese, Maude Apatow, Miles Teller, Morgan Spector, Nina Dobrev, Paris Hilton, Ricky Martin, Rob Lowe, Robert De Niro, Sean Lennon, Sean White, Sharon Stone, Sofia Vergara, Taylor Swift and Travis Kelce, Tessa Thompson, Tobey Maguire, Usher, Zoe Kravitz, and Channing Tatum. Nominees and select attendees departed with custom monogrammed travel duffles from Gucci’s new Valigeria Fluo collection, featuring neon piped details, set to launch in April 2024. By ML Staff. Images courtesy of Gucci