Alexander Calder (1898–1976) was an American sculptor who is today regarded as one of the most influential figures in the development of kinetic art. Originally trained as an engineer before he pursued art, Calder gained recognition beginning in the 1930s for his innovative mobile sculptures, which are distinguished by their suspended and balanced elements that move in response to natural air currents. On Instittue of Comtemporary Art Miami Alexander Calder:Mar 11, 2024 – Mar 11, 2025 Alexander Calder Sculpture Garden Typically combining bold, primary colors with geometric, abstract shapes, Calder’s prolific body of work also includes wire figures, stationary sculptures, and monumental outdoor sculptures such as the subject work. By ML Staff. Courtesy of Institute of Contemporary Art Miami

MUVE is excited to work alongside our community to care for our critical coastal habitats through nature-based volunteerism. On Saturday, July 13 we will remove invasive species to enhance coastal habitat. All tools and materials will be provided. We recommend a reusable water bottle, closed-toe shoes, sun and bug protection, and clothes you don’t mind getting dirty! Directions to check-in Check-in will be located at the picnic tables at Virginia Key North Point Beach Park. For GPS directions enter “Virginia Key North Point Trails.” Parking Complimentary parking available at Virginia Key North Point Trails. Must provide proof of registration to enter. Community Service Hours We offer community service hours at all MUVE events. Please find us after the event to sign forms. Safety The completion of Frost Science liability waiver is required for participation. This waiver is included in the online registration process. MUVE staff will provide a safety briefing and orientation to the specific volunteer activities at the start of the event. LOCATION Virginia Key North Point Arthur Lamb Jr Rd Miami, FL 33149 TIME AND DATE July 13, 2024 at 8:00 AM - 10:00 AM By ML Staff. Courtesy of Phillip and Patricia Frost Museum of Science

Experience the magic at the Phillip and Patricia Frost Museum of Science's Laser Evenings, where legendary music meets stunning laser light visuals. Groove to Fleetwood Mac, relive the '90s with That ’90s Laser Show, rock out with the brand-new Red Hot Chili Peppers show, and more, all beneath the 67-foot dome of the Frost Planetarium. Cost: $15 per adult; $12 per child (ages 4-11)* Members receive a 20% discount on all Laser Evening shows. Must be logged-in to member account to receive discount. Bring your friends and come early before your laser show experience. Refreshments and light snacks will be available for purchase in the Main Atrium until 10 p.m. Share your favorite photos and moments with us on social media at @frostscience using our hashtags #ItsScienceMiami and #FrostScience. Onsite parking is available in the museum garage for $8 flat rate starting at 6:00 p.m. on all Laser Evenings. All cars must exit garage by 12:00 a.m. Member parking discount does not apply. *Each Laser Evening show must be purchased separately; online sales for laser shows go offline an hour before showtime but can be purchased onsite up to 15 minutes before start of laser show. Laser show admission includes laser glasses. Admission to laser shows does not include museum admission. Museum exhibitions close at 6:00 p.m. Please note: Laser shows contain bright, flashing lights that may cause discomfort to those with light sensitivity or other pre-existing conditions. LOCATION Phillip and Patricia Frost Museum of Science 1101 Biscayne Blvd Miami, FL 33132 TIME AND DATE July 12, 2024 at 7:00 PM - 11:00 PM Buy Tickets By ML Staff. Courtesy of Phillip and Patricia Frost Museum of Science

Start the school year in style with an exciting back-to-school family day hosted by our friends at the Historic Hampton House! Artist Shawna Moulton will help you create a one-of-a-kind pin to jazz up your look, and the first 100 students on-site will receive a backpack filled with school supplies courtesy of The Children's Trust. The morning will also include a guided tour of the esteemed Historic Hampton House, once a Green Book hotel, along with sweet treats and more. Presented in partnership with the Historic Hampton House. Discovering Design is supported by the Batchelor Foundation, the Tamara L. Harris Foundation, the Lynn and Louis Wolfson II Family Fund, and the Seligman Family Foundation. Date: Saturday, August 10, 2024 Time: 10am–1pm Location: The Historic Hampton House @ 4240 NW 27th Avenue Register By ML Staff. Courtesy of The Wolfsonian–FIU

Pérez Art Museum Miami (PAMM) is thrilled to announce a forthcoming exhibition, featuring a new series of never-before-seen works and a site-specific mural, by multidisciplinary artist José Parlá, opening November 14, 2024. Celebrating the spirit of resilience and returning to one’s roots, Homecoming is a testament to the profound connection between personal history, art, and creative expression. Portrait of José Parlá. Photo by Lazaro Llanes “José Parlá’s practice blends and translates a myriad of cultures, resulting in a colorful narrative,” said PAMM Director Franklin Sirmans. “We’re excited to present this collaboration between artist and curator Maritza M. Lacayo, two Miamians in their own right, as we know it will deeply resonate with our community and our audiences.” Born in Miami to Cuban émigré parents, Parlá was raised between mainland United States and Puerto Rico amidst the vibrant Caribbean and Latin American cultural landscapes of the 1970s and 1980s. Gathering inspiration from various cultural carriers (including Cuban, hip-hop, and reggae music), Parlá embarked on an artistic expedition—receiving the Scholastic Art Award, earning a scholarship to study at Savannah College of Art and Design, immersing himself in the community of New World School of the Arts, and ultimately moving to New York City, where his practice found a global stage with multiple international exhibitions. “Homecoming is deeply rooted in my personal journey, shaped by the rich history of my origins. In this new series, each painting is created as an homage to my native home of Miami,” said José Parlá. “By using a process of layering ink, paint, plaster, and collaged posters that were once posted on the city's walls, each painting bears the imprints of the region’s displacement, immigration, adaptation, and the transformation of words into gestures, made using the names of localities, countries, and its peoples. These abstract gestural marks become indelible echoes in the tapestry of historical psychology and geography, serving as a poignant universal narrative.” Homecoming will be an elaborate, two-part exhibition—and a radical departure from the traditional use of space in a museum. For the first portion, visitors will have the unique opportunity to observe Parlá’s dance-like technique in real time as he paints a site-specific mural. The second portion will see the museum gallery transformed and converted into Parlá’s studio—a room full of paint-covered tables, a lively vinyl Cuban-inspired records collection, and decades of Parla’s archival memorabilia. In addition to the completed mural and studio recreation, the exhibition will also feature a number of all-new works that Parlá created upon his return to painting. The result is a process-focused exhibition highlighting an expressionistic painter who conscientiously engages with issues relating to Cuban (and broader diasporic) identity. The exhibition not only represents a homecoming to Miami but also marks a return to himself and his practice. In 2021, Parlá contracted a life-threatening case of COVID-19—he was hospitalized and endured a four-month coma during which he suffered a stroke and significant brain bleeding. Homecoming will present new and existing works that Parlá created upon his return to his studio. “José Parlá’s practice and work appeals to a much broader audience than just the committed museumgoer,” said PAMM Associate Curator Maritza M. Lacayo. “Homecoming celebrates an artist whose artistic career began in Miami while also reflecting on the COVID-19 pandemic. As a child of immigrants and having moved throughout his entire life, Parlá’s personal story will also echo those of our Miami community.” José Parlá: Homecoming is set to open on November 14, 2024. MORE ON JOSÉ PARLÁ José Parlá (b.1973) creates paintings and multidisciplinary works based on his interest in hybrid forms of abstraction. He draws inspiration from various mediums including music, calligraphy, dance, and the decay of urban architecture and advertisements. His works poetically challenge ideas about language, politics, identity, and how we define places and spaces. Parlá’s relationship with mark-making is physical and textural, incorporating the body’s gestures into a painterly stream of consciousness composed of areas of addition, erasure, and layering that challenge the status quo of visual culture. Parlá was born to Cuban parents in Miami, Florida, and lives and works out of Brooklyn, New York. He studied painting at Savannah College of Art & Design (SCAD) in Savannah, Georgia; the New World School of the Arts, Miami, Florida; and Miami Dade College, Miami, Florida. Solo exhibitions of Parlá’s work have been organized at institutions such as The Bronx Museum, New York (2022); Gana Art Center, Seoul (2022); Istanbul’74, Istanbul (2019); Hong Kong Contemporary Art (HOCA) Foundation, Hong Kong (2019); Neuberger Museum of Art, New York (2018); SCAD Museum of Art, Savannah (2017); Brooklyn Academy of Music (BAM), New York (2017); Goss-Michael Foundation, Dallas (2016); High Museum of Art, Atlanta (2015); amongst others. Public arts projects include permanent large-scale commissions including Far Rockaway Writer’s Library, a collaboration between Snøhetta and Parlá, New York (2023); Amistad América, University of Texas, Austin (2018); One Union of the Senses, ONE World Trade Center, New York (2015); Nature of Language, in collaboration with Snøhetta, Hunt Library at North Carolina State University, Raleigh (2013); Diary of Brooklyn, Barclays Center, New York (2012); Gesture Performing Dance, Dance Performing Gesture, Brooklyn Academy of Music (BAM), New York (2012); The Bridge, and The Names that Live and Sometimes Fade While Time Flies, Concord City Place, Toronto (2010). Select group exhibitions and biennials include The Culture: Hip Hop & Contemporary Art in the 21st Century, Baltimore Museum of Art, Baltimore (2023); Brooklyn Abstraction, Four Artists, Four Walls, Brooklyn Museum, New York (2022); Reflections, Gana Art, Seoul (2019); Glasstress, Fondazione Berengo Art Space, Venice (2019); Beyond the Streets, New York (2019); Yasiin bey: Negus, Brooklyn Museum, New York (2019); Victors for Art, University of Michigan Museum of Art, Ann Arbor (2017); Post No Bills: Public Walls as Studio and Source, Neuberger Museum of Art, New York (2016); Seeing, Saying, Images and Words, Van Every/Smith Galleries, Davidson College, North Carolina (2016); Wrinkles of the City: Havana Cuba: JR & José Parlá, the Havana Biennial, Havana (2012); amongst others. Parlá's work is in several public collections including the Brooklyn Museum, New York; Pérez Art Museum Miami (PAMM), Miami; The British Museum, London; Buffalo AKG Art Museum, New York; El Espacio, Miami; POLA Museum of Art, Japan; The Neuberger Museum of Art, New York; and The National Museum of Fine Arts, Havana. Parlá has received numerous awards, including the Gordon Parks Foundation Fellowship (2023), the Hirshhorn Museum Artist x Artist honoree (Hank Willis Thomas x José Parlá) (2023), National Young Arts Foundation Award (2022), Americans for the Arts National Art Award (2022), Americans for the Arts Public Art Network (2019), Miami Dade College Alumni Hall of Fame Award inductee (2016), Brooklyn Arts Council honoree (2014), Institute of Contemporary Arts(ICA) London – Grand Prize (2013), Heartland Film Festival - Best Documentary Short and Best U.S. Premiere for Wrinkles of the City, Havana (2013) Scholastic Art Award. By ML Staff. Courtesy of PAMM

Inspired by the delicate color and flower, Patou Creative Director Guillaume Henry dubbed his Spring-Summer 2025 collection “Rose”. Rose is a color, a flower, a person. The collection invites us into a world where each element, from color to melody, expresses the essence of the rose. Rose’s wardrobe ranges from reassuring classic to bold. Navy belted jackets and white and baby blue pleated skirts segue to a palette of blush pink, lustrous bronze and polka dot prints. Playful silhouettes and dresses shaped as flowers highlight the transformation, revealing the diversity and depth of the collection. Patou Spring-Summer 2025 is a celebration of femininity, elegance and adventure, capturing the very heart of Rose. ML Staff. Content/image(s) courtesy of Patou

As USTA Florida celebrates Pride Month, it is essential to recognize and honor members of the LGBTQ+ community who have significantly contributed to the sport of tennis. One inspiring and hardworking individual is Hannah Fleckenstein, the Head Professional at Ocean Reef Club. Hannah’s dedication to the sport, combined with her commitment to inclusivity and representation, makes her a beacon of pride within the tennis community. Hannah’s love with tennis began at the age of four at the Delray Tennis Center. She played a ton growing up and knew that one day she would make a career out of tennis. “I love that there are so many different ways that people can enjoy racquet sports,” she said. “If you want to be competitive you can be competitive, if you want to go out and just get a good workout you can get a good workout, or if you just want to go play a fun, social set of doubles you can also do that!” She’s been working in tennis for many years, showcasing her love for helping others improve at tennis and dedication to the sport. Currently, as the Head Professional at Ocean Reef Club, she is serving tennis to hundreds of people in Monroe County. Previous roles include working as an Assistant Tennis Coach at Colgate University, Hamilton College, Lehigh University and Middlebury College. She also worked at The Powelton Club as an Assistant Professional, and the Sippican Tennis Club and the New Canann Field Club as their Head Professional. Impact of the LGBTQ+ Community For Hannah, the LGBTQ+ community has been both an exciting and comforting presence in her life. “Connecting with people in the LGBTQ+ community can be exciting and comforting all at once,” she said. “There is this sense of understanding and support, even if you may not know that person all too well.” Hannah feels fortunate to have a supportive network of friends and family, both within and outside the LGBTQ+ community, who embrace her for who she is. “I am pretty lucky that I have friends and family alike that identify as both LGBTQ+ and non-LGBTQ+ that have these qualities.” Hannah’s connection to tennis transcends her personal identity. She points out that her involvement in tennis both before and after coming out has helped her forge meaningful connections within the LGBTQ+ community. “I feel like because I identify as LGBTQ+, I have connected with so many more people that play and are involved in racquet sports that I would not necessarily have connected with,” she said. “Shared experiences and perspectives can bring people together in ways that you could never imagine.” Hannah welcomes everyone to the sport with open arms. “Whether you are LGBTQ+ or not, get involved in racquet sports because they are lifetime sports,” she said. “No matter if you identify as LGBTQ+ or not, there is tennis for you. Get out there and meet people!” Hannah knows that racquet sports, such as tennis offer opportunities for people of all ages and skill levels, and she can see herself playing until she’s 100 years old. To those who are hesitant to come out, Hannah offers heartfelt advice that you’re never alone. “From my perspective, if you are hesitant to come out, it is often because you don’t think you will be supported by the people around you and by society,” she said. “Societal norms are not friendly to most so don’t get caught up in those. Live your truth! Surround yourself with people that love you no matter what and realize that people will surprise you.” She adds that often enough, the people you think won’t support you will be your biggest supporters. While it might be hard at first to see that support, she is confident that they will come around. “The people that might not support you at first will come around with time because they love you for who you are.” To Hannah, Pride is both a celebration and a reflection. “Pride is a time to celebrate, but also a time to reflect on where we have come from and where we are going, both as individuals and a community.” Pride Month is a reminder of the progress made and the journey ahead, both personally and collectively. Hannah is a testament to the power of sport in fostering inclusivity and building community. As USTA Florida celebrates Pride Month, her journey serves as an inspiration to all, highlighting the importance of representation, support, and the unifying power of tennis. By ML Staff. Content/Image courtesy of USTA Florida. Special thanks to Jaret Kappelman Marketing & Communications Coordinator for USTA Florida

The Louis Vuitton Spring-Summer 2025 Men’s Pre-Collection by Pharrell Williams portrays the cosmopolitan culture of dogs and the humans that walk them. With anthrozoological flair, the proposal pictures the wardrobe borne out of this symbiotic relationship, from daily promenades and park life to the unique activities of the dog-loving community. A study of the discerning mentality of the canine-keeping city lifestyle, the collection explores – through the savoir-faire of the Maison – a niche facet in the LVERS ideology central to the practice of the Louis Vuitton Studio Prêt-à-Porter Homme: the spirit of a global mentality driven by an appreciation for eminence in every walk of life; dog walks included. For more info visit www.louisvuitton.com. DOG LVERS / The Spring-Summer 2025 Men’s Pre-Collection By ML Staff. Images courtesy of  Louis Vuitton

The Traditionnelle tourbillon chronograph 50-piece limited edition has joined the Collection Excellence Platine. Combining two noble complications with the latest technological advances, this model pays tribute to the grand watchmaking traditions with an aesthetic that is as functional as it is original in terms of its display. Attired in platinum throughout its 42.5 mm-diameter case, crown, dial, clasp and strap stitching, this watch is powered by Calibre 3200. A collector’s timepiece with a platinum case, crown, dial, buckle and strap stitching. A prestigious in-house movement, manual-winding Calibre 3200 with tourbillon and monopusher chronograph. A 50-piece limited edition. Developed to mark the brand's 260th anniversary, this movement incorporates a monopusher chronograph with a tourbillon regulator. These two complications have been technically optimised for reliability, precision and user friendliness. The perfectly legible dial features a large tourbillon aperture at 12 o'clock, while the 45-minute chronograph counter is positioned at 3 o'clock and the power-reserve indicator at 6 o'clock. The movement's mechanical characteristics can be admired through the sapphire caseback, including its column-wheel adorned with a Maltese cross, its lateral friction clutch, its two hammers for zero-resetting the chronograph hands, as well as the peripheral tourbillon drive. The meticulous finishing endows this Traditionnelle tourbillon chronograph with a special radiance stemming from a blend of mechanical complexity and aesthetic elegance. A collector’s timepiece Vacheron Constantin has assembled some of its most exclusive models within the Collection Excellence Platine. Issued in limited editions, they are crafted in this noble and precious metal notably distinguished by its ability to maintain an enduring sheen. The collection is now joined by the Traditionnelle tourbillon chronograph, a model first unveiled in 2020. Equipped with an in-house movement combining the two prestigious tourbillon and chronograph complications, it integrates grand watchmaking traditions with a functional and elegant aesthetic that is classic yet unexpected, thanks to the original layout of its functions. It retains the distinctive features of the Traditionnelle collection – Dauphine-type hands, railway-type minutes track and stepped case with fluted caseback – while differing in that all the main elements of the watch, apart from the movement and strap, are in 950 platinum. The case, crown, finely grained dial and clasp are all made of 950 platinum, while the stitching on the dark blue alligator strap is crafted from braided silk and platinum thread. On the dial side, the tourbillon with its Maltese cross-shaped carriage is positioned at 12 o'clock, contrasting with the usual lower-dial position for this type of regulator. Another original attribute is the 45-minute chronograph counter appearing at 3 o'clock, while the 65-hour power reserve is displayed at 6 o'clock. Enhanced by a keen sense of proportions, this aesthetic reflects the work of the Maison’s designers, while at the same time optimising functionality and time reading. Calibre 3200, an exceptional in-house movement The caseback reveals the beauty of Calibre 3200 developed for the Maison’s 260th anniversary in 2015. At just 6.7 mm thick, this 292-part in-house manual-winding movement is remarkably slim for such a complex timepiece. It follows in the noble footsteps of the chronographs that forged Vacheron Constantin's reputation in the 1930s and 1940s. Its tourbillon regulator and monopusher chronograph function incorporated into the movement – as opposed to a modular construction – stem from extensive research aimed at optimising its functionality. The first step was to determine the tempo at which this calibre was to beat. Operating at the fairly sedate pace of 18,000 vibrations per hour (2.5 Hz), the regulator honours the mechanical ballet of the tourbillon bearing the small seconds indication. The next challenge was to provide as much space as possible for the regulator, while maintaining the central position of the time-only hours and minutes hands. The watchmakers developed a new peripheral drive system for the tourbillon carriage. This thinner construction enables the mainplate to be openworked so as to provide a spectacular view of the tourbillon. The extremely legible minutes track on the periphery bears fifth-of-a-second graduations corresponding to the level of accuracy enabled by the regulator. To calculate the speed in km/h over the first elapsed minute of the chronograph function, the minutes track is rimmed by a Base 1000 tachymeter scale on the flange. The chronograph – a function embodying considerable mechanical complexity in its integrated version – has also benefited from new developments. On this model equipped with a column wheel to control the functions, Vacheron Constantin has developed a friction-drive lateral clutch system. Thanks to this system that avoids any stuttering, the seconds hand engages smoothly when the chronograph is started. The chronograph is also equipped with a dynamic "all-or-nothing" activation system that prevents the seconds hand from starting when too little pressure is applied to the pusher.  This rigorous approach required cutting-edge machining techniques. The gears of Calibre 3200 have an extremely precise profile, guaranteeing a play of no more than 0.03 mm between the teeth. The precision of the timing sequences is further enhanced by the use of two hammers instead of a single one to reset the chronograph hands, whose functions are controlled by a single pusher housed in the crown. A rare and precious 50-piece limited edition These sophisticated technical aspects set the crowning touch to a model whose 50-piece Collection Excellence Platine limited edition makes it a rare and precious timepiece. Like the case, Calibre 3200 has been the object of meticulous finishing where every detail counts. The plate is circular-grained and all the components are polished and chamfered, including the screws, with straight-grained flanks. The gear teeth are also polished to prevent micro-particles from increasing the friction coefficient. The bridges are adorned with a Côtes de Genève motif and hand-bevelled, including the re-entrant angles. The upper bridge of the tourbillon carriage is mirror-polished, while its bar is delicately rounded off by hand in a process requiring 11 hours of painstaking work. While these finishing operations powerfully contribute to the visual appeal of the calibre, they also serve to reinforce the corrosion-resistance of its components in order to guarantee long-lasting, reliable operation. The movement is housed in a 42.5 mm case measuring just 11.7 mm thick and paired with a dark blue alligator leather strap. The chronograph functions are displayed by a blued steel seconds hand and a minutes hand in 18K gold – like the power-reserve pointer. The hours and minutes hands are in 18K white gold, sweeping over a minutes track punctuated by applied hour-markers in the same metal. From Geometry to Artistry, Vacheron Constantin annual theme A Vacheron Constantin watch is far more than merely the sum of its parts. Starting from a sketch, a geometrical drawing and its technical extensions, a whole world of shapes, colours and textures is born. The complex structures of mechanical engineering combine with design; meticulous detail gives life to grace; artisanal intelligence sparks emotions. Based on formal, mathematical study, Vacheron Constantin timepieces are thus endowed with a touch of soulfulness and elegance representing the ultimate expression of artistic talent. The classicism of the Traditionnelle collection; the minimalism of the Patrimony watches; the allure of Égérie; and the sporty-chic spirit of Overseas, all vividly illustrate this alchemy within which artistry is inspired by geometrical shapes, expressed through Vacheron Constantin's 2024 theme. ML Staff. Courtesy of Vacheron Constantin

NFL Hall of Famer and Miami Dolphins great Dwight Stephenson teamed up with Gunther Automotive Group to host the inaugural Norman Bonchick Memorial Golf Tournament to benefit Broward Children’s Center at The Club at Weston Hills on June 24. 132 golfers played in the tournament for fun or competitively while raising much-needed funds for Broward Children’s Center, a nonprofit organization that has been serving infants, children and young adults with special needs since 1971. The event raised over $70,000 that will support the Center’s crucial programs and medical, developmental and therapeutic services designed to meet the specific needs of infants, children and young adults who are developmentally disabled and medically fragile and their families. Stephenson along with celebrity friends Lawrence Taylor, OJ McDuffie, Troy Drayton, Akin Ayodele, Mike Pouncey, James McKnight, Kerry Glenn, Ki-Jana Carter, Orlando “El Duque” Hernandez, Pierre Garcon, Travis Daniels and Vernon Carey attended the fundraising event. Players enjoyed a lavish breakfast provided by Howard’s Market before the scramble-style tournament commenced with a shotgun start. Guests had the opportunity to participate in fun on-course activities and additional fundraising contests at different holes including hole in one, closet to the pin, the longest drive and the straightest drive. Republic National Distributing Company, the official fine wine and spirits sponsor, served complimentary cocktails all day throughout the course and during the luncheon and awards ceremony. The day concluded with an awards ceremony and a luncheon featuring a silent auction and raffle inside The Club at Weston Hills. Prizes included sports aficionado items, vacation and restaurant packages and more. Each player received a gift pack featuring a golf hat, golf polo shirt, golf towel, plantain chips, a beer-bottle opener, cologne, mini liquor bottles, sunglasses, an umbrella and other swag items. “We are tremendously humbled by the support from all those who joined us for a fun-filled day on the links,” said David Perez, M.B.A., director of development at Broward Children’s Center. “The inaugural Norman Bonchick Memorial Golf Tournament wouldn’t have been possible without the support of our host Dwight Stephenson, board members, sponsors and donors who are committed to serving infants, children and young adults who are developmentally disabled and medically fragile. The event helped us raise the necessary funds to serve the Centers’ crucial programs and help us provide the continuum of services designed to meet the needs of each child and their families.” The Norman Bonchick Memorial Golf Tournament thanks its sponsors for their generous support. Sponsors included Gunther Automotive Group, Amazon, Republic National Distributing Company, Miami Dolphins Foundation, Seminole Hard Rock Hotel & Casino, Pioneer Roofing, Florida Blue, Integrated Power Systems (IPS), First Citizens Bank, Coca-Cola, Dixon Golf, Hoffman Chocolates, Howard’s Market, LaCroix, Robins & Morton, Southwest Airlines, Tito’s Vodka, Voli Vodka, Stephen’s Distributing Company and Fogo De Chao. For more information about Broward Children’s Center, please visit https://www.bcckids.org/. More on Broward Children’s Center: Since 1971, Broward Children’s Center, a private, 501(c)(3) nonprofit, has been providing medical, educational, therapeutic, recreational, daily living and advocacy services through its network of care to infants, children and young adults who are developmentally disabled and/or medically fragile. Through a continuum of services designed to meet the needs of each child and their families, Broward Children’s Center remains focused on delivering the highest quality care necessary to ensure that each individual is given every opportunity to thrive and succeed. Broward Children’s Center is located at 200 SE 19th Ave., Pompano Beach, FL 33060. For more information, please visit www.bcckids.org or contact 954-504-5610 or info@bcckids.org. By ML Staff. Image courtesy of Broward Children’s Center

GOLDLAW is pleased to announce that it has been named a 2024 Top Workplace by the Sun Sentinel. This special distinction is awarded to companies that qualify based on employee sentiment, collected via surveys and analyzed by a human resources firm. Leading the charge for employee satisfaction at GOLDLAW is Chief Culture Officer Michelle Winfree. In 2022, GOLDLAW moved to a new office at EcoPlex. The building features dedicated spaces for breaks and relaxation. GOLDLAW took their own space to the next level by creating a recreation room complete with arcade games, pinball, and bumper pool. A new wellness room was also designed, providing employees with a space to take midday breaks, meditate, or simply relax. Throughout the year, GOLDLAW employees are offered the opportunity to participate in numerous social outings, including walks, volunteer activities, team-building events, and happy hours. The law firm’s employees are also encouraged to stay physically fit by using the fully equipped fitness room at EcoPlex. To help team members get on their feet, GOLDLAW installed “standing” desks at every workstation, allowing employees to stand and stretch throughout the day. Over the last year, GOLDLAW gave all employees the opportunity to take a 4-hour mental health break during the month of May in recognition of Mental Health Awareness Month. Staff are encouraged to do something for themselves, and not just make a trip to the supermarket or clean their house. "At GOLDLAW, we strive to make our workplace an inclusive and supportive environment where our employees feel empowered to come to work,” said Craig Goldenfarb, CEO and founder of GOLDLAW. “Our employees are at the forefront of business and community initiatives, and this recognition is a testament to both our workplace culture and their dedication to our clients and community. We are proud and honored to receive this designation.” The annual Top Workplace award is based on a 24-question employee survey sent to 35,725 employees across South Florida. More than 19,000 employees responded, and their feedback was used by Sun Sentinel and Energage, LLC, a Philadelphia-based employee engagement platform, to rank 126 companies in three categories based on the number of their employees: Large-400 plus, Midsize-125-399, and Small-125 or fewer. The survey was conducted from September 2023 through January 2024. Companies that exceeded benchmark scores for their size group made the winners list. Special awards were also given to companies with standout scores in areas of leadership, values, direction, communication, meaningfulness, and benefits. Visit GOLDLAW.com or call (561) 222-2222. By ML Staff. Image provided by Goldlaw.

When considering a food franchise, it's essential to explore options that offer both a strong brand presence and a unique, appealing menu. One such opportunity is the Tony Roma’s food franchise, which boasts a rich history and a globally recognized brand. This article delves into the story behind Tony Roma’s, its current standing in the market, and what potential franchisees can expect from this iconic brand. The Origin of Tony Roma’s Tony Roma’s was founded in 1972 by Tony Roma, a charismatic businessman with a knack for hospitality and a love for good food. Initially a Miami steak and burger joint, Tony Roma’s quickly gained popularity, thanks to its fun atmosphere and quality menu. Waitresses in go-go boots and a party-like ambiance set the stage for a dining experience that was both unique and memorable. The restaurant's transformation into a ribs-focused establishment was somewhat serendipitous. Chef David Smith’s baby back ribs were added to the menu on a whim, but they quickly became the signature dish. These ribs, cooked to perfection, attracted a dedicated following, establishing Tony Roma’s as THE place for ribs. The Brand’s Evolution Over the past 50 years, Tony Roma’s has expanded its footprint globally, from Illinois to Indonesia to Ireland. The brand’s enduring popularity can be attributed to its commitment to quality and innovation. While the core DNA of serving delicious, craveable ribs remains unchanged, Tony Roma’s has embraced a new restaurant design and an innovative menu to appeal to the next generation of diners. The updated menu includes a variety of options beyond ribs, such as seafood and steak, ensuring there’s something for everyone. This adaptability and commitment to culinary excellence have kept Tony Roma’s relevant in an ever-evolving market. Why Choose a Tony Roma’s Food Franchise? 1. Strong Brand Recognition: Tony Roma’s is a household name with a loyal customer base. The brand’s reputation for serving high-quality ribs and a memorable dining experience provides a solid foundation for franchisees. 2. Proven Business Model: With decades of experience in the food industry, Tony Roma’s offers a proven business model that new franchisees can rely on. This includes comprehensive training programs, marketing support, and operational guidance. 3. Innovative Menu: The menu at Tony Roma’s is designed to appeal to a broad audience. From their famous ribs to seafood and steak, the diverse offerings ensure a steady stream of customers. The ability to adapt and introduce new menu items keeps the dining experience fresh and exciting. 4. Global Presence: Tony Roma’s international presence demonstrates the brand’s universal appeal. Franchisees benefit from being part of a globally recognized brand that continues to grow and expand into new markets. The Franchisee Experience Joining the Tony Roma’s family as a franchisee means becoming part of a legacy that values quality, innovation, and community. Franchisees receive extensive support from the corporate team, ensuring they have the tools and knowledge necessary to succeed. This support includes site selection assistance, comprehensive training, marketing strategies, and ongoing operational support. Moreover, Tony Roma’s commitment to innovation ensures that franchisees can offer customers an exceptional dining experience. The new restaurant designs are modern and inviting, and the menu innovations cater to contemporary tastes while honoring the brand’s roots. By ML Staff. Image courtesy of Adobestock