Actress, director, and producer Carrie Preston opens up about the evolution of her beloved character, her love for southern hospitality, and why a Miami-based mystery might be the perfect next case. For over a decade, Carrie Preston’s portrayal of the eccentric yet brilliant Elsbeth Tascioni has captivated audiences in The Good Wife  and The Good Fight . Now, with Elsbeth , she steps fully into the spotlight, bringing her signature wit and unconventional detective skills to the streets of New York. Here, Preston shares what it’s like to embody Elsbeth every day, how the character has evolved, and what unexpected twists lie ahead. She also reflects on her Miami connections, from her directorial debut at the Miami Gay and Lesbian Film Festival to imagining Elsbeth solving a hot mystery in South Florida. Miami Living: After playing Elsbeth somewhat sporadically over the last 14 years across The Good Wife and The Good Fight, how does it feel to bring this character into the spotlight in Elsbeth?   Carrie Preston: It feels luxurious and indulgent to get to play Elsbeth every day versus just a few episodes a season. The writers have fleshed her out into a fully realized person with a past, an exciting present, and even some uncertainties in the future. I love the jump from a legal show to a police procedural because it really breathes fresh air into the character. I am delighted in Elsbeth becoming a New Yorker and learning how to solve murders in this city she loves so much. And I’ve enjoyed building her relationships with Captain Wagner (the great Wendell Pierce), Officer Blanke (the wonderful Carra Patterson), and her son, Teddy (the adorable Ben Levi Ross).   Miami Living: How has portraying Elsbeth in her own show differed from being part of the ensemble cast in The Good Wife and The Good Fight? Was there a shift in how you approached the character for the new series?   Carrie Preston: The tone of the show is different than its predecessors, and I obviously have way more to do on Elsbeth than I ever did on those shows. But my approach to the character, as with all characters, remains the same. I always start with the writing (and I was/am blessed with wonderful writing on all of these shows) and I dig as deep as I can to find all the nuances and hidden gems in there. And then I come to set ready to play with the other actors, the director and the crew to make it as wonderful as we can.   Miami Living: What aspects of Elsbeth’s character have evolved since the start of the series? In what ways do you see her continuing to develop?   Carrie Preston: Her rich emotional life is now on full display, so you’re able to see an array of different colors on her face…. And in her wardrobe! Her past has come back to haunt her a bit this season, and we’re going to see that continue to play out. So, she’s got to figure out her next moves in order to keep her job and the respect of her peers.   Miami Living: What’s your favorite scene or storyline in the new series? What about that particular moment resonated with you?   Carrie Preston: The fun thing about Elsbeth  the show is that the writers give us something new and unexpected every episode. I always love scenes with Wendell and Carra at our “home base,” the precinct.  And this season’s guest stars are epic. I’ve had really wonderful moments with some of my very favorite actors in the business! And many of my friends have come on to play, as well. In the 9th episode this season, Elsbeth is at a meditation retreat and her meditation partner is played by my dear friend Marcia DeBonis, whom I directed in a feature film years ago. And that episode was also directed by another old friend, Nancy Hower, who I met back when I was in school at Juilliard. I love collaborating with people with whom I share such a rich history.    Miami Living: Given how unique Elsbeth’s character is, do you think there are other aspects of her personality or background that have yet to be fully explored? What would you love to dive deeper into?   Carrie Preston: She’s very driven and has been extremely successful and as a result, wealthy. She’s often having to explain away or defend her privilege, and that’s interesting to grapple with. I would love to continue to learn more about her family and her upbringing.    Miami Living: Without giving too much away, are there any dramatic shifts in her story that you’re looking forward to?   Carrie Preston: Well, as you know, my husband Michael Emerson has been a guest star this season. Elsbeth knows that his character, Judge Milton Crawford, committed a murder. But so far, we’ve not seen her solve the case and it really does seem like he might get away with it. He’s got so many connections and so much power, that he is seemingly above the law. Elsbeth’s white whale. But she’s a force to be reckoned with, as we know!   Miami Living: Miami has such a distinct character in pop culture—whether in films, TV shows, or even the news. How do you think Elsbeth’s quirky personality would clash with or complement the fast-paced, high-stakes environment of a city like Miami?   Carrie Preston: Elsbeth would be all over the art deco architecture and style, and the gorgeous colors associated with Miami are her favorite colors, too. She’s a bit of a flamingo, fashion-wise! She would dive right into the life of the city and find some way to solve crimes all while enjoying South Beach, going to Heat games with Teddy, and dancing to salsa music.   Miami Living: Given your extensive experience working in diverse locations and environments, how do you feel about exploring her character in a Miami-based storyline?   Carrie Preston: That would be amazing. My husband and I just visited Key West, and it whetted our appetite to see more of southern Florida. Maybe murder on a boat, with the gorgeous sunset!   Miami Living: What was it like having your directorial debut at the Miami Gay and Lesbian Film Festival almost 20 years ago? What were the highlights of celebrating this achievement in the city?   Carrie Preston: I directed a tiny indie feature film called “29th and Gay”, and we really wanted to have our world premiere at the Miami Gay and Lesbian Film Festival.  The previous year I had starred in a film called “Straight-Jacket” that had been very well received at that festival, but I hadn’t been able to attend. So, I was thrilled when we were welcomed with open arms by Carol Coombes and all the people involved in the festival at that time.  We explored the city and saw lots of wonderful films and loved sharing our tiny film with such a warm audience.    Miami Living: Can you share something that most people would be surprised to find out about you? Any hidden talents or hobbies?   Carrie Preston: It’s no secret that I’m Southern, and my background comes to life when I spend time with my family in our place in the Hudson Valley, north of NYC. I make my special buttermilk biscuits, I garden with a focus on the vegetables that make the best Southern meals (tomato sandwiches, especially), and I host big family gatherings with all the Southern hospitality I was raised to offer.   Miami Living: What do you feel is the most challenging and rewarding aspect of being a producer and director?   Carrie Preston: As an actor you’re responsible for fleshing out one character, but when you’re a director or producer, your focus is on every aspect of the storytelling. I like how invigorating that is. All of the creative muscles get exercised. But that’s also a lot of balls to keep in the air and the challenge is to not drop any. But I do love a challenge and feel fortunate whenever I get the opportunity to do my best to rise to it.  You can watch season 2 of Elsbeth weekly on CBS, or stream it on various platforms. Follow Carrie Preston on Instagra m @carriepreston. By By Morgan Harms. Photos by Emily Assiran

Music has become a significant element of the FIFA World Cup™, and for the 2026 edition, it will be elevated to a new level. With 48 teams competing in 104 matches across three host nations, FIFA is introducing an initiative that highlights diversity, creativity, and the unifying power of sport through music. Producers from the 16 Host Cities in Canada, Mexico, and the United States have collaborated to create Sonic IDs, custom audio identities that link the FIFA World Cup 2026™ with the local communities of each Host City. This project represents a milestone in the tournament's legacy, combining global appeal with local culture through music and sound. Beginning on Saturday, 1 March, and continuing through to Sunday, 16 March 2025, FIFA will partner with one Host City each day to unveil their Sonic ID and its accompanying visualiser for 16 consecutive days. This exciting rollout will build anticipation for the tournament, giving fans a daily dose of musical inspiration and a captivating glimpse into the cultural heartbeat of the Host Cities. A stellar lineup of producers brought their distinctive sounds to the table, weaving a rich sonic tapestry that vividly captures the spirit and soul of their hometowns. The roster of visionary producers includes: Monday, 3 March: Mr. NaisGai (Miami) Fans will be able to stream, download and enjoy their city-specific Sonic IDs on popular music platforms, including Spotify, Apple Music, and more, and watch each city’s Sonic ID visualiser on FIFA’s YouTube channel. Fans can follow the release of each Sonic ID at fifaworldcup.com . By ML Staff. Image Courtesy of FIFA

The Road to the Kentucky Derby heats up! Get ready for a full day of action on the Road to the Kentucky Derby . Join TwinSpires for LIVE Saturday Stakes Racing with a packed day including the Gotham S. (G3) , Fountain of Youth S. (G2) , and San Felipe S . from top tracks like Gulfstream Park , Aqueduct , and Santa Anita . Get your best bets, check LIVE odds, and grab those promotional bonus offers. Share your picks, experiences, and why you love horse racing with our community. Follow the TwinSpires Live Blog for all the race day action and Kentucky Derby updates. By ML Staff. Content/Image courtesy of Kentucky Derby

As photographs by the influential German artist go on show at Christie’s in London, we look back at a body of work that embraces everything from everyday objects to famous faces, and from clubland euphoria to introspective abstraction. Left: Wolfgang Tillmans (b. 1968), JAL. Chromogenic print. 16 x 12 in (40.6 x 30.5 cm). Photographed in 1997 and printed in 1998, this work is number seven from an edition of ten plus one artist’s proof. Estimate: £8,000-12,000. Right: Wolfgang Tillmans (b. 1968), Kate sitting. Chromogenic print. 24 x 19⅞ in (61 x 50.8 cm). Photographed in 1996 and printed in 1999, this work number one from an edition of three plus one artist’s proof. Estimate: £12,000-18,000. Both offered in the Post-War and Contemporary Art Day Sale on 6 March 2025 at Christie’s in London Born in the industrial town of Remscheid in West Germany in 1968, Wolfgang Tillmans took his earliest photographs of the night sky. In 1982, he was sent to London to improve his English, where, he said, his aim was to ‘go clubbing and meet outrageous people and break out and wear make-up’. In Kensington Market he discovered the New Romantics, the nascent teenage style cult that gave rise to Boy George, Steve Strange and a host of arty kids who partied at the Blitz club in Covent Garden. British pop music was to have a profound influence on the photographer. Tillmans dates his conception as an artist to 1986, when he discovered a Canon laser photocopier in a copy shop in his home town. He thought of the photocopier as a camera in its own right, using it to enlarge and reproduce images he found in newspapers and magazines, as well as his own photographs. Two years later, he moved to Hamburg and began documenting the city’s nightlife, sending the images to the British fashion magazine i-D . This led to his first exhibition, at Café Gnosa, a bohemian coffee shop with a small gallery space. The positive reception to the show emboldened Tillmans to approach the London gallerist Maureen Paley , who has represented him ever since. Wolfgang Tillmans (b. 1968), me in the shower. Chromogenic print. 16 x 12 in (40.6 x 30.5 cm). Photographed in 1990 and printed in 1995, this work is number eight from an edition of ten plus one artist’s proof. Estimate: £5,000-7,000. Offered in the Post-War and Contemporary Art Day Sale on 6 March 2025 at Christie’s in London Tillmans’s pictures first appeared in the pages of i-D in 1989. The style and culture magazine’s appropriation of the zine format, its commitment to experimentation and its promotion of sub-cultures made it a perfect vehicle for a teenage artist who was intent on exploring the meaning and context of his images. Soon, Tillmans was being asked to photograph musicians, actors and models who embodied the new counter-culture, such as Kate Moss and Moby, and he produced photo stories about club culture in Europe. In 1992, Tillmans photographed his friends, the artist Alexandra Bircken and the fashion designer Lutz Huelle, naked or semi-clothed on the Dorset coast for i-D ’s ‘Sexuality Issue’. The magazine’s UK distributors refused to stock the issue because of its explicit content, but Lutz & Alex holding cock and Lutz & Alex sitting in the trees have become some of Tillmans’s most recognisable photographs. The latter in particular became a defining, if utopian, vision of the free-spirited and open-minded generation the artist sought to portray following the fall of the Soviet Union. Wolfgang Tillmans (b. 1968), Joy Ray. Chromogenic print. 12 x 16 in (30.5 x 40.6 cm). Photographed in 1990 and printed in 1994, this work is number five from an edition of ten plus one artist’s proof. Estimate: £3,000-5,000. Offered in Post-War and Contemporary Art Online, 26 February to 12 March 2025 at Christie’s Online By the early 1990s, having graduated from Bournemouth and Poole College of Art, Tillmans was showing in galleries in London, Hamburg and Cologne, using the white cube space to challenge perceived notions of what art could be. He exhibited faxes, postcards and printed-up darkroom mistakes, and worked across different artistic genres including still life, landscape, portraiture and abstraction. ‘I found my signature in terms of showing my pictures in a non-hierarchical way,’ he said of the period. ‘It was a very radical thing at the time, to show magazine pages alongside original photographs and to leave the photographs unframed.’ When asked about how he works and what’s important to him, Tillmans has spoken of ‘being open to what’s there and working in this intersection, interplay of intention and chance, control and coincidence’. Operating on the border between photography and painting, he has frequently been compared with Sigmar Polke and Gerhard Richter . Wolfgang Tillmans (b. 1968), Urgency XIX. Chromogenic print mounted on Dibond, in artist’s frame. 70⅞ x 93¾ in (180 x 238 cm). Executed in 2006, this work is number one from an edition of one plus one artist’s proof. Estimate: £120,000-180,000. Offered in the Post-War and Contemporary Art Day Sale on 6 March 2025 at Christie’s in London Tillmans’s in-depth exploration of the abstract potential of photography began with a group of non-representational works, of which Urgency XIX is one. Using different light sources on light-sensitive paper, the results invoke radiant sunsets and the depths of the ocean in their drama and scale. The blurry lines carry blemishes like broken blood vessels, as if revealing a whole world to be found under a microscope. ‘These pictures were essentially made “dry” — only with light and my hands,’ he explains. ‘Created in the darkroom without negative and without camera, they’re made purely through the manipulation of light on paper. In this respect, their own reality, their creation and their time are absolutely central to their meaning: the time that I spend with the material in which I explore and intensify different effects.’ Tillmans is often described as an artist who makes ordinary things look extraordinary, although he would argue the opposite: he believes that ordinary things are extraordinary, if only people would take the time to look at them. Wolfgang Tillmans (b. 1968), pumpkin, tomate & pomme granate. Chromogenic print. 24 x 20 in (61 x 50.8 cm). Photographed in 1995 and printed in 1999, this work is number three from an edition of three plus one artist’s proof. Estimate: £6,000-8,000. Offered in the Post-War and Contemporary Art Day Sale on 6 March 2025 at Christie’s in London This hyper-awareness of the world around him is something he attributes to his own sense of mortality. He grew up in the 1980s under the shadow of HIV, and his lover, the painter Jochen Klein , died from AIDS-related complications in 1997. Tillmans’s pictures, however light and joyous, are always made with that reality in mind. The artist gives the impression of being a casual observer of life, but this is an illusion — that casualness is hard-won. All his photographs are carefully considered, and little is left to chance. Tillmans won the Turner Prize in 2000 for an installation of photographs arranged on the gallery walls, an unpretentious aesthetic that he has continued. At the time of his win, the press described him as ‘a German-born artist living in Britain’ — a bit of a mouthful, but a label that he has often used. His exhibition at Tate Britain three years later was titled if one thing matters, everything matters and reflected his egalitarian vision. ‘In photography I like to assume exactly the unprivileged position,’ he said, ‘the position everybody can take, who chooses to sit at an airplane window or chooses to climb a tower.’ Wolfgang Tillmans (b. 1968), Concorde. Chromogenic print. 16 x 12 in (40.6 x 30.5 cm). Photographed in 1996 and printed in 1998, this work is number nine from an edition of ten plus one artist’s proof. £4,000-6,000. Offered in the Post-War and Contemporary Art Day Sale on 6 March 2025 at Christie’s in London In 2006, Tillmans founded Between Bridges , a not-for-profit exhibition space in Bethnal Green, east London, which relocated to Berlin in 2014. It is now a foundation devoted to the advancement of democracy, international understanding, the arts and LGBT rights. The foundation has been vocal in its support for the European Union. ‘It’s now the duty of us all,’ wrote Tillmans, ‘to defend the pillars of the free world order that was created over the last 70 years.’ In 2017, Tillmans paid homage to his early New Romantic days by dedicating an entire room in his Tate Modern retrospective to the 1980s British pop pioneers Colourbox. More recently, he has been producing music of his own. Tillmans released his debut electronic album, Moon in Earthlight , in 2021, followed three years later by his second, Build from Here . The artist’s move into synth-pop is not as surprising as it might seem, given his love of electronic music and clubbing. In fact, he once said he would never have picked up a camera had it not been for Acid House: he wanted to bear witness to the euphoria he and his friends were experiencing at the time. The latest album, with its experimental ‘audio photography’ and beautiful melodies, reflects something of Tillmans’s optimistic nature and faith in the future. Christie’s exhibition, Wolfgang Tillmans: The Way We Look , is on show in London until 21 February 2025. Post-War and Contemporary Art Online is open for bidding from 26 February until 12 March 2025. The Post-War and Contemporary Art Day Sale takes place on 6 March 2025 All artworks: Courtesy of Galerie Buchholz, Maureen Paley, London, David Zwirner, New York Click here  for the latest Christie's auctions ML Staff. Content/image courtesy of Christies.

LVMH announces the list of the 20 candidates shortlisted for the semi-final to be held on 5TH and 6TH March. The twelfth edition of the LVMH Prize for Young Fashion Designers has confirmed its success and international appeal, with over 2,300 applicants from all over the world. After the applications closed, 20 young brands were selected to take part in the semi-final – list below. The semi-finalists come from 15 countries , including, for the first time, Egypt, Ghana and Saudi Arabia, representing a great range of diverse cultures and talents. The 20 semi-finalists will present their collections at the semi-final showroom, which will take place in Paris on 5th and 6th March 2025. Once again this year, the LVMH Prize will be held digitally on the dedicated website lvmhprize.com and will involve the general public. From 5th to 9th March, the public will be able to discover the designers and vote for their eight favourite candidates, just like the Experts. On the occasion of the semi-final, the LVMH Prize Committee of Experts, made up of over 80 international fashion specialists, will select the eight finalists. Delphine Arnault declares: “As the LVMH Prize steps into a new decade, it is my honour once more to welcome some exceptional talents. With this 2025 edition, we are seeing several compelling trends among emerging designers from all over the world, from a renewed interest in tailoring, to handcrafted embellishments and bold occasion dressing. This year’s shortlist of 20 brands also includes candidates from three countries that are new to the LVMH Prize: Egypt, Ghana and Saudi Arabia. I’m also delighted to welcome back two brands that have competed in the Prize in the past: Renaissance Renaissance (2021) and Soshiotsuki (2016). This year again, many of the brands place high value on experimentation and aesthetics, just like our Savoir-Faire Prize which is entering its second edition. This award highlights the importance of craftsmanship, innovation and sustainability, echoing three key issues for today’s fashion and luxury industries. I would like to congratulate all the semi-finalists and look forward to meeting them at our showroom in Paris.” 2025 LVMH PRIZE: THE TWENTY SEMI-FINALISTS ALAINPAUL by Alain Paul, France, womenswear, menswear and genderless collections ALL-IN by Benjamin Barron, United States, and Bror August Vestbø, Norway, womenswear and genderless collections BOYEDOE by David Boye-Doe Kusi, Ghana, genderless collections FRANCESCO MURANO by Francesco Murano, Italy, womenswear JOSH TAFOYA by Josh Tafoya, United States, genderless collections KML by Ahmed Hassan, Saudi Arabia, menswear and genderless collections MERUERT TOLEGEN by Meruert Planul-Tolegen, United States, womenswear MFPEN by Sigurd Bank, Denmark, womenswear and menswear NICKLAS SKOVGAARD by Nicklas Skovgaard, Denmark, womenswear PENULTIMATE by Xiang Gao, China, genderless collections PILLINGS by Ryota Murakami, Japan, womenswear RENAISSANCE RENAISSANCE by Cynthia Merhej, Lebanon, womenswear SINEAD O’DWYER by Sinéad O’Dwyer, Ireland, womenswear SOSHIOTSUKI by Soshi Otsuki, Japan, menswear STEVE O SMITH by Steve O Smith, United Kingdom, womenswear and menswear TOLU COKER by Tolu Coker, United Kingdom, womenswear TORISHEJU by Torishéju Dumi, United Kingdom, womenswear and menswear YASMIN MANSOUR by Yasmin Mansour, Egypte, womenswear YOUNG N SANG by Sang Lim Lee et Youngshin Hong, South Korea, menswear ZOMER by Danial Aitouganov, the Netherlands, womenswear THE LVMH PRIZE INCLUDES THREE AWARDS The LVMH Prize for Young Fashion Designers , which focuses on creativity, comes with a 400,000-euro endowment. The winner enjoys a one-year custom mentorship by a dedicated LVMH team. The Karl Lagerfeld Prize also distinguishes the creativity of a young brand and comes with a 200,000-euro endowment as well as a one-year mentorship programme. The most recently added Savoir-Faire Prize focuses on exceptional craftsmanship, technical expertise and innovation, as well as sustainability in a young brand. Together with a 200,000-euro endowment , the winner will also enjoy a one-year specific mentoring programme dedicated to encouraging the transmission of skills in these areas. Finally, the Prize distinguishes three young fashion school graduates. Each winner, as well as their school, will receive 10,000 euros and join the design studio of one of the group’s houses for one year. Applications are open on the lvmhprize.com website until 30th March 2025. ML Staff. Content/image(s) courtesy of LVMH

Grammy and Emmy-winning ensemble, Time For Three (TF3), defies conventions with genre-bending excellence. Their captivating sound merges classical, Americana, and singer-songwriter styles, resonating globally. With charismatic performances and remarkable achievements, TF3 continues to push creative boundaries, leaving audiences worldwide captivated. They take the stage on March 6 for an electrifying solo set. Each ensemble—the Stamps String Quartet, Jazz Quintet, Brass Quintet, and Woodwind Quintet —will carve out its own artistic space, delivering bold interpretations of both new and timeless works. The night culminates in a world-premiere commission , where all Stamps ensembles join forces with Time For Three for a sweeping, sonically adventurous finale that reimagines the boundaries of collaboration and sound. ABOUT TIME FOR THREE Comprised of Charles Yang (violin, vocals), Nicolas Kendall (violin, vocals), and Ranaan Meyer (double bass, vocals), the uniqueness of the trio’s instrumentation well matches their sound, which blends eras, styles, and traditions from classical to Americana to singer-songwriter. TF3’s collaborations with Pulitzer Prize winners Jennifer Higdon and Kevin Puts resulted in the Grammy Award-winning album, “Letters for the Future,” conducted by Xian Zhang and featuring the Philadelphia Orchestra. Their charismatic performances on major stages, frequent collaborations with acclaimed artists like Ben Folds and Arlo Guthrie, and commitment both on and offstage to encouraging the next generation of musicians, all showcase Time for Three’s unwavering dedication to pushing creative boundaries and captivating audiences worldwide. Purchase tickets here . Set a reminder here. DATE AND TIME: Wednesday, March 5, 2025 6:30pm ADDRESS: Gusman Concert Hall, 1314 Miller Dr, Coral Gables, FL 33146 By ML Staff. Courtesy of Frost School of Music

A swing for the promise! Every five minutes, someone in the United States is diagnosed with lymphoma, and more than one million people in the country are living with, or in remission from, lymphoma/chronic lymphocytic leukemia (CLL).  The community is invited to join the  Lymphoma Research Foundation  for the  Second Annual South Florida Golf Invitational  on Monday, May 5, 2025, as it takes a swing toward fulfilling its mission to realize the promise of science to eradicate lymphoma and serve the community touched by this disease. Supporters will put their golf skills to the test at the iconic La Gorce Country Club, one of the most exclusive private golf clubs in the United States, designed by Jack Nicklaus, while being a catalyst in finding cures. This exclusive tournament highlights the strong donor base and offers a unique, intimate experience for its 72 participants.  Registration will begin at 9 a.m. with breakfast and a driving range. The tournament will commence with a shotgun start at 11:30 a.m., and golfers will enjoy lunch on the green. Following the tournament at 4:30 p.m., players will experience a brief networking cocktail reception and awards ceremony with hors d’oeuvres. All golfers will receive premium gift bags.    Co-chaired by Leigh and Cory Olson, the Second Annual South Florida Golf Invitational will honor Walter J. Andrews, partner at Hunton Andrews Kurth, LLP, with the Foundation’s Advocate Award. Recognized as a leader for insurance dispute resolution by Chambers USA and recommended for his advice to policyholders by Legal 500, Andrews focuses his practice on complex insurance recovery, counseling, arbitrations, litigation and expert witness testimony.    Proceeds will support The Lymphoma Research Foundation’s partners who save lives every day by powering breakthroughs in research that cure blood cancers and directly supporting cancer patients in need. Lymphoma is the most common blood cancer in adults and the third most common cancer overall among children. The Lymphoma Research Foundation is the nation’s largest nonprofit organization devoted exclusively to funding lymphoma research and supporting the lymphoma community through evidence-based education, support services and resources.   The 2025 Benefit Committee is Walter J. Andrews, Laurie and Steve Davis, Barbara Freundlich, Christopher Gorelik, Patricia Kaine, Leah and John Leonard, MD, Ann Singer, and Sonya Verny. The Second Annual South Florida Golf Invitational Presenting Sponsor is Leigh and Cory Olson. The Platinum Sponsors are Laura and Lloyd Blankfein and Patricia Kaine. The Gold Sponsor is the Connors Family. The Hole Sponsors are Walter J. Andrews, Jean and Steven Eichberg, Barbara Freundlich, the Prince Family Foundation, Kristi and Liam Hendriks, Chike Springer Foundation and Robert Werner.   Sponsorship and underwriting opportunities, ranging from $5,000 to $75,000, are available. Individual golfer tickets are available for $2,000, and foursome packages are available for $8,000.  Monday, May 5, 2025, from 9 a.m. to 6 p.m.    La Gorce Country Club  5685 Alton Road Miami Beach, Florida 33140  For more information, please visit  lymphoma.org/FloridaGolf  or contact Fatima Hameed at 347-920-8535.

Miami’s high-end dining scene is undergoing a transformation, and at the center of it is Dorsia, a tech-driven hospitality company that has just raised $50.4 million in funding. With a $146 million valuation and backing from industry heavyweights, Dorsia is redefining how diners gain access to exclusive restaurants while ensuring high-value spending for hospitality partners. Photo: Todd Coleman Founded in 2022, Dorsia has rapidly expanded, seeing fivefold year-over-year growth and extending its presence from Miami and New York to Dubai and St. Tropez. The company’s model is built on a seamless, tiered membership system that guarantees top-tier members access to in-demand reservations, premium wines, and exclusive events. Some members reportedly spend up to $25,000 annually for VIP perks. In Miami, Dorsia’s network includes some of the city’s most sought-after reservations, including MILA, Casa Neos, KYU, Cote, Boia De, and Carbone. With Miami’s reputation as a luxury dining hub, Dorsia’s presence aligns with the city’s growing demand for high-end, experience-driven hospitality. The company’s impressive investor roster includes hospitality leaders such as David Grutman (Groot Hospitality), Simon Kim (Gracious Hospitality), Jon Neman (Sweetgreen), David & Jamie Reuben (Reuben Brothers), and Jeff Zalaznick & Mario Carbone (Major Food Group). Their backing underscores the industry’s belief in Dorsia’s potential to reshape restaurant access. Marc Lotenberg CEO Marc Lotenberg envisions Dorsia as the "future of hospitality," drawing comparisons to how Uber transformed transportation. As Miami continues to position itself as a global hotspot for fine dining and luxury experiences, Dorsia’s expansion signals a shift in how top-tier dining establishments manage reservations and clientele. With its latest funding round, Dorsia is poised to further scale its reach, bringing its innovative model to more global dining destinations while continuing to refine Miami’s high-end restaurant scene. By ML Staff. Image Courtesy of The Moore

Reigning World Surf League champion Caitlin Simmers and Italian Leonardo Fioravanti both finished second at the opening 2025 WSL event in Hawaii as the world's best surfers took on the fearsome Banzai Pipeline at the Lexus Pipe Pro tournament. Here is all you need to know: American Simmers came into the season opener fresh off her 2024 WSL title win and she cruised past compatriot Moana Jones Wong and Sawyer Lindblad to book a semi-final clash against Molly Picklum, which became a Backdoor shootout for the ages that Simmers won 17.67 to the Australian's 16.13. American Caroline Marks made it through to the quarter-finals where her run ended at the hands of eventual winner Tyler Wright, the Australian beating American Lakey Peterson in the semi-finals before holding off Simmers in the women's final to win by 7.70 to 3.94 and claim the title. Simmers started with an early advantage after Wright aggressively paddled for a wave and handed the younger competitor priority. Both surfers missed out on high scores after taking big falls, and it was Wright who found the first score of note after the halfway mark of the heat. That barrel at Backdoor turned out to be the defining moment of the final. Simmers, 19, said: "I think watching this wave from inside and out, whether you're in the barrel or just watching it from the beach is one of the most beautiful things ever. I kind of just wish the final was a barrel shootout, but sometimes she sleeps and the ocean definitely slept during our heat. Tyler is a very smart competitor and she just got the waves. Congrats to her." In the men's event, American Griffin Colapinto, Australian Jack Robinson and South African Jordy Smith all bowed out at the Round of 32 with Japan's Kanoa Igarashi and Brazilian João Chianca falling at the Round of 16 stage as Brazilian Italo Ferreira and Fioravanti made the last eight. Ferreira edged past Miguel Pupo in his quarter-final to set up a semi-final with Barron Mamiya, however the 2019 world champion was on the wrong end of a clinic and exited in the last four. On the other side of the draw, Fioravanti posted six excellent scores over the course of the event, overcoming challenges from Australian rookies George Pittar and Joel Vaughan then Brazilian Ian Gouveia in the semi-final on the back of a comfortable 16.57 to 9.34 scoreline. The final saw Fioravanti make an epic comeback to equal Mamiya's huge 17.97 heat total and, despite losing the tie-breaker, he leaves the North Shore - where he lives part-time - holding his head high. Fioravanti, 27, said: "I'm proud of myself and I'm stoked to be here. Barron had me in combo, but I just thought, you know what, two Backdoor waves can do it. And needing a 9.11 and getting a 9.10, it's tough. It's tough, but I am very proud of myself for coming back and giving myself that chance. Congratulations to Barron. He is one of the greatest Pipe surfers of all time. I truly believe that." The next 2025 WSL stop is the Surf Abu Dhabi Pro with a competition window from Friday, February 14, through to Sunday, February 16. By ML Staff. Content/Images courtesy of RedBull

Miami is a ceviche lover's paradise, with restaurants serving up the freshest, and most flavorful takes on this iconic dish. From zesty, citrus-cured classics to bold, modern twists, these spots are redefining what great ceviche tastes like.  Avra Ceviche. Photos courtesy of Avra Miami Avra Miami  17945 Collins Ave, Sunny Isles Beach, FL 33160   Avra Miami, the upscale Greek restaurant at the Acqualina Resort & Residences, offers the standout Avra Ceviche, a refreshing starter featuring a delightful blend of onions, peppers, cilantro, fried chickpeas, and watermelon. Making this dish particularly well-suited for savoring on a scorching summer day. Kinilaw, Hamachi, Heart of Palm, Coconut Milk, Coconut Vinegar Aguachile served with Ora King Salmon, Pineapple, Black Lime, Sal de Gusano Photos courtesy of Faena Miami Beach Pao by Paul Qui   3201 Collins Ave, Miami Beach, FL 33140 Drawing from a range of international styles including Filipino, Spanish, Japanese & French, Pao by Paul Qui boldly presents a new brand of modern Asian cuisine with stunning ocean views. Located at the Faena Miami Beach, Pao features an exciting menu with signature items such as crudo specialties, original rice dishes, and fresh fish and meats seared table-side over Japanese binchotan charcoal. This includes Chef Paul’s Kinilaw made with Hamachi, Heart of Palm, Coconut Milk, and Coconut Vinegar, as well as his Aguachile served with Ora King Salmon, Pineapple, Black Lime, Sal de Gusano.  Tropical Seafood Ceviche. Photo courtesy of Mad Room Hospitality Ball & Chain 1513 S.W. 8th Street, Little Havana, FL 33135  Found along Calle Ocho in Miami’s beloved Little Havana neighborhood, Ball & Chain’s Tropical Seafood Ceviche is vibrant and refreshing featuring local conch, jumbo shrimp, pineapple, heirloom tomatoes, cilantro, and red onion. Ceviche De Atun Fresco. Photo courtesy of Grupo Bakan KoKo by Bakan  2856 Tigertail Ave, Miami, FL 33133 Nestled in the natural tree canopy of Coconut Grove, KoKo by Bakan transports guests to Mexico with delicious dishes including their Ceviche De Atun Fresco. Made with fresh tuna ceviche, tamarind-chipotle dressing, avocado, sesame oil, toasted sesame seeds, cilantro and soy sauce pearls for a delicious bite every time.   Vuelve A La Vida. Photo courtesy of Grupo Bakan Bakan  2801 NW 2nd Ave, Miami, FL 33127 Located in the heart of Wynwood, Bakan offers delicious dishes in a fun, lively environment, offering guests an authentic Mexican experience. Enjoy their Vuelve A La Vida, their seafood cocktail made with shrimp, calamari, scallops, octopus, and corvina, in an ancho-guajillo chile citrus sauce with avocado and cacalas (organic blue corn tortillas toasted in a wood fire).  Scallop Ceviche. Photo courtesy of The Hampton Social The Hampton Social  900 S Miami Ave STE 220, Miami, FL 33130 Located in the heart of Brickell, indulge in The Hampton Socials flavorful Scallop Ceviche. The dish is marinated in leche de tigre, and consists of sweet potato, jalapeño, and is served with plantain chips. This refreshing dish is the perfect complement to the summer, offering refreshing flavors with a touch of heat from the jalapenos. Snapper Ceviche. Image courtesy of Grove Bay Hospitality Stiltsville Fish Bar 1787 Purdy Ave, Miami Beach, FL 33139 Nestled in the heart of Sunset Harbour, Stiltsville Fish Bar is a locals’ favorite for fresh seafood. Stiltsville’s Snapper Ceviche is a flavorful and fresh dish containing wild snapper that is marinated in a zesty leche de tigre, and is topped with chilled watermelon and celery, bringing vibrant flavors within each bite. Local Catch Ceviche. Photo courtesy of Bayshore Club Bayshore Club 3391 Pan American Dr, Miami, FL 33133 Located in Coconut Grove, Bayshore Clubs fresh Local Catch Ceviche is crafted with only the freshest catches and ingredients. The flavorful dish is marinated in a leche de tigre, and is topped with avocado, sweet potato and peruvian corn to complement the subtle flavors of the fish. Vuelve a la Vida Ceviche. Photo courtesy of Mayami Wynwood Mayami  127 NW 23rd St, Miami, FL 33127 With the Spring season in full swing, Mayami’s refreshing and decadent Vuelve a la Vida Ceviche is a must-try. Located in the heart of Wynwood, Mayami is the ultimate dining destination, with elements that transport guests to Tulum and the ancient Mayan Civilization. Their Vuelve a la Vida dish features poached shrimp, cilantro, tomatoes, red onions and avocado-sliced serranos for the ultimate burst of flavor. Stop by Mayami Wynwood for a delicious and unique dining experience!  Snapper Ceviche. Photo courtesy of Rusty Pelican Miami Rusty Pelican 3201 Rickenbacker Cwy, Key Biscayne, FL 33149 Spend National Ceviche Day at the iconic, Rusty Pelican, and enjoy their signature Snapper Ceviche from their raw bar. Made with fresh snapper, sweet potatoes, choclo, lime juice, aji amarillo, onions, and cilantro, for a burst of flavor with every bite. By ML Staff. Photos courtesy of their respective restaurants.

Luke Clanton, a junior at Florida State and the No. 1-ranked amateur in the world, became the second player to earn PGA TOUR membership via PGA TOUR University Accelerated on Friday, as the 21-year-old secured TOURBound status through a made cut at the Cognizant Classic in The Palm Beaches to reach the 20-point threshold in PGA TOUR University Accelerated. Following the conclusion of stroke play at the 2025 NCAA D-I National Championship (May 23-26), Clanton will become eligible to accept PGA TOUR membership upon turning professional. If he turns pro after the conclusion of his junior season, Clanton would be eligible for open, full-field events for the remainder of the 2025 season, including the FedExCup Fall, and he also would be a PGA TOUR member for the 2026 season (subject to reshuffles). If he chooses to remain amateur, he would be eligible to accept membership upon the conclusion of his senior season after the 2026 NCAA Championship. Clanton’s rapid ascent began with a dominant run on the collegiate circuit, as the then-sophomore captured a breakthrough victory at the Seminole Intercollegiate in March 2024. He carried that momentum forward, capturing titles at the Valspar Collegiate Invitational and the Lewis Chitengwa Memorial, closing the regular season with three consecutive wins and cementing his place in Florida State history as the first Seminole to achieve the feat. Following a runner-up finish at the NCAA D-I Men’s Golf Championship, Clanton made his PGA TOUR debut at the 2024 U.S. Open, where he earned his first point in PGA TOUR University Accelerated. The major championship marked Clanton’s first of eight TOUR starts during the 2024 season, seven of which produced made cuts, including four top-10s and two runner-up finishes. Clanton collected 17 points from June to November, marking the fastest accumulation of points in the program to date. In addition to earning 14 points through his play in PGA TOUR events, he also earned a total of six points by achieving the No. 1 ranking in the World Amateur Golf Ranking – five points for reaching the No. 1 spot on August 14, 2024, and an additional point for holding that position for 26 weeks, which was achieved on Wednesday, February 5, 2025. The Hialeah, Florida, native clinched the requisite 20th point following a made cut in his 11th start on the PGA TOUR at the 2025 Cognizant Classic in The Palm Beaches this week, and he solidified himself as the second player to earn PGA TOUR membership via PGA TOUR University Accelerated. The PGA TOUR University Accelerated program was announced in November 2022 as a way for high-achieving underclassmen – juniors, sophomores or freshmen – to earn PGA TOUR membership. Players earn points based on their accomplishments in college, amateur and professional golf. If a player earns at least 20 points by the end of their third year of NCAA eligibility, they become eligible for TOUR membership. Vanderbilt standout Gordon Sargent was declared TOURBound in October 2023, becoming the first player to earn PGA TOUR membership via PGA TOUR University Accelerated. Sargent elected to return to Vanderbilt for his senior season, deferring his performance benefits from eclipsing the PGA TOUR University Accelerated 20-point threshold. Upon turning professional in June 2025, Sargent will have TOUR membership through the 2026 season. PGA TOUR University Accelerated complements the PGA TOUR University Ranking, which annually provides the top 25 seniors with membership opportunities on PGA TOUR-affiliated tours. Clanton’s PGA TOUR University Accelerated performance benefits closely resemble those earned by the No. 1 player in the final PGA TOUR University Ranking. In May 2023, Texas Tech’s Ludvig Åberg finished atop the PGA TOUR University Ranking and became the first player to earn PGA TOUR membership via PGA TOUR University. Stanford’s Michael Thorbjornsen clinched the top spot in the PGA TOUR University Class of 2024, joining Åberg as the f irst two PGA TOUR University alumni to earn direct access to the PGA TOUR. About PGA TOUR University Introduced in 2020, PGA TOUR University identifies the best players in collegiate golf and provides membership opportunities on PGA TOUR-affiliated tours. PGA TOUR University alumni have won 31 professional events, and 17 alumni earned their PGA TOUR cards for the 2025 season. In partnership with the World Amateur Golf Ranking® (WAGR®), PGA TOUR University ranks players based on the last two years of their collegiate careers. Eligible Tournaments include NCAA Division I men’s team competitions, official PGA TOUR tournaments and select DP World Tour events. The Ranking Period for the Class of 2025 began Week 23/2023 and concludes May 26, 2025, following the final round of stroke play at the NCAA D-I Men’s National Championship. Upon the conclusion of the collegiate golf season, the No. 1 player in the final PGA TOUR University Ranking earns PGA TOUR membership. Players Nos. 2-10 (fully exempt) earn Korn Ferry Tour membership, and players finishing 11th through 25th earn exempt membership on PGA TOUR Americas. Additionally, a junior or senior who wins the Division-II Jack Nicklaus Award (National Player of the Year) will earn exempt membership on PGA TOUR Americas upon the conclusion of his collegiate career. For more information, visit pgatour.com/university and follow PGA TOUR University on X and Instagram (@PGATOURU) . By ML Staff. CContent/Image courtesy of PGA

Rich Ronat and Laura Vale are a filmmaking duo whose passion for storytelling is matched by their commitment to the art of independent cinema. With their new psychological thriller Culprit - set for wide streaming release on February 28th across platforms like Apple, Prime Video, Google Play, YouTube and more - the pair brings to life a gripping murder mystery inspired by true cases from the “Innocence Project”.   Rich wrote and directed the film alongside Jamie Donovan, which also stars Laura as the victim’s sister, embarking on a relentless journey to uncover the truth behind her sibling’s murder. With a strong supporting cast that includes Jamie Donovan, Ron Orbach, and Carolyn Mignini, Culprit stands as a testament to Rich and Laura’s dedication to crafting compelling narratives in a world dominated by spectacle-driven cinema. Miami Living Magazine sat down with them to discuss the inspiration behind the film, their approach to indie filmmaking, and how they strive to tell stories that matter in today’s evolving media landscape. Miami Living (ML):  Culprit   is based on real stories from the “Innocence Project”, a project dedicated to exonerate wrongfully convicted individuals. Can you speak to what specifically drew you to this subject matter, and how you balanced the true-life emotional weight with the demands of a psychological thriller? Rich: For many years I’ve always been intrigued by the story of an ex-convict that gets released after many years and how they would or would not adapt to modern society. The mental perspective of a person that’s lived in such a dark place for so long has always fascinated me. The balance of the true life ideas mixed with the thriller aspect always made me work hard to maintain a balance in the story of having a compelling character, and at the same time, keeping the plot moving. ML: Laura, your character in  Culprit  is a sister seeking justice for her murdered sibling, working alongside a man who has been exonerated after being wrongfully convicted. What was it about this character that drew you in, and how did you prepare to portray such an emotionally complex role? Laura: I love portraying psychologically complex characters that have dark sides to them. I prepared for this role by listening to real life people speak about the murders of their family members or friends. I became fairly obsessed with true crime. I would listen to true crime podcasts during my commute, and on my morning runs. I also spoke to my friend who counsels families who have been affected by trauma to get more clarity on what might drive the character. Rich eventually got worried that I was listening to too much disturbing content, and suggested I take it easy on it... ML: Culprit is based on real stories from the Innocence Project. Was there a particular real-life case that inspired the film’s direction? Rich: It ended up being a mix of several true stories of men that were released after 30 years of incarceration. I found that amount of time is so long and made me feel that much more empathy for the individual. ML: Rich, you’ve had the opportunity to work with some big Hollywood names in your career, like Nicolas Cage and Alec Baldwin. How did the experience of making Culprit compare, especially given its indie roots and the more personal nature of the project? Rich: Honestly, there was no comparison at all. Mainly because I got the opportunity to direct what I had written. I was just the writer on those other films with celebrities and I had no say in what happened creatively. Getting to fully realize the script I had written and bring it into reality was a truly fulfilling, wonderful experience. And being able to hire actors that are truly right for each role and deeply care about what they’re making is awesome to be around. ML: Laura, your career spans over multiple decades, and you’ve worked on iconic shows like Charmed  and  Desperate Housewives . How does the independent film world differ for you in terms of the creative process and your role as an actress? Laura: In independent films that I have a part in producing, and Rich writes, I have the opportunity to play roles I would never get to play in the broader marketplace. Rich writes emotionally complex characters, and we get to take more chances than mainstream fare, that must appeal to a larger audience. It’s also extremely difficult or near impossible to get a lead role in a big film if you aren’t a name actress. The studios depend on actresses to have marketability in the domestic and foreign markets to make their money back for their larger budgets. ML: Both of you are producers on this project and take pride in championing indie films. Can you share how you approach producing differently from mainstream Hollywood films, especially in terms of casting and maintaining artistic integrity? Rich & Laura: We approach it in a very ethical, creative way. And that doesn’t mean we take the business aspect for granted. We strive for the perfect balance in creating films that we deeply care about and are entertaining for an audience. If we can truly entertain people, the money will come. So it really is all about the balance of artistry and commerce and being aware of both at all times. ML: Culprit made a huge impact when it debuted at Dances with Films in Los Angeles, selling out within 24 hours. What was the reception like for you both, and how did that success shape the way you view the future of indie filmmaking? Rich: That reception was fantastic and taught us that the most important aspect of filmmaking is telling a compelling story, crafting nuanced performances and understanding how to hook an audience. Everything else is just inconsequential politics and just gets in the way of what’s important. Any indie filmmaker is living a noble cause and has my full respect. Laura: It gave us more impetus to keep making more films. Seeing people have a thrill ride with our lower budget film reminded us that we can make high quality, enjoyable entertainment regardless of budget. ML: You are engaged to each other and working together both creatively and professionally, how do you balance your personal relationship with the demands of filmmaking? What’s the secret to maintaining that balance while navigating such a collaborative, high-stakes process? Rich: I think it helps immensely that we were friends for over 20 years before we got engaged. We have a mutual respect and understanding of each other and always treat the other person with a generosity of spirit and kindness that always comes first. While doing that, balancing a work/love balance is easy. Laura: I second what Rich said. I also have noticed that it helps me to be clear about whether I’m speaking to Rich as my director, or if I’m wanting to connect with him as my fiancé. Sometimes I just want to express something about the process of making the film, and I just want an empathetic ear. Photo Credits Photographer: Ben Cope Makeup: Kate Hollinshead By ML Staff. Images courtesy of Ben Cope