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A first in the Overseas collection with the introduction of intense green dials featuring a sunburst satin-finished centre and velvet-finished flange. A new colour for four pink gold models: chronograph, dual time, date in 41 mm and 35 mm. Versatile watches delivered with three interchangeable bracelet/straps: a pink gold bracelet with quick-release folding clasp; along with green calfskin and green rubber straps secured by a likewise interchangeable pin buckle. Intense green has been added to the dials and interchangeable straps of four new Overseas models in pink gold, a first for this collection. In perfect harmony with the spirit of travel, this new hue can now be found on the dials of the 35 mm gemset, 41 mm date, 42.5 mm chronograph and 41 mm dual time models. Water-resistant to 150 metres, each of these new timepieces is equipped with a top-quality self-winding calibre featuring meticulous finishing. The movements feature an oscillating weight engraved with the collection's emblematic compass rose. On these four models, just as on all Overseas watches, the pink gold bracelet with folding clasp is easily adjustable. It can be replaced by a calfskin leather strap or a green rubber strap, each with an interchangeable pin buckle. New dial color By endowing the dials of four pink gold models with an intense green colour, the Maison has enhanced the adventurous vocation of the Overseas collection. This new hue breaks with the classic colour codes of Overseas watches: black, silver, pinkish beige and the emblematic blue. Combining the deep brilliance of pink gold with the intensity of green, these new timepieces bring a fresh aesthetic to Vacheron Constantin's sporty-chic watches.To accentuate the intensity of this new colour, meticulous care has been lavished on the finishing touches. Against a translucent lacquered backdrop playing on depth effects, the centre is graced with sunburst satin-brushing, while the flange is delicately velvet-finished. The legibility of the models is ensured by the contrast between the gold hour-markers and hands highlighted with Super-LumiNova® and the dark dial colour. Featuring a lighter-shaded double minutes track – or a single one on the gemset model – they enable accurate readings of the minutes and seconds. The finishes of the integrated rose gold bracelets with polished and vertical satin-brushed links evoking the shape of a Maltese cross, harmoniously match those of the dials, topped by a circular satin-finished bezel. Chic yet sport This new introduction of intense green dials covers different models in the Overseas collection. It includes four references: the 35 mm gemset, the 41 mm self-winding model with date display, the 42.5 mm chronograph and the 41 mm dual time iteration. In keeping with the collection's sporting vocation, these new models with their open sapphire crystal casebacks are water-resistant to 150 metres thanks to a screw-down crown. A soft-iron casing ring provides anti-magnetic protection for the movements. These timepieces feature various calibres with High Watchmaking finishes, all self-winding with an 18K pink gold oscillating weight featuring the collection's emblematic compass rose. Robust, sturdy and beating at a frequency of 4 Hz (28,800 vibrations per hour), they have a comfortable power reserve. One watch, three faces Overseas watches have made versatility one of their most practical and attractive features. Thanks to the interchangeability of its bracelet/straps, each model adopts a different style. The four new models come with an integrated pink gold bracelet featuring a triple-blade quick-release folding clasp. This system makes it possible to achieve an up to 4 mm larger wrist circumference by stretching the last one or even two links connected to the clasp of the rose gold bracelet. The bracelet can be swapped out tool-free for a calfskin or rubber strap. Featuring the same green colour as the dial, these two wristbands feature a pin buckle that is also interchangeable without tools. From Geometry to Artistry, Vacheron Constantin annual theme A Vacheron Constantin watch is far more than merely the sum of its parts. Starting from a sketch, a geometrical drawing and its technical extensions, a whole world of shapes, colours and textures is born. The complex structures of mechanical engineering combine with design; meticulous detail gives life to grace; artisanal intelligence sparks emotions. Based on formal, mathematical study, Vacheron Constantin timepieces are thus endowed with a touch of soulfulness and elegance representing the ultimate expression of artistic talent. The classicism of the Traditionnelle collection; the minimalism of the Patrimony watches; the allure of Égérie; and the sporty-chic spirit of Overseas, all vividly illustrate this alchemy within which artistry is inspired by geometrical shapes, expressed through Vacheron Constantin's 2024 theme. ML Staff. Courtesy of Vacheron Constantin

Painted when the artist was in his late teens or barely 20 years old, this masterpiece is first documented in the collection of a Venetian spice merchant in the early 17th century. It has since hung in London, Brussels, Vienna, Paris and Longleat House in Wiltshire — from where it was stolen and later recovered by an art detective Tiziano Vecellio (‘Titian’) demonstrated an astonishing talent for art at an early age. It’s said that, as an infant, he astounded all around him by painting a Madonna on a wall, using the nectar of flowers as his colours. Aware of his gift, his family sent him — aged around 10 — from their native village of Pieve di Cadore, in the Dolomite foothills, to Venice. There he would become an apprentice in the workshop of Giovanni Bellini, the city’s leading painter at the time. One can only imagine the impact that Venice — then the wealthiest, most dazzling, most cosmopolitan place in Europe — had on the boy from the provinces. Pieve di Cadore was just 130 kilometres north, yet also a world away. ‘Great men built Rome,’ wrote Titian’s peer, the poet Jacopo Sannazaro, ‘but Venice was built by gods.’ The artist’s early pictures were often intimate in scale. They also reveal — in contrast to the expressive brushwork that characterises the paintings from his latter years — a deliberate application of paint. On 2 July 2024, one such picture — the early masterpiece The Rest on the Flight into Egypt, among the last paintings from the start of Titian’s career to remain in private hands — leads the Old Masters Part I sale at Christie’s in London. It was inspired by an event recounted in the Gospel of Matthew (2: 13-23). Joseph had been warned in a dream that Herod, the King of Judea, was intent on killing the young Christ, so he promptly took Mary and the child to Egypt for safety. Titian depicts the Holy Family resting in a rural spot en route, presumably taking a break on their tough journey. Positioned centre-left in the composition, they are silhouetted against a luminous sky and counterbalanced by a receding pastoral landscape. Despite the picture’s intimate scale, the figures appear monumental — the Madonna in particular, her solid form reminiscent of that of other Titian heroines from the same period, such as Mary Magdalene in Noli me Tangere (circa 1514), now in the National Gallery in London. Tiziano Vecellio, called Titian (circa 1485/90-1576), The Rest on the Flight into Egypt. Oil on canvas, laid on panel. 18¼ x 24¾ in (46.2 x 62.9 cm). Estimate: £15,000,000-25,000,000. Offered in Old Masters Part I on 2 July 2024 at Christie’s in London Her feet planted firmly on the ground, the Madonna wraps Jesus in a protective embrace at the centre of the canvas. The pair are shown in suspended animation, in an intimate moment of tenderness between mother and son. The latter, somewhat fidgety, leans into his mother, tugging at her hair. Joseph is set slightly apart, seated on a rocky bank near the plane where the Madonna and Child sit. His hunched pose conveys a sense of exhaustion, as does his sensitively rendered, ageing face. The year of Titian’s birth is not known. It’s generally thought to have been between 1488 and 1490, meaning that The Rest on the Flight into Egypt — which likely dates from the end of the first decade of the 16th century — was painted when he was in his late teens or barely 20 years old. For one so young, he shows quite the grasp of sentiment and humanity. Both Joseph and Mary look pensive, reflecting a slight foreboding in the air. The white swaddling cloth on the latter’s knee, from which her son has momentarily been freed, alludes to the shroud with which Christ’s body will be wrapped for burial years later. The figure of Mary Magdalene in Titian’s Noli me Tangere, circa 1514, is reminiscent of the Madonna in The Rest on the Flight into Egypt. National Gallery, London. Photo: Bridgeman Images It’s worth noting also the influence of Giorgione — another pupil of Bellini’s, a decade or so Titian’s senior — who had recently pioneered a type of painting called the ‘mood landscape’. That is, a scene of human subjects in a landscape, where the latter sets the emotional tenor rather than serving merely as a background. In the case of The Rest on the Flight into Egypt, the large tree in the middle distance echoes Joseph’s pose while providing shelter to the Holy Family. The lush, verdant setting is less reminiscent of Egypt than of the places that the artist would have encountered between Venice and Pieve di Cadore on his regular trips back home. His early biographer, Carlo Ridolfi, argued that Titian showed such mastery at painting landscape that nature, ‘which had before considered itself insuperable, was now conquered’. In the early 16th century, Venice was a trade hub for dyes and textiles, offering artists unprecedented access to a range of imported pigments. It was in such a context that Venetian Renaissance painters gained renown for the vibrancy and brilliance of their colours, Titian as much as anyone. The Rest on the Flight into Egypt is dominated by primary colours. Mary wears a deeply saturated red robe. This is offset by the long ultramarine-blue cloak on which she sits, and by the bright yellow mantle worn by Joseph. It’s not known who commissioned the painting. It is first documented in the early decades of the 17th century in the collection of the Venetian spice merchant Bartolomeo della Nave — a collection which, in the words of the architect Vincenzo Scamozzi, was seen by ‘all the virtuosi of Venice’. This included no fewer than 15 Titians, as well as works by all the city’s major Renaissance painters, such as Bellini, Giorgione and Veronese. After della Nave’s death, most of his artworks were purchased by James Hamilton, 3rd Marquess and 1st Duke of Hamilton, in 1638 and sent to London. Not that the pictures remained on the latter’s walls for long: he was a Royalist who would be executed in 1649 by the Parliamentarians during the English Civil War. David Teniers the Younger (1610-1690), The Archduke Leopold Wilhelm of Austria in his Picture Gallery in Brussels, 1647-51. Oil on copperplate. 106 x 129 cm. The present work is illustrated to the right of the door at the centre of the painting. Prado, Madrid. Photo: Bridgeman Images Hamilton’s collection was acquired by Archduke Leopold Wilhelm of Austria, the Habsburg governor of the Spanish Netherlands. Leopold was in the process of assembling one of the finest art collections of his age. Alongside the della Nave-Hamilton pictures, he bought masterpieces by the likes of Hans Holbein, Pieter Bruegel the Elder, Jan van Eyck and Raphael. He owned more than 1,300 paintings and displayed them across a suite of galleries in Coudenberg Palace, his residence in Brussels. The collection was such a source of pride that Leopold asked the artist David Teniers to commemorate it in a set of kunstkammer paintings (depictions of gallery interiors, featuring artworks in situ on the walls). The Rest on the Flight into Egypt duly appears in one these paintings. The work was given by the archduke to his cousin, Philip IV of Spain, and is today in the Prado in Madrid. After Leopold relocated to Vienna in the mid-1650s, his collection travelled with him, and ended up at the Belvedere Palace. The Titian was subsequently one of several pictures looted by Napoleonic troops during the French occupation of the city in 1809. It was removed to Paris, only to be returned to Vienna in 1815 after Napoleon’s fall. The painting’s next owner was Hugh Andrew Johnstone Munro, a Scottish landowner who was among J.M.W. Turner’s most important patrons. Following his death, Munro’s collection of modern art and Old Master pictures was sold in two separate sales at Christie’s in 1878, with The Rest on the Flight into Egypt being acquired by John Alexander Thynne, 4th Marquess of Bath. The picture was taken to Longleat House, the 4th Marquess’s home in Wiltshire, where it has hung in the State Drawing Room pretty much ever since. It made headlines for being stolen in 1995, then made them again seven years later when it was found in a bag at a bus stop in south-west London by Charles Hill, a leading art detective of the day. Hill promptly returned the work to Longleat. This is a painting, then, that has been coveted by aristocrats, archdukes and emperors alike: prized for its vividly coloured scene of familial affection within the natural world. Like its subjects, The Rest on the Flight into Egypt has been on a long and eventful journey — a journey that’s far from over. Classic Week — Art from antiquity to the 20th century — takes place from 2 to 10 July at at Christie’s in London. Highlights include Titian’s The Rest on the Flight into Egypt, the rediscovered The Madonna of the Cherries by Quentin Metsys and Frans Hals’s Portrait of a gentleman of the de Wolff family. The pre-sale view opens on 28 June ML Staff. Content/image courtesy of Christies.

The scorching Florida heat this Miami Swim Week underscored the pressing reality of global warming, prompting our designers to embrace a climate-conscious approach to fashion. Leading the charge, Love For Upcycling stole the show, not only with their stunning 96-year-old model gracing the runway but also with their innovative use of repurposed materials. By transforming thrift store finds from places like Goodwill and using fabrics costing as little as $3, they crafted impeccable swim and resort wear that dazzled the audience. This commitment to sustainability highlights the fashion industry's role in preserving our planet, proving that eco-friendly designs can be both stylish and impactful. “Oo I wanna take ya to” Resort Wear Elevate your poolside glamor and beachside chic, because resort wear is making waves in every tropical destination, from Miami to St. Barths to The Maldives. Whether you're soaking up the sun or savoring a sunset cocktail, resort style is the epitome of effortless elegance. Transition seamlessly from day to night with versatile looks that exude laid-back luxury. From breezy brunch attire to glamorous evening ensembles, resort wear isn't just a trend—it's a lifestyle that's here to stay. So slip into your favorite swimsuit, grab a floppy hat, and get ready to make a statement wherever the tide takes you. Fashion Icons: Guests Who Stole the Show While the models undoubtedly owned the runway, it was our guests and VIPs who absolutely stole the show on the red carpet! Get ready to be enchanted as we highlight some of our favorite looks from off the runway during this unforgettable Miami Swim Week. Notable Guests Exclusive VIPs, including the below, made a stunning appearance on the red carpet at the fashion shows, turning heads with their iconic styles. Smothered Season 5 Stars Gabriella & Catherine Vigorito, VIP Concierge Anthony Serrano, Fashion Influencers Miki Cheun & Olga Ferrara Recording Artist & Editor Moya Rey, Model/Influencer Yamil Meluk LGBTQ Influencer Timur Tugberk & RuPaul’s Drag Race S.3 Trailblazer, Model, Actress Carmen Carrera, Pageant Queen & Editor Nadgeen Jerome, Global Entrepreneur & Fashion Icon Victoria Unikel Vendor Village The runway wasn't the only thing lighting up Miami Swim Week! A series of dynamic sponsorship activations took over M2, turning the event into an immersive experience brimming with excitement. Attendees enjoyed everything from luxurious gifting suites to tantalizing tastings and exclusive photo opportunities. A marquis sponsor, Snatched Plastic Surgery, created a buzz with their consultation lounge, where guests met with top doctors and learned about the latest procedures. They also spiced things up with a thrilling money grab machine, offering guests the chance to win fabulous prizes and discounts. Dria Dair’s gifting suite was a hotspot for influencers and guests, who sipped bubbly while exploring her exquisite collection. Fade Masters of Miami set up a trendy pop-up shop featuring retro kicks, while That’s It Salon's talented stylists worked their magic backstage, ensuring every model's hair was runway-ready. The event was further elevated by liquor sponsors like Empress Gin and Santo Gusto who provided delectable tastings, alongside refreshing offerings from Smart Water, Topo Chico, and Guayaki. Other sponsorship activities included Six Summit Gallery, Miami Chains Co, Beads With B, and Bella and Studz. Our backstage team was accompanied by Unite Hair, Billion Dollar Brows, Beachwaver, The Makeup Light, Aqualyna, Lashes By Gretsha, Japonesque, and Sol De Janeiro. Unforgettable Experiences The party extended beyond M2 taking over South Beach with various ancillary events as well. On Friday, May 31, 2024 Snatched Plastic Surgery hosted a panel discussion surrounding the idea of how fashion informs body trends, and vice versa. On Saturday, June 1, 2024, Erik Rosete, CEO & Founder of Art Hearts Fashion, moderated a panel discussion with Fashion Group International at The Gates Hotel where the discussion focused on current and future fashion trends, providing insights into the evolving landscaping of the fashion industry. On Sunday, June, 2 Snatched Plastic Surgery hosted a media + influencer brunch at Joia Beach, and on Monday, June 3, Art Hearts Fashion hosted an iconic closing party on The Vessel Miami sponsored by Snatched Plastic Surgery, Magic Star Charters, and Soflo-Rental. View photos of panel discussions, influencer/media brunch + the vessel PHOTO CREDITS: Arun Nevader ℅ Getty Images (Runway/Performance) & Mark Gunter ℅ Getty Images (Ambiance) + Art Hearts Fashion SEE ALL RUNWAY & AMBIANCE SHOTS HERE About Art Hearts Fashion Art Hearts Fashion is the leading platform dedicated to bringing innovative designers and artists to the forefront of fashion week. Our coast-to-coast contemporary events get the most renowned designers and the sharpest up-and-coming emerging designers to the runway in New York, Los Angeles, Miami, and beyond. Founded in 2010, AHF has become a driving force for fashion, art, and entertainment. The shows have featured designers including Nicole Miller, Carmen Steffens, Hale Bob, Michael Costello, Trina Turk, Orlebar Brown, Patbo, Onia, Furne Amato, Walter Mendez, Vilebrequin, Jovani, Cotton INC, Black Tape Project, Mr. Triple X, and Michael NGO. By ML Staff. Courtesy of Miami Swim Week 2024

US Sailing’s very own Adult Director, Betsy Alison, was inducted into the Tufts University Athletics Hall of Fame this year. The ceremony took place at Gilette Stadium in Foxborough, Massachusetts on Friday, June 7. In 1981, Alison broke barriers as Tufts University’s first female All-American in sailing, distinguishing herself as a formidable collegiate skipper in both single- and double-handed events. Her leadership as a three-year captain at Tufts was instrumental in propelling the team to a second-place finish at the College Nationals in 1981. During her college years, Alison clinched two U.S. Women’s Single-handed Championships (1979 and 1981), secured a third-place finish at the World Championships, and earned her first Rolex Yachtswoman of the Year award as a senior. Post-graduation, Alison’s sailing career soared as she earned an additional four Rolex Yachtswoman of the Year awards and amassed nine world titles across various classes and dedicated over 20 years to coaching the U.S. Paralympic team. In recognition of her contributions and achievements, she was the sole female inductee in the inaugural class of the U.S. National Sailing Hall of Fame in 2011. “Betsy was the strongest and most determined and driven athlete I have ever had the privilege of coaching,” said the late Ken Legler, Tufts’ longtime sailing coach. Reflecting on her senior year, he noted her unique commitment to enhancing her core strength by taking up shot put in the off-season and her advantage of being coached by the legendary Joe Duplin for her first three years, followed by Legler in her final year for technical mastery. Alison’s legacy as a competitor and coach continues to inspire, marking her as a pioneering force in the world of sailing. ML Staff. Courtesy of US Sailing/Betsy Alison

This fall, internationally known design legend and founder of HOLLY HUNT and, most recently, House of Hunt, Holly Hunt will unveil her inaugural book, titled HOLLY HUNT: FEARLESS IN THE WORLD OF DESIGN — a captivating biography chronicling her personal and professional journey, published by Rizzoli New York. To be released in partnership with HOLLY HUNT, her former eponymous design brand, the book will walk readers through Hunt’s life and decades-long career, propelled by a vision for modern living and passion for design. “Being fearless in design means using intuition, putting trust in one’s vision, being open to risk and taking leaps of faith,” Hunt says. “Throughout my career and life, I’ve relied on the power of being open while staying focused on the details, building strong relationships and partnerships along the way.“ Showcasing decades of beautiful craftsmanship and design, the book will delve into Holly’s early years at HOLLY HUNT, where she pioneered a new model for showrooms filled with luxury custom furnishings. Hunt revolutionized the industry, creating furniture, lighting, and textile collections that focus on rich materiality and exacting scale and proportion, through her ability to see the “quarter-inch difference.” Over the course of four decades, Hunt set new standards for global design, opening showrooms from New York to London. Since selling HOLLY HUNT to Knoll Inc., Hunt brings her uncompromising level of quality and precision to her latest venture, House of Hunt, a boutique interior design studio she launched in 2021. The book will showcase the work of House of Hunt, including the debut of Hunt’s latest personal project: a never-before-seen modernist masterwork home in Aspen. Additionally, readers can look forward to a time capsule of Hunt’s previous homes and favorite projects, each revealed through the lens of how they brought about key life learnings, bridged one chapter to the next, and acted as the backdrop of Hunt’s life – from private pursuits to sensational galas and parties. HOLLY HUNT: FEARLESS IN THE WORLD OF DESIGN is available for pre-sale online. It will be released in October 2024 and will be sold at select retailers worldwide as well as published in the U.S. ($65), Canada ($85) and in the U.K. (₤50). By ML Staff. Content/Image courtesy of Rizzoli

Women Photographers International Archive (WOPHA), in partnership with Pérez Art Museum Miami (PAMM), announces today highlights of the 2024 WOPHA Congress—a groundbreaking photography conference, exhibition series, and creative convening taking place across South Florida. The second edition of the Congress, titled “How Photography Teaches Us to Live Now,” presents the indelible contribution of women and non-binary photographers in contemporary art, explores the diverse ways we engage with photography in daily life, how we interpret those images, and how we can pioneer new approaches to foster photography education. Building upon the inclusive practices in photography, research, and cultural production explored in its inaugural edition—which featured dozens of speakers and presenters, hundreds of artists and participants, and millions of global media impressions—this year’s Congress seeks to disrupt the teacher-student hierarchy with a participatory learning environment including photowalks, group portfolio review sessions, exhibitions, workshops, fireside chats, and panel discussions. Artists, educators, worldwide organizations, and photography enthusiasts will join WOPHA and its partners at sites across South Florida, including PAMM, Norton Museum of Art, HistoryMiami Museum, Miami-Dade Public Library System (Main Library), Miami International Airport, Girls’ Club, and many more, with select modules available virtually as well. The events are free and open to all. The four-day creative gathering is conceptualized by WOPHA Founder and Director, Latinx art historian, and curator Aldeide Delgado. “Despite the fact that 75% of photography students around the world are women, there remains a glaring absence of academic programs specifically addressing the history of women in photography,” says Delgado. “The 2024 WOPHA Congress confronts this disparity and initiates discussions about women, photography, and pedagogy as a foundational step towards the establishment of a dedicated educational institution for the study of photographic practices, criticism, and historiography. We are also responding to the crisis in photography education demonstrated by enrollment drops over the last several years and a renewed interest in alternative and experimental teaching methods.” “We are delighted to be partnering once again with Women Photographers International Archive for the second edition of the WOPHA Congress,” said PAMM Director Franklin Sirmans. “Together at Pérez Art Museum Miami, along with South Florida as a whole, we look forward to highlighting and celebrating the momentous contributions of women artists and photographers.” Over thirty internationally recognized scholars and artists from around the world will participate in the four-day event, including Andrea Jösch Krotki, Director of Escuela de Arte at Universidad Diego Portales; Susan Meiselas, documentary photographer and President of the Magnum Foundation; Carmen Winant, writer and visual artist; Carol Damian, Professor Emeritus of Art History at Florida International University; Leigh Raiford, Professor of African American Studies at the University of California at Berkeley; Muriel Hasbun, artist and educator; Roshini Kempadoo, photographer, media artist, and scholar; Hiền Hoàng, interdisciplinary artist, and many others. Among the many topics discussed are the role of collaboration in photography and archival practices, the relevance of the Caribbean in photography history, and current photographic debates around materiality, ecology, and climate change. While the Congress will advance WOPHA’s wider global mission, it also aims to highlight South Florida’s emergence as a major center for contemporary photography, fueled by its dynamic cultural landscape, diverse population, and strategic geographic location. The 2024 WOPHA Congress contributes to South Florida’s ongoing artistic renaissance and its growing reputation as a global destination for the arts by establishing the region as an international center and meeting place for modern and contemporary photography and critical conversations around the role of women in photography. Another highlight of this year’s Congress is the launch of theWOPHA Institute—the first dedicated institution that offers conferences, educational courses, and experimental workshops led by renowned experts in the field of photography to establish an academic program that challenges patriarchal norms and amplifies the voices of women and non-binary photographers. Partnerships with leading South Florida-based and international arts and photography organizations including PAMM’s Caribbean Cultural Institute, Green Space Miami, El Espacio 23, The Betsy Hotel, Girls’ Club, Norton Museum of Art, Miami International Airport, Contemporary And, and Rencontres Photographiques de Guyana are expanding WOPHA’s local and global footprint. These partners will facilitate a vibrant and collaborative program of photography exhibitions, artist residencies, and studio visits as part of the 2024 Congress. Additionally, please mark your calendars for our2024 WOPHA Congress Media and Partner Summer Preview, where we’ll be unveiling themes and discussions in advance of the 2024 WOPHA Congress. The event will take place from11:00am to1:00 pmonJune 26thatThe Betsy Hotel in Miami Beach. A formal invitation for this summer’s event will follow. The 2024 WOPHA Congress is co-presented by Women Photographers International Archive (WOPHA) and Pérez Art Museum Miami (PAMM), and organized by the WOPHA team: Aldeide Delgado, Francisco Maso, Co-Founder and Creative Director, and Amanda Bradley, Associate Curator of Programming. About WOPHA Women Photographers International Archive (WOPHA) is a 501(c)(3) nonprofit organization founded to research, promote, support, and educate on the contributions of women and non-binary photographers to modern and contemporary art in order to rewrite the artistic canon and provoke social change. WOPHA fosters a more diverse and equitable world by providing a permanent archive for future generations that preserves, documents, and promotes women photographers’ work while being a driving force for innovative thinking and discussion about the role of women in photographic arts. By ML Staff. Courtesy of PAMM

USTA Florida is saddened to hear of the passing of Mary Frances Giltz, a cherished and dedicated volunteer for USTA Florida, on May 18, 2024, at the age of 95. Born on February 1, 1929, in Toronto, Giltz’s life was a testament to the power of passion, community, and dedication, leaving a legacy behind within the tennis world. Giltz began her journey with USTA Florida in 1980, marking the start of over two decades of volunteer service. Her commitment to the organization saw her go through significant milestones, including the 50th Anniversary celebration in 1999. Even after moving to Birmingham in the 2000s, her bond with USTA Florida remained strong. The organization honored her dedication by flying her back for the 65th anniversary celebration. Throughout her tenure, Giltz took on numerous roles that showcased her leadership and commitment. She was a member of the Grievance Committee from 1992 to 1993, then its chair from 1994 to 2000. Her contributions did not go unrecognized. In 1995, Mary Frances was honored with the Merit Award and the title of Official of the Year. These accolades reflected not only her skills and dedication but also her unwavering passion for tennis. Her role as an umpire and official brought her immense satisfaction, a wide circle of friends, wonderful memories, and numerous challenges that she always met with grace and competence. Mary officiating a match in France. Mary Frances Giltz is survived by her sister, Judith Lynn de Swaaf, six children: David Giltz, Leslie Giltz, Christopher Giltz and his wife Heidi, Patricia Holbrook and her husband Jim, Elizabeth Anderson and her husband Jason, and Michael Giltz. She also leaves behind nine grandchildren who carry forward her legacy of love and dedication. Her life and work in tennis were about more than just the sport; they were about community, passion, and creating lasting impacts. Her career in tennis brought her immense joy and fulfillment. Her commitment to tennis and the friendships she built along the way were a significant part of her life, bringing her immense joy and satisfaction. To help keep her memory alive, the family has asked that donations in her name be made to the USTA Florida Foundation: Donate – USTA Florida Section Foundation (ustafloridafoundation.com). USTA Florida sends our condolences to her family and friends. ML Staff. Content/Image courtesy of Jaret Kappelman, Marketing & Communications Coordinator for USTA Florida

Formula 1 has renewed its partnership with Alpine Hearing Protection, which will see the industry-leading ear defender manufacturer continue to make F1 licensed products that fans will be able to purchase at track or online. The range includes standard ear defenders for adults and children, and Bluetooth-enabled versions which allow fans to tune into radio commentary at Grands Prix to further enhance the race-going experience. The health and safety products are also a key part of the Grid Kids uniform that is worn during the pre-race ceremony on the track as drivers come together for the National Anthem. Collette Gangemi, Director of Gaming & Licensing at Formula 1, said: “Attending a Grand Prix is unforgettable, and the noise of the cars and the atmosphere are what make it so special. We want fans of all ages to enjoy the spectacle of an F1 event, and Alpine Hearing Protection products provide commentary during the live sessions to enhance the viewing experience even further.” ML Staff. Content/image courtesy of Formula 1

In a thrilling turn of events, Jimmy Ellis raises the trophy as the victor of our 107th Amateur Championship. Ellis secured a 5-stroke lead and delivered an impressive score of 64, culminating in a week-long total of 16-under par. The Atlantic Beach native charged forward this Championship Sunday, despite his journey back to Jacksonville the previous night for his daughters dance recital. The 3-hour drive only phased him on the first hole where he would card his only bogey of the day. Ellis would see nine birdies, five on the front, and four on the back. In true champion fashion, Ellis birdied hole 18 and walked into the clubhouse as a champion. Jason Duff, who was on top at day's end yesterday came in 1-under on the front nine, but faced adversity on the back, carding two bogeys and one double bogey. Duff would finish his day in a three-way tie for second place. Christian Figueredo, who held solo second place after round three would wash away his five birdies with five bogeys, finishing his day at even and end in 5th place. Brett Schell, an Ole Miss golf alum, bounced back from yesterday's 72 and surged five spots up the leaderboard. After an eagle on hole seven, Schell came in with a 67 to finish T-2. Tyler Gulliksen of Flagler Beach saw a bogey free round to also finish T-2. With an unfortunate start on the back nine, John Daly saw a bogey on the 10th hole and proceeded to find the water to make a double-bogey on the 11th. Daly finished T-12 in his third Amateur Championship. Another one of the twelfth spot ties was occupied by our defending Champion, Marc Dull, who finished with a 73-69-67-72. Ellis finished the championship with a 69-70-69-64 for a total of 272 and looks forward to his exemption into the U.S. Amateur Championship at Hazeltine National Golf Club (Chaska, Minnesota). When asked if Ellis has ever played in a USGA event before, he answered, “I have. One U.S. Amateur and three Mid Ams.” Although he underscored his ability when asked about his probability of being victorious in the U.S. Amateur Championship, Ellis delivered a magnificent performance here at both Quail Valley Golf Club and Bent Pine Golf Club that will forever be etched into history. By ML Staff. Content/Image courtesy of FSGA

Renowned artist Franz Josef Baur delves into botany's cycle, portraying its phases from sowing to withering in his latest series, "Eternal Blossom - Cycle of Life." Through captivating artworks, Baur explores themes of transience, rebirth, and the eternal cycle, inviting viewers on a contemplative journey. Baur's innovative approach blurs painting and object art boundaries, transforming flower images into captivating hybrids through distortion and resin treatment. This immersive experience challenges perceptions, allowing for creative exploration. Each piece in the exhibition serves as a visual symphony of life, prompting reflection on the natural world's perpetual rhythm. Baur's intention is to engage viewers in contemplating the beauty within life's fleeting moments. For further inquiries and to experience Baur's profound work, visit: www.fjbaur.bigcartel.com or connect on Instagram: @franz_josefbaur. By ML staff. Images courtesy of Jenni Koller.

Join us for a panel conversation in celebration of the opening of Calida Rawles’s first museum solo exhibition, Away with the Tides. Rawles's work engages with Miami’s water-entwined climate and dives into the history of beauty, oppression, and resilience in PAMM’s neighboring community of Overtown and the waterways of historic Virginia Key Beach. The panel will open with the screening of a short documentary, “Wade in the Water,” by Cathleen Dean, setting the tone for a discussion around the visual exploration of Black people’s relationship to water and Rawles’s envisioning of water as a space for Black healing. Following the short film, artist Calida Rawles, filmmaker Cathleen Dean, and Overtown community leader and life-long resident Trina Harris, will engage in a lively conversation moderated by Chire “Vanta Black” Regans, a South Florida-based visual artist and community advocate. Before the conversation, view the new exhibition in the galleries and celebrate on the terrace from 5–7pm with happy hour and live jazz to celebrate the rich musical roots of our neighbors in Overtown. Scholl Lecture Series Calida Rawles: Away with the Tides Thursday, June 27 7pm About Calida Rawles: Away with the Tides Calida Rawles envisions water as a space for Black healing and reimagines the African American community beyond the stories we already know as a part of the United States’ collective history. Merging hyperrealism, poetic abstraction, and the cultural and historical symbolisms of water, Rawles creates unique portraits of Black bodies submerged in and interacting with bright and mysterious bodies of water. The water, itself a sort of character within the paintings, functions as an element that signifies both physical and spiritual healing, as well as historical trauma and racial exclusion. For her first museum solo presentation, Rawles creates a bridge between her signature style and a story within Miami’s history that is often ignored and obscured. Rawles delves into the particular experience of Black people in Overtown, a Miami neighborhood that went from a thriving cultural and commercial hub for Black people to a subject of gentrification, systemic racism, and mass displacement. The figures in Rawles’s paintings are residents of the Overtown community—from young children to senior citizens. The exhibition’s focus is on the stories and experiences of those who live in this historic, once bustling neighborhood. Rawles takes her practice a step further by photographing some of her subjects in natural waters for the very first time, at the historic Virginia Key Beach, which was once racially segregated. By photographing Black subjects in the ocean for the first time, Rawles is able to probe the Atlantic’s history as the site of the supremely exploitative transatlantic slave trade. The finished work critically engages with Miami’s water-entwined climate and mines the history of beauty, oppression, and resilience in PAMM’s neighboring community of Overtown. Learn More Organization and Support Calida Rawles: Away with the Tides is organized by Maritza M. Lacayo, Associate Curator, with the support of Fabiana Sotillo, Curatorial Assistant. This exhibition is presented with lead individual support from Allison and Larry Berg and supporting sponsorship from Goldman Sachs. Additional support from PAMM’s International Women’s Committee and Rebkah and Desmond Howard is gratefully acknowledged. The Scholl Lecture Series is made possible thanks to a generous gift from Dennis and Debra Scholl. Image credit: Calida Rawles. Detail of Impact, 2024. Acrylic on canvas. 60 x 72 inches. Courtesy the artist and Lehmann Maupin, New York, Seoul, and London. Photo: Marten Elder Accredited by the American Alliance of Museums, Pérez Art Museum Miami (PAMM) is sponsored in part by the State of Florida, Department of State, Division of Cultural Affairs, and the Florida Council on Arts and Culture. Support is provided by the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Mayor and Board of County Commissioners. Additional support is provided by the City of Miami and the Miami OMNI Community Redevelopment Agency (OMNI CRA). Pérez Art Museum Miami is an accessible facility. All contents ©Pérez Art Museum Miami. All rights reserved. For tickets click HERE. By ML Staff. Courtesy of Pérez Art Museum Miami

Lila Nikole, the acclaimed Miami-raised swim, resort wear, costume designer, and celebrity stylist lit up the runway while showcasing her latest collection ‘GRAPHIC PARADISE’ during Miami Swim Week Powered By Art Hearts Fashion. The ‘GRAPHIC PARADISE’ collection inspired by Miami’s vintage art deco aesthetic included vibrant colors, intricate patterns, graphic designs, and asymmetrical cuts to fit and flatter body types of all shapes, size, and forms. Models strutted to the beats of Lila’s longtime friend, DJ Dinero, who curated the runway’s soundtrack ensuring an exhilarating, fun, and high-energy filled show. Lila’s expertise beamed on the runway through cohesive styling and collections on both male and female model pairings. Guests received VIP gift bags complete with branded merchandise, in addition to generous sponsored experiences throughout the week, including Loose Leaf, Highsman,Frozen Fields, Carrot Express, Samba Sol, Seagrams Escapes, Lollipetals, Snatched Plastic Surgery, and others. Carmen Carrera, Lila Nikole, Sophie Linnea Lila Nikole hosted a series of elaborate events throughout Miami Swim Week leading up to the June 1st runway show and afterwards. On Tuesday, May 28th, Lila Nikole kicked off the week filming in the studio at NBC, followed by a poolside model casting party at South Beach’s iconic Surfcomber Hotel from 3-7pm. On Thursday, May 30th, Lila hosted a top influencer dine at an exciting new Miami spot, Casa Matilda. On Friday, May 31st, Lila joined forces with Art Hearts Fashion and Snatched Plastic Surgery to speak during a panel discussion surrounding the idea of how fashion informs body trends, and vice versa. On Saturday, June 1st, Lila’s design ‘Cyan Miami’ was parked outside of the M2 venue, where guests, media, influencers, buyers, and even those passing by on the street were able to see a sneak peak into Lila’s world of design. Lila also hosted a branded pop-up ‘living room’ inside of the venue which served as a unique photo opp for attendees. B’ong & Evangeli Anteros Pose at Lila Nikole’s Pop-Up Living Room at M2 Loose Leaf Model Poses in front of ‘Cyan Miami’ After the runway show and an iconic week of celebrating Lila Nikole’s collection, top influencers joined Lila and her team on a cruise yacht party sponsored by Lupo Yacht Club to close out the week on Sunday, June 2nd. Lila Nikole Hosts Models for Influencer Yacht Party Lila Nikole Rivera, acclaimed for her work both paired with celebrities such as Kendrick Lamar, Kim Kardashian, The Weeknd, and others, and designs for both men and women of all shapes and sizes truly was a shining star who brought the heat during Miami Swim Week. To shop the ‘GRAPHIC PARADISE’ runway looks visit https://lilanikole.com/. Next up, Lila is designing Carnival costumes for some of the top brands in the industry such as Tribe Trinidad, Xodus Jamaica, Yume Trinidad, Gen X Miami, and K-Paya Miami. Lila’s Carnival designs take hours of hand detailing, gemming, feather work, and talent. Lila Nikole Design for Carnival By ML Staff. Images courtesy of Lila Nikole