LVMH The Studio Miami returns to the Miami Design District for its fifth year, offering a five-day gallery and conversation series from December 3–7 at Palm Court. The annual pop-up continues its mission of elevating diverse artistic voices while creating a space where art, culture, and luxury intersect. Installation view from last year’s LVMH exhibition featuring work by returning artist Glenneisha Darkins. Photo courtesy of LVMH. The program features a public art gallery presenting work from Cruise Bogle, Glenneisha Darkins, Kieche Francis, Cem Hasimi, Canal Cheong Jagerroos, William Kennedy, Clarence Ruth, Dr. Mimi Adu-Serwaah, David Schwartz, Oscar Ukonu, and Tom Waugh. Throughout the week, executives, entrepreneurs, and creators will lead discussions on entrepreneurship, the artistic process, legal guidance for the creative community, and the role of inclusion across the LVMH ecosystem. “This Is Where I Left Myself (Details)” by Canal Cheong Jagerroos, featured in this year’s LVMH The Studio Miami. Photo courtesy of the artist. Participants include leaders from Moët Hennessy USA, Maison Francis Kurkdjian , and Make Up For Ever , along with executives representing Rimowa , Christian Dior Couture , and Fendi . A fireside conversation featuring Anish Melwani, Chairman and CEO of LVMH North America , will explore inclusion as a business driver. The week also includes a pro-bono legal clinic offering guidance to artists, creatives, and entrepreneurs. A closing reception presented by BMI will bring together cultural leaders and feature a special performance to be announced. Past contributors to the initiative include Haleigh Rosa, Rocsi Diaz, Roger Carter, Trina, Lenny S., Felicia Hatcher, Chris Lyons, Emory Jones, Terrence J, Valeisha Butterfield, Davinchi, and Marques McCammon. Previous celebrity guests range from Dascha Polanco and Morris Chestnut to Pusha T, Slick Rick, Sevyn Streeter, and Rotimi. LVMH The Studio Miami 2025 hero graphic. The gallery is open to the public daily from 10 a.m. to 6 p.m. at Palm Court Event Space, 140 NE 39th Street, Miami. By ML Staff. Photos/Courtesy of LVMH and artist Canal Cheong Jagerroos.

Hailey Bieber made a striking appearance at the 2025 GQ Men of the Year event at the Chateau Marmont in Los Angeles. She chose a black sheer tulle dress by Gucci, embroidered throughout with black beads. Courtesy of Getty Images The look featured a low open back and coordinated black underwear detailed with crystal GG strass, emphasizing the label’s signature aesthetic while keeping the silhouette minimal and sharp. Courtesy of Getty Images By ML Staff. Photos/Courtesy of Getty Images.

The Greater Miami Convention & Visitors Bureau  is proud to announce the return of Miami-Dade Farmers Month , a countywide celebration of South Dade’s agricultural heritage and the fresh produce that it brings to tables across Florida and beyond. Now in its fourth year, the monthlong celebration runs from November 1-30 and invites residents and visitors to explore the region’s thriving farming community. The full schedule of events and participating farms is available at MiamiFarmersMonth.com . “Miami-Dade’s farming community is one of our destination’s most unique and greatest treasures,” said David Whitaker, president and CEO of the Greater Miami Convention & Visitors Bureau. “Farmers Month is an invitation to experience the people and places that nourish our community.” South Dade has become a cornerstone of Florida’s agricultural identity, with approximately 89% of products grown in the county shipped to markets across the United States and Canada. Throughout November, popular destinations such as The Berry Farm , Knaus Berry Farm , The Little Farm  and Pintos Farm  offer outdoor fun, homemade treats and family traditions, plus berry picking, hayrides, sustainable farm tours and community events. Other growers, including Radhe Farms , Paradise Farms  and Tinez Farms , highlight organic and regenerative practices, demonstrating how Miami’s agricultural community thrives while caring for the land and its people. Additionally, Patch of Heaven Sanctuary , a nonprofit organization, offers visitors the opportunity to experience tropical hammocks, peaceful paths, historic structures and native habitats in a 20-acre nature preserve.  Farmers Month also features special promotions, including buy-one-get-one admission at Fruit and Spice Park , discounted stays at Home2 Suites by Hilton , Wellness Wednesdays at Essensia at The Palms Hotel and Spa  and special offers at Flamingo Adventures in Everglades National Park . “Miami-Dade County is a powerhouse in Florida agriculture, generating over $1 billion in crop value annually on fewer than 70,000 acres,” said Commissioner Danielle Cohen Higgins. “This extraordinary level of productivity reflects the advantages of a tropical climate and the capacity to cultivate a wide variety of crops year-round. South Dade’s abundant agricultural landscape not only sustains our economy but also offers a unique opportunity for residents and visitors to explore its farms, markets, natural beauty and culture that make our community so special.” For a complete list of participating farms and activities, visit MiamiFarmersMonth.com . By ML Staff. Content/images provided by the Greater Miami Convention & Visitors Bureau www.miamiandmiamibeach.com.

PURRR Adoption + Sanctuary  (PURRR) can now offer free spay + neuter services for TNR (Trap, Neuter, and Return) and community cats thanks to a $25,000 grant from  Florida Animal Friend .  The organization provides grants to animal organizations throughout the state of Florida to support low- or no-cost spay + neuter services, funded directly by its specialty spay + neuter license plate, helping save countless homeless pets. PURRR will use the funds to spay + neuter over 400 South Florida cats.  PURRR offers low-cost, high-quality, high-volume spay + neuter services exclusively for cats. Since launching its clinic in 2021, PURRR has become one of the few organizations in Broward County solely dedicated to this initiative. In 2024 alone, PURRR performed 3,048 surgeries, 2,598 at its clinic in Fort Lauderdale and 450 through partnerships with shelters.   “South Florida faces a feline overpopulation crisis, driven by limited access to affordable, high-volume spay + neuter,” said Michelle Schecht, Executive Director of PURRR Adoption + Sanctuary. “We are deeply grateful to Florida Animal Friend for their commitment to animal welfare. This vital support expands our efforts to prevent overpopulation and provide lifesaving services for the region’s most vulnerable animals. The community can join the cause by purchasing a spay/neuter license plate. Each purchase directly funds programs like ours.” Feline overpopulation in South Florida stems from a lack of accessible, affordable, and high-volume spay + neuter services, compounded by the continued, unmanageable growth of the community cat population. The demand for services far exceeds availability, particularly for free-roaming cats. PURRR’s Spay + Neuter program is built on principles of accessibility, collaboration, and impact, serving the public, independent trappers, rescue organizations, and underserved communities. To support spay + neuter, PURRR offers significantly reduced rates for community cats, along with discounted pricing for rescues. These subsidies ensure that cost is never a barrier to preventing future litters and reducing overpopulation.  PURRR believes that reducing feline overpopulation requires a unified, community-driven approach. PURRR has cultivated strong partnerships to extend its reach and maximize impact. Its clinic model combines surgical efficiency with compassionate, individualized care, ensuring each cat receives the attention and safety they deserve. PURRR’s dedicated team is driven by a deep love for cats and a commitment to their well-being and is committed to providing consistent, lifesaving services to South Florida’s most vulnerable feline populations. For more information about PURRR Adoption + Sanctuary, and spay + neuter and vaccine services, please visit  www.purrr.org . By ML Staff. Content/image courtesy of PURRR Adoption + Sanctuary.

Mark your calendar for ICA Miami’s VIP Opening Night Presented by W Magazine during Miami Art Week 2025! Celebrating five special exhibitions: Joyce Pensato on our third floor; Richard Hunt: Pressure on our second; Andreas Schulze: Special and Masaomi Yasunaga: Traces of Memory on the Ground Floor; and Igshaan Adams: Lulu, Zanele, Zandile, Savannah for our staircase commission. ICA Miami Members and Art Week VIP Passholders are invited to join our Opening Reception beginning at 6 PM. Please note that admission includes complimentary entry for up to two (2) guests. Date: Tue, Dec 2, 2025 6–9 PM Location: ICA Miami 61 NE 41st Street Member RSVP By ML Staff. Courtesy of Institute of Contemporary Art Miami. Artwork by Joyce Pensato, Golden Batman, 2014. Enamel and metallic paint on canvas, 72 x 64 inches, 182.9 x 162.6 cm. Photo: Larry Lamay © The Joyce Pensato Foundation. Courtesy of Petzel, New York.

From the Heart to the Hands : Dolce&Gabbana invites visitors on a multisensory journey through the brand’s unconventional approach to the world of luxury characterised by elegance and sensuality, yet also humour, irreverence and playfulness. The exhibition has been newly conceived in dialogue with ICA Miami’s expanded home, reflecting the museum’s role as a space for contemporary visual culture. Featuring over 300 pieces from both archival and new collections, From the Heart to the Hands: Dolce&Gabbana is a love letter to Italian culture that has always been the inspiration of Domenico Dolce and Stefano Gabbana’s creations, tracing the extraordinary translation of their ideas, from the heart through to their realisation, by hand. The show unfolds across a series of immersive rooms that illuminate different facets of the Designers’ vision and their constant reimagining of Italian heritage through a contemporary lens. The presentation draws on art, architecture, folklore, regional topographies and artisanal craft, opera and ballet, as well as the abiding spirit of the dolce vita. The exhibition also features works by visual artists, including Quayola, Alberto Maria Colombo, Obvious, Vittorio Bonapace and Felice Limosani, in dialogue with Dolce&Gabbana’s designs. Together they enrich the dynamic exchange between fashion, Italian craftsmanship and contemporary art embodied in the exhibition, underscoring the brand’s position at the intersection of these worlds. From the Heart to the Hands: Dolce&Gabbana is curated by Florence Müller, with set design by Agence Galuchat and produced by IMG. For more information and to register for pre-sale tickets, please visit: dolcegabbanaexhibition.com On November 18, an exclusive 24-hour pre-sale will be offered to those who register their interest on the exhibition website. Tickets will go on sale to the general public via dolcegabbanaexhibition.com on November 19. Dates 6 February – June 14, 2026 Opening hours Monday, Tuesday, Wednesday, and Sunday: 10:00 am to 7:30 pm Thursday, Friday and Saturday: 10:00 am to 10:30 pm By ML Staff. Courtesy of Institute of Contemporary Art Miami

Same teams, same missing stars, same lineups as in Friday night’s loss in New York. Same game, too, only with a different result. After Karl-Anthony Towns exploded for 31 points in the first half a few nights ago, Erik Spoelstra dialed up the help in the second half and had his group double Towns just about any time he put the ball on the deck, and especially when he had the ball in the post – which is partially why someone like Landry Shamet had the studio space to go off as he did. Spoelstra stuck with the same strategy early in this one, doubling Towns on the first possession and forcing the other Knicks to make shots. New York found the offense, still, with Deuce McBride opening strong to give his side a 10-4 advantage, but a 9-0 HEAT run, fueled by Kel’el Ware’s offensive rebounding, soon followed, and the tone of the night was set. Back-and-forth, runs traded, Friday again. Miami had opened cold from the arc, 1-of-7, with their attempts in the paint a bit more contested as usual as the Knicks built a wall in front of the most dangerous drivers, but as Simone Fontecchio got going on his catch-and-shoot game, hitting three of his first four, things slowly began to open up for the likes of Jaime Jaquez Jr. Mikal Bridges made his mark in the second, attacking the rim and the free-throw line, but Davion Mitchell had a mini-run of his own ready for the end of the half. After that 1-of-7 start from outside, the HEAT went into the break hitting 8-of-16, that advantage outweighing New York’s free-throws for a 55-51 lead. The Knicks changed things up with regards to Towns’ touches after the break, less time spent trying to get him the ball in the post, where he was getting doubled, more touches in space on the perimeter where he could go one-on-one. A flurry of scoring ensued, stopped only by Towns picking up his fourth foul and being removed from the game. Only one team could hit a three, Miami maintaining a small lead but a lead all the same, until a spirited stretch of Knicks defense, much of it in zone, and interior forays from Bridges and Josh Hart turned it. Miami’s offense was stuck in the mud and muck. Then, threes. There wasn’t much traction in the middle of the floor, but the zone will always leave spaces on the perimeter open for the right ball movement, Dru Smith and Simone Fontecchio finding daylight for an 83-82 lead after three – their three-point efficiency (43.3 percent) out-pacing their percentages from two (40.4 percent). Smith again, again against the zone, early in the fourth, both sides trading scores, easier scores than either side wanted to give up, and the lead, everything a little scattered. Knicks by three with 7:44 to go on a McBride dunk in transition. Miami back in front, quickly, on a series of drives into the heart of the zone, and with the Knicks hitting iron on their threes on the other end the lead was six, Mitchell dropping in another scoop layup off the glass. Clutch game, of course, and soon it was ten under five minutes. Not the cleanest finish, by any measure, with McBride hitting a pair of threes before Towns went to the line for an 8-0 run, back to a two-point game with a minute to play, but the Knicks blew containment on their press and Norm Powell got a free layup. Looked like that would be enough, but an offensive rebound of a Shamet three led to a Towns triple. One-point game with 22.4 to play. Mitchell would miss the first free-throw after being intentionally fouled, making the second, and the Knicks would have their chance. A Towns (22 points on 19 shots) putback was taken away on review for goaltending, jump ball. Knicks retained and a wild sequence followed, the ball bouncing all over the place as New York had a couple of chances before Mitchell finished off the night with its biggest rebound. Heat take it, 115-113. For a good while Miami was in this one, even when they were leading, largely because they were so far out ahead from the arc – finishing at 40 percent on 35 attempts, including 63 percent on corner threes, to New York’s 25 percent of 36 attempts. That helps when your opponent is running zone for most of the night. It’s too early to know if the zone is truly going to become a trend simply because Miami has played so many of the same teams so far, but clearly both the Knicks and the Cavaliers this past week settled into that coverage for long stretches. The zone excels at taking away dribble penetration and for long stretches the HEAT couldn’t find their way, but it was that three-minute stretch in the middle of the fourth that decided this one, Mitchell getting things started and capping the run off with one-on-one drives, finishing from the left side with his left hand. A once dominant 60-40 Knicks advantage in the paint finished just 64-56, meaning Miami scored 16 in the paint in the last seven or so minutes. What does this all mean? We won’t know until more games come. We need to know if more teams are going to sit in zone for long stretches, we need to know if the HEAT can continue their scorching start from three this season, and we need to know how effective the zone can be at limiting the core tenant – dribble penetration – of this new offense, and what they’re doing well in the bursts where they can get near the restricted area against such a coverage. Maybe not the most exciting thing from an exciting win, but by far the aspect of the evening most likely to affect the rest of the season. Powell had 19 points on 20 shots – an inefficient night for him with a strong finish – Kel’el Ware (team-high plus-eight) had 16 points and 14 rebounds, Fontecchio and Smith added seven threes between them to keep the offense alive against the zone, and Pelle Larsson again contributed at all levels. The player of the game, though, was Mitchell. There’s no doubt about that. The lasting image of this one is McBride’s trying, over and over, to burst by Mitchell and Mitchell stopping him, over and over, with his hands out and his chest forward, McBride’s momentum stopped in its tracks. It happened in the first quarter, the second, the third and, especially, late in the fourth when he cut off McBride’s final drive to force a tough shot. With so much of it coming off penetration against the zone, 18 points on 12 shots was the efficiency Miami needed on an inefficient (110.7 Offensive Rating) night, but even though Mitchell didn’t get credited for a single steal his defense was the bedrock of this one, the thing that stalled out New York in the biggest moments. By ML Staff. Courtesy of NBA.

During Art Basel Miami 2025, master jeweler Sevan Bıçakçı presents eight one-of-a-kind timepieces from his debut watch collection — nearly a decade in the making. Known for his narrative-driven jewelry, Bıçakçı brings the same spiritual depth to horology. These are not watches of precision, but of reflection — inviting the wearer to pause and truly feel time. Developed over nine years and crafted in his Istanbul atelier, each of the 85 watches combines poetic artistry with Swiss movement. Inspired by Ottoman-era Mevlevi dervish clockmakers, whose creations embodied devotion over function, Bıçakçı continues their legacy. In this exhibition, time often hides within jeweled landscapes — an experience of stillness, soul, and timeless vision. DATE: Monday, December 1, 2025 - Monday, December 8, 2025 TIME: 12 PM - 7 PM ADDRESS: Sevan Bıçakçı, 151 NE 41 St., Suite 141 Miami FL, 33137 ML Staff. Content/image courtesy of MDD

Vladimir Kagan Design Group proudly unveils the Capricorn Collection, a striking reinterpretation of the designer’s iconic sculptural vocabulary, originally introduced over sixty years ago. This 11-piece, wire-framed outdoor furniture series has been thoughtfully reimagined by Chris Eitel, Design Director and protégé of Vladimir Kagan, whose innovative approach pays homage to the original while infusing it with contemporary elegance. Launching this December, the Capricorn Collection will be offered exclusively through HOLLY HUNT showrooms and partner locations, with HOLLY HUNT Miami premiering the debut presentation of this distinguished release. DATE: Monday, December 1, 2025 - Friday, December 5, 2025 TIME: 10 AM - 5 PM ADDRESS: 3833 NE 2nd Ave ML Staff. Content/image courtesy of MDD

The Adrienne Arsht Center for the Performing Arts of Miami-Dade County ( @arshtcenter ) is proud to welcome back AILEY II ( @aileyii ), the celebrated second company of Alvin Ailey American Dance Theater, for a powerful one-night-only performance on January 9, 2026 at 8 p.m. in the Knight Concert Hall. The performance features repertory that spans emotional storytelling and thrilling athleticism and a spotlight on South Florida native Jordyn White, who joined the company in 2024.   Tickets are $40.95 - $93.60 and available now at  arshtcenter.org   or at the Arsht Center box office by calling (305) 949-6722.   For more than five decades, Ailey II has merged the spirit and energy of the country’s best early-career dance talent with the passion and artistry of today’s most outstanding and emerging choreographers. Founded in 1974 as a bridge between The Ailey School and the professional dance world, the company embodies Alvin Ailey’s pioneering mission to nurture the next generation of talented artists and reach audiences around the world by making dance accessible to all. Under Artistic Director Francesca Harper ’s direction, Ailey II is forging a new path for modern dance—one that’s inclusive, experimental, and transformative.   Ailey II Artistic Director Francesca Harper. Photo by Nir Arieli “This season is a celebration of artistic voices that push boundaries and inspire transformation while honoring Alvin Ailey’s timeless vision,” said Francesca Harper. “The four works I've commissioned speak to identity, connection, and the bold possibilities of movement today. I am excited for audiences to witness these 12 exceptional dancers bring their creative passion and virtuosity to the stage.”   As part of the Adrienne Arsht Center’s 2025-2026 Dance at Arsht Series, the Ailey II program will include a curated selection of new and repertory works. The works listed below reflect Ailey II’s national touring repertory. The Miami program at the Arsht will feature a select portion of these pieces, with final programming to be announced soon.   In Session by choreographer Rena Butler is a collective portrait of coming of age, where the tension between conformity and rebellion shapes the action of maturation. The work explores how individuals navigate the process of finding themselves while moving within—and against—the collective, challenging the notion that growth requires uniformity and asserting instead that no student needs to be the same. Through layered physicality and communal rhythm, In Session reveals the nuanced journey of self-discovery within a community.   Social media can contribute to anxiety, depression, comparison, pressure to be perfect, external validation, loneliness, bullying, and finding joy in the downfall of others. In Renée I. McDonald’s work Likes vs Life , three dancers wrestle with these powerful forces, the need to connect, and the desire to escape.   In the world premiere work Berry Dreamin’ , former Alvin Ailey American Dance Theater and Ailey II member Chalvar Monteiro centers the music, personality, and soul-stirring lyricism of Chuck Berry, the father of rock 'n' roll. This piece aims to reimagine the rich origin story for a star on the rise—the journey to adulthood and the moving target that is human connection against a day-dreamy, subconscious landscape that gives birth to our wildest dreams. The creation of Berry Dreamin' is commissioned by Dance St. Louis in celebration of Chuck Berry’s centennial.   Choreographer My’Kal Stromile’s Third Person Point of View begins in medias res—Latin for “in the midst of things.” We enter a non-traditional, three-person relationship in its fully functioning form: fluid, intricate, and quietly intimate. We then rewind to the beginning of the relationship, and what the audience sees is two people deeply attuned, and a third seeking entry, admiration, and a place to belong. As the title suggests, the piece invites the audience to witness from the outside, observing a relationship as it unfolds without ever being directly addressed.   In addition to these four world premieres, Ailey II’s touring repertory also includes Baye & Asa’s John 4:20 , an expanded duet the choreographers originally created in 2018; Francesca Harper’s Luminous , paying homage to five decades of Ailey II; a solo excerpted from Judith Jamison’s Divining , her first choreographic work for Alvin Ailey American Dance Theater in 1984; Houston Thomas’ Down the Rabbit Hole , a work inspired by The Matrix film series exploring how technology weaves into the fabric of daily life; and enduring classics by Alvin Ailey, such as his signature must-see American masterpiece, Revelations .   Ailey II welcomes four new dancers— Kamani Abu , Jada Ammons , Christian Butts , and Adanna Smalls — who join the eight returning members: Carley Cruzat Brooks , Meredith Brown , Jennifer M. Gerken , Xavier Logan , Xhosa Scott , Darion Tuner , Eric J. Vidaña , and Jordyn White .   *All programs, artists, ticket prices, availability, dates and times are subject to change without notice. Ticket prices include fees. Visit ArshtCenter.org for up-to-date information.   Adrienne Arsht Center for the Performing Arts of Miami-Dade County is made possible by the public support of the Miami-Dade County Mayor and the Board of County Commissioners, the Miami-Dade County Department of Cultural Affairs and the Cultural Affairs Council, the Miami-Dade County Tourist Development Council and the City of Miami Omni Community Redevelopment Agency, and the state of Florida through the Division of Arts and Culture and the National Endowment for the Arts. The Adrienne Arsht Center also receives generous support from individuals, corporations and local, state and national foundations. By ML Staff. Content courtesy of the Adrienne Arsht Center. Photo by Nir Arieli.

If you happen to be in London  before January 25, 2026 , make time to visit the Barbican Centre’s  bold exhibition Dirty Looks: Desire and Decay in Fashion . This provocative showcase challenges contemporary ideals of beauty and perfection, exploring how fashion embraces dirt, decay, and defiance to question what we find alluring. At the heart of the exhibition is Lee Alexander McQueen , the visionary British designer celebrated for his raw exploration of nature, transformation, and emotional intensity. Curated by Karen Van Godtsenhoven , the show features three iconic McQueen archive pieces that perfectly capture its central themes: Autumn/Winter 1995 “Highland Rape” Dress  – a haunting reflection on vulnerability and power. Autumn/Winter 2000 “Eshu” Dress  – inspired by African mythology, blending chaos with creativity. Spring/Summer 2003 “Irere” Dress  – symbolising transformation through destruction and rebirth. Visitors can also get a glimpse into the careful conservation and installation of these historic garments, revealing the craftsmanship behind McQueen’s enduring legacy. Exhibition Details: Barbican Centre, Silk Street, London EC2Y 8DS Open until 25 January 2026 www.barbican.org.uk By ML Staff. Video/McQueen

Four Seasons Hotel and Residences Fort Lauderdale announces the arrival of ViceVersa, the James Beard Foundation–nominated concept from acclaimed Miami bartender Valentino Longo , for “ViceVersa: A Fort Lauderdale Residency,” officially opening later this month. Running from late November through May, the experience invites guests and locals to enjoy ViceVersa’s signature Italian aperitivo culture infused with a South Florida twist. The residency takes place in the hotel’s lobby bar, newly transformed to reflect Milanese elegance and modern Fort Lauderdale style. In the evening, the space evolves into a sleek, contemporary lounge featuring a curated soundtrack of Italian and American funky beats, offering an atmosphere that is both vibrant and relaxed. For this debut residency, Valentino Longo  presents a cocktail menu titled “Vacanza,” inspired by the Italian state of mind that celebrates the joy of vacation. The menu features inventive takes on classic cocktails, including: Martini Doppio: A reimagined Gibson with vodka or gin, Americano Rosa, Tio Pepe, and pickled onions. ViceVersa Negroni: A Florida-inspired twist on the classic, featuring Bombay Sapphire and ViceVersa’s Mi-To dolce amaro blend. Beeswax Old Fashioned: A bold mix of bourbon, Cynar, Mr. Black, and walnut bitters. Rita: A vibrant margarita crafted with Patron Blanco, mango, vermentino, lime, spicy agave, and Barolo wine. Valentino Longo  also created two exclusive spritzes for the Four Seasons: White Wine Spritz: Italicus, peach, white wine, elderberry, and soda. Coast to Coast: Aperol, coconut water, and prosecco. ViceVersa adds to the Four Seasons Fort Lauderdale’s Michelin-recognized culinary lineup, which includes Evelyn’s Fort Lauderdale by Chef Brandon Salomon  and MAASS by Chef Ryan Ratino . This new residency further cements the resort’s status as the epicenter of Fort Lauderdale’s dining and cocktail culture. By ML Staff. Images/Four Seasons