As the year draws to a close, we want to take a moment to express our heartfelt gratitude to you, our cherished readers. 2024 has been an incredible journey, filled with inspiring stories, remarkable people, and the vibrant spirit that makes Miami so special! 🌴🌞 Thank you all! From the entire Miami Living team! Video/Images by Miami Living

"I guess that would be a limited participant. Today, I'm approaching it as though I think Snoop (Tyler Huntley) is starting today. And obviously, the team it's very easy for us to adjust as the week progresses but I think you have to approach it a certain way and then that's an easy adjustment that we're definitely open-minded to considering our timeline last week." (Before we go any further, today being the last Wednesday of the regular season, I know it's awards day for you guys, and it is for us too. We give out our Good Guy Award later today and a lot of players got votes but one man stood way taller than the rest. So this is a good opportunity to thank you and the coaching staff and the communications staff, the cafeteria staff for your help this year). – "I appreciate it. I appreciate you guys, the jobs that you have to do, and it's not always easy, but I try to do my best up here and I appreciate you guys caring." (Anything else on T Terron Armstead? I know that practice is later on today but are you getting more optimistic about his –) – "I'm optimistic that if he's not on the field in the game, it's because he can't. So we'll give him the rest, and he's really focused on the team and doing everything he can. What's cool about 'T-Stead' (Terron Armstead) is that he's done a great job of balancing as a competitor and just doing what he loves to do. The frustrations with injuries could consume somebody, but he's made the team better each and every day and really shows how important the team is and the locker room is because even when things are frustrating – he's frustrated coming out of a game, he in turn, when he does come out of a game, he is locked into every play and then talking to guys between series. It's a big deal to have your captain act like a captain in great times and in tough times. So I'm optimistic just by his nature, his ability to do his job, he will do everything that he can. So I am optimistic in that way and that's why I'm pretty hopeful every time that we have a week where he's working through it and getting some stuff on Friday and then giving it a go. He's one of my favorites." (DT Zach Sieler was voted team MVP. How would you describe his importance to this roster?) – "He's a captain in more ways than one. He's a captain in how you conduct yourself. You want an example of how to flourish in the National Football League, how to go about the daily process, how to invest in your own game, he is a prime example. But it's not just in how he does stuff, it's how he performs and makes plays each and every week. It's been since I've been here; he continues to find ways to elevate his game which is why he's such an important part of what we do from a football team perspective and in particular, defensively. Some of the stuff that he does allows you to play different coverages. That's a pretty impactful player when your ability to do your job as an interior defensive lineman can give a defensive play caller freedom on non-pass exclusive downs to play all sorts of different things based on his ability to do his job and affect both run and pass. So I can't say enough good things about that guy and he continually lives up to the 'C' on his chest. He starts the season making plays and he ends the season making plays, that's just what he does." (I'm doing something on the grind and what players go through at this time of the year. We know what QB Tua Tagovailoa goes through and what T Terron Armstead is going through, FB Alec Ingold two years ago with the broken thumb and the cast. What do you see from guys at this time of the year in the NFL trying to make it through the season and get to the playoffs?) – "The season is long and tenuous. Not like trying to generate tears from the audience of, 'oh, how hard you have it,' it's just simply, you're six days a week every week for like six months is basically how it plays out. So in this time, you really get a sense of people's true love for football and team, because you really at this point, to continually be able to produce and invest, it takes more time to recover from a game, more investment. You're on the heels from your six days a week for six months and you're having to add hours to that. So you can't really hide at this point in the season, if you're kind of into football, or you're kind of into the team, it exposes itself pretty quickly. At the same token, you also see guys like Alec Ingold's thumb a couple of years ago was a great example of he was playing – I remember, I think we were in New England and Skylar (Thompson) threw him a pass on accident and he had to dodge it because he only had one hand to catch. I really don't think – I at least know from my perspective, I played high school and college football, but I had no idea what a tall task it is to perform regularly at a high level and really what that investment takes. It separates the parity in talent really across the league, where the guys that can truly have the endurance and the drive to go above and beyond at this point in the season. The more of those players you have, that's how you win in December, January and into February football. Specifically the guys spending the hours in the training room on top of all the meeting time and all the all the other things that are asked of them and their lives, you really have an appreciation for their love. And just as a coach, it makes me have more of an appetite for the hours we keep because you have guys investing, everything's relative, and how many hours they invest on top of what you sacrifice ever week and Sunday. It's inspiring and really makes me lash myself for feeling tired, to be honest. We have a lot of those guys, and that's the only way you dig yourself out of a hole in a season, is all those types of people coming through when it matters most." (Have you had a few quarterbacks since you started your coaching career with the ability to extend plays that QB Tyler 'Snoop' Huntley has?) – "Well, let's go back in the Rolodex. I think 2012, Robert Griffin III was the Rookie of the Year. He extended some plays and was fast while doing it. He comes to mind just in terms of really making – it has an effect on defensive play callers. One thing that you don't see as much when guys are able to extend plays and then convert third downs on the ground on an extended play, you don't see two-man nearly as much because you have to account for the quarterback or you see some more spot-drop zones. And it's also as a coach, you learn to adjust for that playmaking style – distribute eligibles in a certain way and then also embrace the out-of-timing of a play. I think that's something that Tua (Tagovailoa) has developed in his game. He's made a lot of plays off-schedule and so you just get used to that being a really shining spot in their game and embracing that and trying to lean into that when appropriate because it's an effective tool and something that's really hard to defend." (Does QB Tyler Huntley have a green light to steal third base whenever he wants? You know what I mean – takeoffs, spin moves, whatever he's got to do.) – "I don't like, just in general, I don't like quarterbacks trying to be running backs 100 percent. So there's a time and place to be aggressive for yardage, but you still have to distribute the ball each and every play to all your other teammates and make a lot of decisions so you have to protect yourself. But he knows that I positively reinforce all plays that are made, so if he sees something and is aggressive to it, generally I'm supporting that because he does that in the right times. But I think he's done a great job working in the timing of our offense and then when maybe a throw is at risk of a turnover or it just doesn't feel right to him, he's done a good job not hesitating and utilizing his full skillset." (QB Tyler Huntley's demeanor – he never seems to get rattled and he's always, you see him on the sidelines, when things are going well, he's smiling, he's happy. Is that the right quarterback to have right now in this situation that you are in?) – "I think it's very appropriate because you could make the opportunity into something that is stressful or burdensome and it shouldn't be. He's prepared a lot. There's been a lot of preparation that went into that Cleveland Browns game, I'll tell you that, and so he should be confident in his skills and he is. I think that was something that was pretty evident and obvious, how he boldly took control of the huddle being a couple weeks in earlier in the season. That was one of the things that really, really stood out. There's an 'it' factor you talk about with quarterbacks where you can galvanize and get people to believe that they're safe to or primed to have success with him leading. So I think he absolutely fits the bill for the timing of his ascension into playing and I think it helps him a lot in terms of dealing with the unknown as well where you don't overthink whether or not – last week he didn't overthink whether or not he was playing, he prepares as though he's going to play and as a result, he's prepared when he plays. And I think that's not easy for everyone, I think some people need to know exactly, 'OK, how's this week going to look?' And when you're dealing with injuries at times, you don't have a road map, and that hasn't made him worse. He's flourished in the unknown and just taken care of what he can control and is prepared each and every day which is what his teammates definitely regard and respect." (As you guys get ready for the Jets, the regular season finale, what are you looking forward to with this week knowing that this group of players, you guys still have a chance and they're still buying in, they're still ready to hopefully control what they can control?) – "First and foremost, I was excited for my first Jets question. I love it and that's because as coaches and this team, that's where our focus has been firmly on. I just really like the way that our football has progressed during the season, and this game is another opportunity to put our best foot forward. We absolutely have an opportunity to play in the playoffs and we know that our part of the bargain, that opportunity does not exist unless we take care of it. There's so many good players with reasons to play and put together a great game for the Jets that they really require all of our attention and focus because that's our objective and that's what we can control. You're excited for the opportunity to play in 2025 and I think our team is in a very positive – you wouldn't know they've been listening to me for six months straight. They are pretty eager to go practice today, and I can tell that they feel that they have some more football to play and they want to do everything that they can control to make sure that opportunity is taken advantage of, if given." By ML Staff. Content/Image courtesy of Miami Dolphins

Celebrating narrative and documentary short films, the Shorts Miami International Film Festival is a three-day event from January 31stnd to February 2nd, 2025, held at the Cosford Cinema. Date and Time: Friday, January 31, 2025 6pm to 9pm Location: 5030 Brunson Dr, Coral Gables, FL 33146 For detailed film program and festival information visit:  shortsmiami.com Awards to be announced: Best of the Festival prize of $2000 Best Narrative – $500Best Documentary – $500 Best of Miami Festival prizes:Best made in Miami Documentary – $500Best made in Miami Narrative Film – $500 By ML Staff. Courtesy of University of Miami

The Miami Dolphins announced they have signed offensive lineman Braeden Daniels to the active roster off Dallas' practice squad and placed tackle Kendall Lamm on the injured reserve list. Daniels entered the NFL as a fourth-round selection (118th overall) by Washington in the 2023 NFL Draft, where he spent the 2023 season on injured reserve. He also spent time on the practice squad with Houston, the L.A. Chargers, Philadelphia and Dallas in 2024. Daniels played collegiately at Utah where he appeared in 49 career games with 43 starts – 18 at left guard, 14 at left tackle and 11 at right tackle. He was a Pac-12 All-Conference first-team selection in 2022. Lamm appeared in 15 games with seven starts at right tackle this season with Miami. He has played in 119 career games with 44 starts in 10 seasons with Houston (2015-18), Cleveland (2019-20), Tennessee (2021) and Miami (2022-24). He has also appeared in eight playoff games with one postseason start. Lamm entered the NFL as an undrafted college free agent with Houston in 2015 after a collegiate career at Appalachian State. By ML Staff. Content/Image courtesy of Miami Dolphins

How many hands did it take to create the noblewoman’s embellished velvet gown depicted in a particular 17th-century painting? Or to make the leading soprano’s costume for the stage? Two experts — from two adjacent worlds, painting and opera — compare notes Christie’s Jonquil O’Reilly hosts an event for London’s National Gallery’s Young Ambassadors and Royal Ballet and Opera Young Philanthropists in October 2024 ‘Looking at paintings through a fashion lens can tell you so much,’ says Jonquil O’Reilly, Christie’s Old Master Paintings specialist. ‘The contemporary audience looking at these paintings in past centuries would have instantly understood all the codes and clues, all the messages being transmitted through the image.’ In October 2024, O’Reilly treated the Young Ambassadors of London’s National Gallery and the Royal Ballet and Opera Young Philanthropists to a tour to uncover some of the secrets that the intricate embellishments and textiles reveal about the wearers in well-known Old Master works hanging in London’s National Gallery in Trafalgar Square. The group then made their way across the street to explore the costume studios at the Royal Ballet and Opera in Covent Garden. ‘I started with The Ambassadors (1533), a portrait by Hans Holbein at the National Gallery,’ O’Reilly explains. ‘I knew everyone would be familiar with it, but the reason I wanted to start there was because of the textiles in it.’ Combining expertise as a specialist in Christie’s Old Master Paintings department and her penchant for period fashion, O’Reilly offered a style breakdown of Renaissance dress, told through some of the most famous paintings of the period. La Traviata costumes in the costume revival workroom, The Royal Ballet and Opera, London. ©2024 Kirsty McLachlan ‘Consider the overgown on the left,’ she says of the Holbein. ‘Just setting up the loom to weave that swathe of fabric would take months. Then it would take weeks to weave the first meter of fabric. And if you discovered a mistake, the whole thing would have to be unpicked, with thousands of threads under tension.’ The number of hands involved in the process of making garments like the ones seen in The Ambassadors is astounding. ‘And that’s before you get to the embroiderers, the embellishers, the tailor,’ she notes. The painting was the perfect introduction to what the group would see when they entered the bustling costume workshop of the Royal Ballet and Opera, led by Elizabeth King, head of costume production, and Amanda Hall, head of the costume revivals department. O’Reilly and Hall convened to talk about intricacy of period fashion, from how to sit elegantly in a crinoline to how to stand out onstage or at court. Hans Holbein the Younger, The Ambassadors, 1533. © The National Gallery, London. ‘Wearing black might seem very formal and reserved to us today, when in fact it was a grand and intentional display of wealth. Black dye was very expensive to produce,’ says Christie’s Jonquil O’Reilly. ‘All of these signals would have been immediately clear to people looking at the portrait at the time. Now you need a certain amount of historical knowledge to be able to understand what people were saying about their social status, their hierarchy or political standing.’ Jonquil O’Reilly: ‘We’ve become so far removed from the making process in clothing today — particularly with fast fashion. When speaking about historical fashion, I try to instill an understanding of the number of hands involved — dyers, weavers, embroiderers, gold beaters — before it even gets to the tailoring process. How involved is the process of costume making from start to finish in the Royal Ballet and Opera workshop? How many people are involved in each costume?’ Amanda Hall: ‘I manage the revivals team of the Royal Ballet and Opera costume department. We look after costumes for our repertory productions. These are costumes that have appeared on stage in successful shows that are now being revived. I have a permanent team of 18, but we staff up with casuals when we’re particularly busy. For each costume, a production manager starts the process, overseeing the budget, sourcing fabric and deciding how much to buy. They also have an eye on the future and will plan if we need to make different sizes of the same costume. They usually have an assistant. There’s also a fabric buyer who will sample different fabrics. For a costume like the Floria Tosca dress, there was a machine embroiderer. A cutter from the production department cut the fabric for the dress and make a toile. So we are up to five to six pairs of hands. There could well be up to ten people involved in creating the dress. In an ideal world, a performer would fit straight into an existing costume we are reviving. We check for any damage, clean it, replace sweat pads. It can take a day or up to one week if we need to replace the organza.’ Floria Tosca’s dress in the costume workshop of the Royal Ballet and Opera, London Elena Stikhina as Floria Tosca in Tosca, The Royal Opera, London. ©2021 ROH. Photograph by Tristram Kenton JOR: ‘In previous centuries clothing was padded, stiffened, and boned, such as in the 16th- and 17th-century portraits we looked at in the National Gallery, which affected the way the wearer moved and held themselves. For performers, presumably comfort and freedom of movement are critical. How do you take that into account when creating costumes, particularly stiff historical dress?’ Jonquil O’Reilly points out a prominent ruff and stiffened stomacher to the group of RBO Young Philanthropists and Young Ambassadors of the National Gallery. ‘They would obliterate the natural form, eradicating any sense of movement and restricting the way the wearer held themselves and moved. It’s such a contrast to the way the Royal Opera House team must address costume, to allow for ease of movement,’ she explains.  AH: ‘Opera and dance are really different beasts. For opera you can corset people — some singers actually like to have something for their diaphragm to push against. Similarly with collars, most singers like them loose, but some like them tight. But no ruffs. And they don’t like hats because the sound can bounce off the brim. Sometimes we drill tiny holes in a felt hat so a performer can still hear correctly. If you see opera singers carrying their hats, it’s because they refuse to wear them for acoustics. Lorenzo Lotto, Portrait of a Woman inspired by Lucretia, c. 1530-33. © The National Gallery, London ‘Sometimes we try and replicate a historical production exactly as it happened in the period. Contemporary performers must understand how to work the costume and present themselves in an elegant fashion while maneuvering around a stage, such as with the white dress from La Traviata . Often you must train performers how to sit in a crinoline, otherwise they pull up at the front!’ Pretty Yende as Violetta Valéry in Richard Eyre’s La Traviata. ©2022 ROH, London. Photograph by Tristram Kenton ‘Costumes affect your movement especially with dance. We’ve had Lycra since the 1970s, so contemporary dancers are used to rehearsing with stretch. If you put them in a tutu, it can be quite restrictive: it’s scratchy, it prevents you getting close to your dance partner and you can’t see your feet in it.’ JOR: ‘That reminds me of the wide skirts of the 16th and 17th centuries, before crinolines, when women’s gowns were stiffened with bents and hazel to create a similar shape — first conical, then drum-shaped farthingales, and eventually panniers and the guardainfante. Part of that was about keeping people at a distance from the wearer. On the one hand, you’re restricting and controlling a woman’s movements, but on the other it gives her a certain power — she’s taking up space, and people can’t get close enough to touch her. Crinoline dress from Richard Eyre’s La Traviata (2022) worn by soprano Pretty Yende as Violetta Valéry. ©2022 ROH. Photograph by Tristram Kenton Yende’s dress in the costume revival workroom, The Royal Ballet and Opera. ©2024 Kirsty McLachlan You would think costume and fashion would be quite similar. But they are really different. — Jonquil O’Reilly Jonquil O’Reilly with costumes from the revivals department of the Royal Ballet and Opera costume workshop ‘In portraits, the sitter projects myriad messages through their clothing — their place in the hierarchy at court, their social status, wealth, political reach and so forth. Amanda, you must start the opposite way, with a blank canvas. How do you create a persona through clothing? What messages do you try to project through costume on the stage?’ AH: ‘The designer will have many conversations with the director about the vision they want to bring to life. You would think costume and fashion would be quite similar, but they’re really different. What looks great close up can fall flat when seen from a distance. But now more and more we are filming the productions, so they also have to look great close up as well. When we’re really lucky, we work with people like Gareth Pugh, who really gets it. His costumes for this season’s production of MADDADDAM are just fantastic. You have to know how to choose the right embellishments to suit the choreography. Kenneth MacMillan’s Romeo and Juliet was first performed sixty years ago. Those costumes from the 1960s are so old fashioned, they’ve come back around.’ Thomas Gainsborough, Mr and Mrs William Hallett (‘The Morning Walk’), 1785. © The National Gallery, London Floria Tosca’s dress from Tosca in the costume workshop of the Royal Ballet and Opera, London JOR: ‘You point out that costume must resonate at a distance on stage. That’s similar to court dress: if you were a duke or duchess, you would need to dress to be seen from afar in a crowd of well-dressed courtiers. You would need the immense luxury of your clothes to be visible, hence the heavy use of gold and dramatic contrasting patterns. For stage, you often use crystals and sequins and embellishments that pick up light. That was important in the Renaissance too. Imagine a candlelit ballroom where many are wearing black or muted tones, and then the duchess comes sweeping in wearing white and gold. AH: ‘I was talking to a soprano who recently performed at a royal event, and she said that in the blacked-out theatre all she could see in the dark was the twinkling of diamonds from the Royal Box.’ Today, we’re thinking a lot more about sustainability and the environmental cost of fashion. Historically, people very much understood the value of clothes. — Jonquil O’Reilly JOR: ‘You often see jewels that have been directly applied to textiles in the Renaissance. Later on, you then start to see broad bands of applied decoration, as these can then be more easily removed and reused. Today we’re thinking a lot more about sustainability and the environmental cost of fashion. Historically, people very much understood the value of clothes. Even at the highest level of society, clothes would be worn until they wore out. They would be gifted to ladies in waiting or to churches and when they wore through, they would be cut up and made into new garments, even repurposed into bible coverings and kneeler cushions. Surviving garments from the 17th and 18th centuries are quite often a bit of a patchwork for this reason. ‘How do you approach the reuse and sustainability of costumes in the revivals department? How do you adapt existing costumes to new productions and new dancers?’ Studio of Peter Paul Rubens, Portrait of the Infanta Isabella, c. 1615. © The National Gallery, London Studio of Peter Paul Rubens, Portrait of the Archduke Albert, c. 1615. © The National Gallery, London AH: Firstly, people change shape. When I first started making costumes for dancers in the 1980s, gym bodies were in and physiques were quite bulky. We noticed a return to that through Covid. We keep all the scraps of fabric and add patches when needed. Dancers are in general bigger today than they were in the 1970s. There’s less of a generic look to the dancers now; there are all shapes and sizes. Often we remove sleeves and mount them onto a Lycra body, so the dancer has full movement. Giovanni Battista Moroni, The Tailor (‘Il Tagliapanni’), 1565-70. © The National Gallery, London JOR: ‘That makes me think of 16th-century doublets and jerkins. Sometimes the sleeves and bodies would be intentionally mismatched, and the bodies would be padded to give a specific silhouette. Armholes would be cut farther back to pull the chest back and make the posture straight. Bodies didn’t need to do the work because the clothes would do the work for them.’ ML Staff. Content/image courtesy of Christies. Click here for the latest Christies auctions

Stella McCartney ’s Pre-Fall 2025 collection reinforces her commitment to sustainable luxury with a mix of modern design and ethical practices. The collection highlights versatile pieces, from tailored separates to fluid dresses, crafted with plant-based leathers and organic fabrics, maintaining McCartney’s eco-conscious focus. The palette combines earthy tones like olive and camel with vibrant accents of electric blue and burgundy. Key elements include oversized trench coats, cropped shearling jackets, and tailored blazers paired with wide-leg trousers and midi skirts. Nature-inspired patterns add subtle flair to structured silhouettes. Sustainability remains central. The collection uses recycled materials, water-saving dyes, and introduces a vegan wool alternative developed in collaboration with sustainable textile innovators. Accessories, including Mylo-based tote bags and stylish crossbody options, complement the footwear range of platform sandals and knee-high boots. Presented in an urban greenhouse setting, the show emphasized the balance between fashion and environmental awareness. The Stella McCartney Pre-Fall 2025 collection is now available for pre-order, showcasing a harmonious blend of style and sustainability. To learn more ,visit: stellamccartney.com By ML staff. Images courtesy of Stella Mccartney.

Join the walking tour of the Miami Design District, to explore the history of the art and architecture that characterize the neighborhood. Visit the outdoor installations and murals including Buckminster Fuller Fly's Eye Dome, Nicole Nomsa Moyo's Pearl Jam, Virgil Abloh’s Dollar a Gallon, Alteronce Gumby's Living the Dream, and more. DATE: Saturday, January 11, 2025 TIME: 11:00AM - 12:00PM ADDRESS: Palm Court 140 NE 39th St Miami FL, 33137 ML Staff. Content/image(s) courtesy of MDD

Chanel ’s Pre-Fall 2025 collection, designed by Virginie Viard, showcases a seamless blend of heritage and modernity. Presented at a historic Parisian venue, the collection highlights the maison’s craftsmanship, luxurious materials, and updated takes on classic silhouettes. Refined Palette and Textures The collection features muted neutrals—black, cream, and gray—enhanced by gold, deep red, and emerald green. Iconic tweeds dominate jackets, skirts, and coats with modern tailoring, while lace, sheer fabrics, metallics, and sequins add sophistication and texture. Versatile Outerwear and Suits Outerwear includes statement coats, embroidered capes, and quilted jackets, paired with wide-leg trousers and midi skirts for day-to-night versatility. Chanel’s signature suits are updated with cropped blazers and high-waisted pants, appealing to both tradition and contemporary tastes. Accessories and Footwear Accessories include quilted handbags in geometric shapes with bold chain details. Footwear ranges from embellished ankle boots to knee-high designs. Jewelry features layered pearls and oversized brooches, adding a vintage-inspired touch. Heritage Meets Innovation The runway setting merged Art Deco and contemporary influences, reflecting the collection’s mix of classic and modern aesthetics. Viard described the collection as “celebrating Chanel’s history while envisioning today’s women—strong, independent, and elegant.” Availability Chanel’s Pre-Fall 2025 collection launches in early 2025, reinforcing the brand’s balance of tradition and innovation in luxury fashion. To learn more visit chanel.com By ML staff. Images courtesy of Chanel.

Pagani Residences redefine high-end living, blending architectural artistry with automotive-inspired design. Each residence is meticulously crafted to embody the exceptional quality and innovation synonymous with the Pagani brand. Residences Highlights These two- to four-bedroom residences, ranging from 2,000 to over 3,000 square feet, feature bespoke designs with fully finished interiors and premium amenities: Expansive Layouts: 11-foot ceilings, ensuite elevators, and spacious terraces. Luxurious Bedrooms: Primary suites with walk-in closets and ensuite bathrooms offering bay views, Noorth bathtubs, and Gessi fixtures. Designer Kitchens: Italian Schiffini kitchens with 10-foot islands, Gaggenau appliances, and a choice of Light Oak, Lino Lacquer, or Bianco Ottico Lacquer finishes. Refined Flooring and Finishes: Options include Listone Giordano Mont Blanc plank, Pagani Chevron, and Ginger Glocal Mirage ceramic tile, complemented by countertops in J’Adore Emerald Quartz, Travertine Stone, or Statuario Marble. Penthouse Living The penthouses elevate luxury further, with grand two-story layouts ranging from 4,843 to 5,669 square feet. Features include: Soaring Heights: 13-foot ceilings and oversized terraces up to 4,400 square feet with panoramic sunrise-to-sunset views. Exclusive Rooftop Amenities: Private pools, hot tubs, summer kitchens, and seamless indoor/outdoor spaces. Customizable Elegance: Tailored finishes for flooring, cabinets, countertops, and closets. A Unique Living Experience Pagani Residences offer more than just homes; they provide a lifestyle of artistry and innovation. Inspired by Pagani hypercars, the residences feature sculptural designs that seamlessly blend beauty, functionality, and individuality. To learn more about Pagani Residences and their unparalleled approach to luxury living, visit www.paganiresidences.com . By ML staff. Images courtesy of pagani Residences.

Benjamin Harris and Nikki Imbrascio with Veteran On Wednesday, November 20, 2024, United Way of Broward County’s MISSION UNITED initiative hosted its annual Operation Turkey Dinner, distributing over 800 Thanksgiving meals to Veterans, Active Military, the National Guard, and Reserve Members residing in Broward County. The event, held at the United Way of Broward County’s Colker Center, ensured that local military families could enjoy a warm, festive holiday meal.   Volunteers from Universal Insurance This annual drive-thru event provided pre-registered participants with meal kits containing everything needed for a Thanksgiving dinner for a family of four, including instant stuffing mix, mashed potatoes, cornbread mix, canned vegetables, pumpkin pie ingredients, and marshmallows. Each box also included a $25 grocery store gift card to assist families in completing their holiday preparations. Military Veteran “Operation Turkey Dinner is a testament to the power of community and gratitude,” said Kathleen Cannon, President/CEO  of United Way of Broward County. “We are deeply committed to supporting our Veterans and military families who have given so much to our nation. Through MISSION UNITED and the generosity of our sponsors and volunteers, we were able to provide a small token of appreciation to ensure these families can celebrate the holiday with a traditional Thanksgiving meal.”   President/CEO of United Way of Broward County Kathleen Cannon and Vice President of UWBC's MISSION UNITED James Heaton The event was made possible through the dedication of volunteers from United Way of Broward County’s MISSION UNITED and the generous support of sponsors, including JM Family Enterprises, 15th Street Fisheries, Nicklaus Children’s Health System, Provenance Health Advisors, Debbie’s Dream Foundation, Bank of America, Enhance Health, Maaco Foundation, and Fisk Electric Company. Their contributions ensured that Veterans and their families could enjoy a holiday meal together in the spirit of gratitude and togetherness. Volunteer from Providence  "This is one of the most meaningful and largest events we host each year," said James Heaton, Vice President of MISSION UNITED at United Way of Broward County. "We are deeply honored to give back to the military community, who have given so much to our country, and help them celebrate Thanksgiving with their loved ones." Tony Hopper, Gloria Ortiz, and Jedidiah Quinones  Gobbles The Turkey MISSION UNITED is a vital initiative of United Way of Broward County that aligns public and private resources to assist U.S. military service members, Veterans, and their families in successfully transitioning to civilian life. The program provides comprehensive support in key areas such as employment services, education, health, legal assistance, financial stability, and housing support. For more information about MISSION UNITED or to learn how to access its programs and resources, please call 954-4-UNITED or visit www.MISSIONUNITEDbroward.org .   About United Way of Broward County United Way of Broward County is a volunteer driven, community-based, non-profit organization serving Broward County for more than 85 years. United Way of Broward County fights for the Health, Education and Financial Prosperity of EVERY person in our community. United Way of Broward County is the catalyst for change and convener of partnerships that unite the hearts, minds, and resources within the Broward community. For more information, visit www.UnitedWayBroward.org .   About United Way of Broward County's MISSION UNITED MISSION UNITED is a critical program supporting US military service members, Veterans and their families in Broward County by helping them acclimate to civilian life. Key focus areas include employment services, education, health, legal assistance, financial stability and housing support. Through MISSION UNITED, United Way of Broward County is aligning existing services and creating solutions where there are gaps in support. For more information about MISSION UNITED, please call 954-4-UNITED or visit www.MISSIONUNITEDbroward.org , Facebook or Twitter. By ML Staff. Images courtesy of Downtown Photo

If you are vacationing somewhere far away from Miami, you may be making plans to make some major moves as well. One of them may be shipping your car from one end of the country to another. We get it - you could drive from one end of the country to another. Yet, what if you are planning to travel abroad and need to ship it where you’re going for the season? We will discuss why shipping your car will matter most to vacationers like yourself. Let’s dive into the details and give you an idea of what to do next. It Saves You Time and Energy If the idea of driving cross-country doesn’t interest you, that’s understandable. Especially if you are vacationing from Miami to other parts of the country. You’ll be able to save yourself time and energy from just driving alone. Not only that, shipping your car will reduce the stress of long-distance driving itself.  Why stress more on vacation resulting in wasting time? It would be ideal for you to consider spending more time doing what you plan on doing whatever the destination might be. A Cost-Effective Options Of course, the cost to ship a car across the country  doesn’t come cheap. Yet, it may be a good idea to shop around for the best shipping service possible. While it might be cheaper as it is to just drive, the costs do add up over time. Therefore, transporters with the best rates (albeit booked in advance) could be your best option in the long-run. Less Wear and Tear Wear and tear  can really take a toll on your vehicle. It can also be accumulated should you make the trip from Miami to an opposite end of the country. Long distances can cause wear on the tires, brakes, and engine - well before the scheduled maintenance ever takes place. Thus, having your vehicle shipped to your destination in pristine condition will be essential and a shipping service will be able to get the job done for you. Despite this, it is still important for you to perform regular maintenance  on your vehicle before you get it shipped. This way, you won’t have to worry about any potential issues getting worse once you are driving at your intended vacation destination. Eases Safety Concerns We don’t blame you for having safety concerns on your mind when thinking about long road trips. Such hazards like potential accidents and poor weather conditions can exacerbate them. Needless to say, shipping your car will give you a chance to ease those safety concerns. That way, you and your family can arrive at your destination through alternative and safer means. Meanwhile, your vehicle will arrive at the destination as well. You can hop in, drive to where you are staying, and have peace of mind knowing you have a plan to get your vehicle to where you are in one piece. It’s Convenient and Flexible for Modern Lifestyles For those who travel seasonally, convenience and flexibility are two things they value a lot. By shipping your vehicle, you’ll be able to adjust your travel plans accordingly. From there, you’ll be able to focus more on the activities that you want to do as opposed to driving long-distances - which is a time-intensive task. The reality is that coordinating with your schedule will be easier with reliable car shipping. You’ll be able to get to the airport to board your flight on time. Plus, the vehicle (be it a Bugatti  or a BMW) will arrive just in time for when you need it most. Final Thoughts The idea of shipping your car may seem like an unconventional option. However, you can be certain of the fact that it can be an excellent way to get your vehicle to your intended destination. The five reasons we’ve listed might be good enough for you to take the necessary actions to find the best shipping service. Your vehicle can be in good condition and ready to roll at your favorite vacation spot. Miami residents who travel seasonally can get good deals by booking early on shipping deals. Which further incentivizes planning ahead for vacations no matter where you go at any time of the year.  By ML staff. Image courtesy of Pexels.

Replacing scratched eyeglass lenses can be quick when you know the right steps. Dealing with scratched lenses can be frustrating when they interfere with your daily life. You'll learn how to swap out damaged lenses to restore your clear vision quickly. Once you've decided to replace your lenses, understanding the process is key to getting it done swiftly. You'll find clear information that guides you through selecting the right options to restore your glasses without unnecessary delays. Microfiber Cleaning Cloth A microfiber cleaning cloth is one of the best ways to keep your glasses clean and clear. These clothes are made to be soft, so they won’t scratch your lenses when you use them. Just be sure the cloth itself is clean before wiping your lenses. Microfiber cloths work well because they trap oils and dust, helping to prevent smears on your glasses. It’s important to wash the clothes regularly. You can hand wash them with a mild detergent and let them air dry, keeping them ready for use. You might need new lenses if your lenses are beyond cleaning due to scratches. This can be done without buying new frames. For a fast solution, consider getting lens replacements. You can easily get your eyeglass lens replacement here  with a few clicks and have them shipped quickly. Keep your microfiber cloths handy and clean to keep your glasses in their best condition, but sometimes, you might need to replace the lenses for truly clear vision. Lens Repair Kit Using a lens repair kit can help you quickly address minor scratches on your glasses. These kits often come with tools like sanding pads and cleaning solutions designed to buff out superficial scratches. Be sure to clean the lenses first before beginning the process. A work lamp can help you see scratches. With most kits, you use progressively finer sanding pads to smooth away the top layer of the lens where the scratches are. Always work in straight lines to prevent making new scratches. However, it's important to know that deep scratches often require lens replacement. While a lens repair kit might help improve appearance, it may not fully remove all damage. Consider more permanent solutions like professional lens replacement if vision is still affected. Keep your lenses clean using a gentle cloth to prevent new scratches. DIY Baking Soda Paste Consider quickly making a simple baking soda paste to address light scratches on your eyeglass lenses. First, gather baking soda and a bit of water. Mix one to two tablespoons of baking soda with warm water until it forms a thick paste. This mixture will help in buffing out minor scratches effectively. Next, apply the paste to your lenses using a cotton ball or a soft microfiber cloth. Gently rub the paste over the scratches in a circular motion. Be sure to use light pressure to prevent further damage to the lens surface. After covering the scratches, rinse the lenses thoroughly with water to remove any paste residue. Finally, dry the lenses carefully with a clean, soft cloth. Repeat the process if necessary, but remember that this method is best for minor scratches. For deeper damage, consider professional repair options. Buffing with Metal Polish If your eyeglass lenses have minor scratches, buffing them with metal polish might help. Choose a low abrasive metal polish to avoid damaging the lenses. Apply a small amount to a soft cloth and gently rub it onto the scratched area. This process may take time, so be patient and use light, consistent pressure. After buffing, use a clean cloth to wipe away any polish residue. It's important to remove all the polish to avoid smudging. To achieve the best clarity, you should clean the lenses with a regular lens cleaner afterward. Keep in mind that this method is most suitable for small scratches. Deep scratches might not be removed entirely using metal polish . In those cases, consider professional lens replacement. Remember that every lens type can react differently, so use caution when trying out this method. Hydrophobic Lens Treatment Hydrophobic lens treatment is a useful solution to keep your eyeglasses clear. This coating forms a thin barrier on the lenses, making them water-resistant. Raindrops and splashes tend to bead up and roll off, which reduces smudges and water spots. When you wear glasses treated with hydrophobic coatings, maintenance becomes easier. You spend less time cleaning your lenses, making them less likely to pick up dirt and grime. This is especially beneficial if you live in a humid or rainy area. A hydrophobic coating can be applied professionally. It's often included during the lens production process. Some products are available for home use, which allows you to add this feature to your existing lenses. Just follow the instructions carefully for the best results. Replacing the Lens If scratched lenses are affecting your vision, replacing them might be necessary. Many eyeglass retailers offer lens replacement services. You can take your glasses to a local store where professionals will help you order new lenses. Online services are also available for replacing lenses. You usually send in your frames, and they will fit new lenses into them. This can be a convenient option if you want to avoid trips to the store. Another option is to contact the eyeglass manufacturer. They often have options to replace lenses, especially if your glasses are under warranty. This way, you might get your lenses replaced for free or at a reduced cost. When choosing replacement lenses, consider improvements like anti-scratch or anti-reflective coatings . These additions can help protect your new lenses from future scratches. Some retailers offer these services at an additional charge, making it a good idea to inquire about the benefits. By selecting the right method to replace your lenses, you can restore your eyeglasses to their best condition. Conclusion Replacing scratched eyeglass lenses doesn't have to be a hassle. Knowing the options available, such as lens replacement or purchasing new glasses, can save time and effort. Consider reaching out to an eye care specialist to evaluate whether your lenses need replacement or repair. They can provide guidance on the best course of action for your specific needs. Take advantage of warranty services if applicable. This could lower costs and provide a quick solution for damaged lenses. Prioritizing care for your glasses can prevent future scratches and keep your vision clear. By ML staff. Image courtesy of Pexels.