Step into the enchanting world of dance with From Studio to Stage: A Dance Journey. At a performance designed especially for families, Miami City Ballet School pre-professional students take the audience on an exciting journey that unlocks the power of storytelling through the magic of dance. Plus, arrive early and enjoy fantastic pre-show activities at Dancing Around the World on the Thomson Plaza for the Arts! 11:30 a.m. | Enjoy local vendors, face painting and a performance by Armour Dance Theatre Noon | Performance by Delou Africa 12:30 p.m. | Performance by Lee Hoon Jung Kung Fu 1:30 p.m. | Miami City Ballet School Pre-Professional Division performance on the main stage Admission to the preshow festivities and performance is free. However, first-access passes are required. Please note: First-access passes expire 15 minutes prior to the performance. First-access passes must be obtained for every member of your party regardless of age. There is a limit of six passes per household. Guests will be let in on a first-come, first-served basis as seats become available. Dates: February 15, 2025 at 1:30 PM Venue: Ziff Ballet Opera House Run Time: 1 hour Parental Guide: All ages By ML Staff. Courtesy of Adrienne Arsht Center for the Performing Arts

Waldorf Astoria Residences Pompano Beach is a luxury oceanfront development located at 1350 South Ocean Boulevard in Pompano Beach, Florida. The 28-story tower offers 92 exclusive residences, featuring two- to four-bedroom layouts with private elevators, expansive balconies, and floor-to-ceiling windows that provide panoramic views of the Atlantic Ocean and Intracoastal Waterway. Luxury Amenities Residents have access to world-class amenities, including: A 20,000-square-foot oceanfront pool deck with private cabanas A state-of-the-art fitness center and wellness spa with treatment rooms Exclusive beach access with dedicated services The signature Waldorf Astoria Peacock Alley lounge A beachside café and entertainment lounge A children’s entertainment center Design and Development The project is developed by Related Group and Merrimac Ventures, with architectural design by Nichols Architects and interior design by BAMO. The residences are designed to reflect Waldorf Astoria’s signature elegance, blending modern luxury with coastal sophistication. Sales and Availability The Waldorf Astoria Residences Pompano Beach Sales Gallery is located at 1213 South Ocean Blvd., Pompano Beach, FL 33062. Interested buyers can contact the sales team at 754.812.3359 for more information. For further details, visit: waldorfastoriaresidencespompanobeach.com. By ML staff. Images courtesy of Waldorf Astoria Residences.

With the announcement of a groundbreaking auction dedicated to AI art, we trace the history, technological advancements, key artists from the established to the new guard, and Christie’s role in shaping the landscape of computational creativity Christie’s New York is proud to announce its inaugural AI art auction, Augmented Intelligence , the first ever artificial intelligence-dedicated sale at a major auction house. Running from 20 February to 5 March with a concurrent exhibition at Christie’s Rockefeller Center galleries, the online sale will include highly sought-after works by AI artists spanning the establishment and new guard, such as Refik Anadol , Claire Silver, Sasha Stiles, Pindar Van Arman, Holly Herndon & Mat Dryhurst, Harold Cohen and more. The sale also showcases a selection of artists from NVIDIA’s AI Art Gallery . ‘AI technology is undoubtedly the future, and its connection to creativity will become increasingly important,’ says Nicole Sales Giles, Christie’s Director of Digital Art. So, what is AI art? In simple terms, artificial intelligence art (AI art) is any form of art that has been created or enhanced with AI tools. Many artists use the term ‘collaboration’ when describing their process with AI. But given the boundless possibilities unlocked by this technology — and in the context of museum-worthy fine art, the arena in which many AI contemporary fine artists are now shown — it’s also prudent to address what quality AI art is not. AI art of this high calibre is not a shortcut to productivity, artistry at warp speed. ‘AI is not a substitute for human creativity. It enhances the human spectrum of creativity,’ says Sales Giles. ‘It’s about employing technology to push what is possible, exploring what is achievable outside of, but not separate from, human agency.’ AI art has emerged as a phenomenon in which artificial intelligence helps wield the brush, compose the melody, even direct the narrative. For example, using tools like DALL-E, Midjourney and Stable Diffusion, creators collaborate with algorithms or create their own neural networks — computational systems based on the human brain that recognise patterns within data sets — to create art that’s as intriguing as it is disruptive. Sasha Stiles (b.1980), WORDS CAN COMMUNICATE BEYOND WORDS, executed in 2024. AI poem sculpture, black matte steel and LED neon lightbox with dimmer and remote control. Diameter: 36 in (91.4 cm). Estimate: $10,000-15,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online The hand of the artist Contrary to how it’s often described, AI is inherently human. ‘Code can be considered a type of craft,’ says Sebastian Sanchez, Christie’s Manager of Digital Art. There are always hands involved in some shape or form, although not necessarily in the traditional sense as with painting or draftsmanship. Engineers program networks, and some artists use pre-existing tools, generating art through refined text prompts. What’s more, the variety of styles within AI art is testimony to the great breadth in character and approach of the artists involved. For example, Singapore-based Niceaunties, an architect by trade, uses AI tools to explore universal themes including aging, liberation, environmental consciousness, beauty and joy. More a narrative storyteller than a ‘techie’ or trained coder, her work has been shown at institutions including the Louisiana Museum of Modern Art in Copenhagen. ‘We are always proud to debut new works and new artists,’ says Sanchez. ‘We gave Niceaunties her debut at a major auction house with us here at Christies, and since then her market has grown steadily and she has been included in important museum shows.’ Niceaunties, 5 Mins To Opening, minted on 16 December 2024. Single-channel video. 00:00:53 seconds. Estimate: $12,000-18,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online For these artists, AI is inherent, integral, essential to their work. Artist Claire Silver notes that she nor AI alone could make her work, which is loosely inspired aesthetically by anime, and that it’s the collaboration which bares the fruit. Poet and artist Sasha Stiles created an alter-ego trained on her poetry, with whom she now collaborates. Stiles’s work Cursive Binary comes to Christie’s as part of Augmented Intelligence . ‘A long time ago, a poem was a method for storing memory,' Stiles shared at Christie’s 2024 Art + Tech Summit in New York. ‘I think about AI as an evolution of our trajectory through this arc of language.’ Claire Silver, daughter, minted on 4 February 2025. PNG (9,260 x 5,190 pixels). Estimate: $40,000-60,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online Creating art history in real time While radically contemporary in many ways, the genesis of AI art and human-machine collaboration as we know it today can be traced back several decades. In the 1960s, Harold Cohen developed AARON, an early AI program that reinterpreted his colorful sketches. Cohen was recently the subject of a major exhibition at the Whitney Museum of American Art in New York in 2024. Charles Csuri, a peer of Cohen who was also experimenting in the 1960s, utilised sine curve functions to distort drawings of faces — often his own. Harold Cohen (1928-2016), Untitled (i23-3758), 1987. Ink on paper. Paper size: 22¼ x 30 in (56.5 x 76.2 cm). Estimate: $10,000-15,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online Pindar Van Arman, who cites Cohen as an inspiration and mentor, began working with robots in 2017 with his Emerging Faces series. The upcoming sale includes a Van Arman work comprising nine unique canvases from this series, which are amongst the first paintings autonomously created by neural networks combined with robotics, a significant milestone in AI-generated art. Charles Csuri (1922 - 2022), Bspline Men, 1966. Ink on paper, IMB 7094 and Cal Comp drum plotter. 30⅞ x 57 ⅝ in (78.4 x 146.4 cm). Estimate: $55,000-65,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online ‘We were exploring AI and blockchain in 2018,’ says Sanchez, noting Christie’s held its inaugural Art + Tech Summit in London that year, at which Christie’s gave away to 300 attendees a card to claim an AI generated nude portrait by the artist Robbie Barrat. At the time, only 36 of these were claimed, as NFT’s had not yet reached mainstream conversation, but several of these went on to fetch six figures. The remaining ones becoming known at the ‘Lost Robbies.’ Now, an Infinite Skull work — a collaboration between Barrat and French painter Ronan Barrot — will be offered as part of Augmented Intelligence. Robbie Barrat (b. 1999) and Ronan Barrot (b.1973), Infinite Skull #21, executed in 2018. UV print on plexiglass. 7 ⅘ x 7 ⅘ in (20 x 20 cm). Estimate: $10,000-15,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online Also in 2018, Christie’s became the first auction house to sell an AI-generated artwork when Portrait of Edmond de Belamy by the collective Obvious realised $432,500. The print on canvas was created using a Generative Adversarial Network (GAN), an AI system widely used between 2016 and 2020. Trained on a vast database of classic paintings, the GAN synthesised new imagery, offering an early glimpse into the potential of neural networks in art. In 2022, AI art experienced a breakthrough into the mainstream when Refik Anadol installed Unsupervised at MoMA , which drew tens of thousands of visitors, captivated by its vast scale and highly dynamic generative motion, and was extended through 2023 due to its popularity. Earlier that year, his groundbreaking work, Living Architecture: Casa Batlló , during Christie’s 21st Century Evening Sale in May for $1,380,000, with a portion of proceeds donated towards causes supporting neurodiverse children and adults. Now, Machine Hallucinations - ISS Dreams , a data set of 1.2 million images captured from the International Space Stations comes to Augmented Intelligence,  continuing Anadol’s distinctive and unique approach. Refik Anadol, Machine Hallucinations - ISS Dreams - A, 2021. Video, AI-driven data painting, custom software. Dimensions variable; 00:16:00 minutes (3,840 x 2,160 pixels). Estimate: $150,000-200,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online In July 2023, Christie’s presented Future Frequencies: Explorations in Generative Art and Fashion in collaboration with Gucci. The sale featured 21 digital works by notable artists such as Claire Silver, Emi Kusano, Emily Xie, William Mapan, Zach Lieberman, Botto, Helena Sarin and DRAUP, amongst others. ‘In 2024, the big trend was AI video,’ says Sanchez, noting tools like OpenAI, Sora and DALL-E. Artists and tools developed together, leading to some of the most hyper-contemporary art of that time. Keke, Golden Breath, (i) Acrylic and oil on linen; 19 7/10 x 23⅗ in (50 × 60 cm). Executed in 2025 (ii) JPEG; 8,000 x 6,613 pixels, minted on 4 February 2025. Estimate: $15,000-20,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online In 2025, AI experts are focussing on AI agents — autonomous systems capable of making independent decisions. Outside of art, these agents are used to automate tasks across a wide range of industries. One work in the upcoming auction is created by Keke, an AI agent that acts as an autonomous artist, creating her own works based on a predetermined logic. AI art is so fascinating, because you see artists bending the technology to their will. They’re putting restraints in place, building parameters and then letting AI run free within those boundaries. — Sebastian Sanchez, Christie’s Digital Art Manager The names to know now Washington-based roboticist Pindar Van Arman is one of the pioneers of AI art, known for his experiments with early versions of bitGANS to create painterly works, notably his Emerging Faces series from 2017. In it, two AI agents work simultaneously on a series of portraits. One uses generative AI to imagine and paint faces; the other stops the process once it recognises the image as a human face. Now very hard to come by, a work that includes nine canvases from the series will be offered in Augmented Intelligence . ‘It’s very humanistic,’ says Sanchez, of the work represented in the permanent collection of the Los Angeles County Museum of Art. The artist attributes his algorithm to conversations he had with Harold Cohen, whom Van Arman calls a ‘pioneer in artificial creativity’. Pindar Van Arman, (b. 1974), Emerging Faces, 2017. Acrylic on canvas. Each: 11 x 14 in (27.9 x 35.6 cm); Overall: 37 x 46 in (93.9 x 116.8 cm). Estimate: $180,000-250,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online British-born Harold Cohen (1928 – 2016) attended the prestigious Slade School of Art in London before moving to California, where in the late 1960s he developed AARON, credited as the first and one of the most complex computer software programs for creating works of art. Following his recent Whitney exhibition, a highly sought-after 1987 work by Cohen’s AARON will be available in Augmented Intelligence. Berlin-based Holly Herndon & Mat Dryhurst, the first digital artists ever to be invited by OpenAI to explore text-to-image prompts via DALL-E, recently opened a solo show at the Serpentine in London. They were commissioned by the Whitney to create the interactive xhairymutantx , the only AI work in the 2024 Whitney Biennale — the very one coming to Christie’s this February. While American Herndon and British Dryhurst are the living, breathing artists behind the work, the character of Holly Herndon also has a perennial internet presence in their often-musical works. Holly Herndon (b. 1980) & Mat Dryhurst (b. 1984), Embedding Study 1 & 2 (from the xhairymutantx series), minted on 5 February 2025. Thermal dye diffusion transfer prints. Each: 47¾ × 71⅝ in. (119 × 180 cm). Embedding Study #1: PNG (1,418 x 2,126 pixels); Embedding Study #2: PNG (1,772 x 2,660 pixels). Estimate: $70,000-90,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online Alexander Reben’s work pushes boundaries of AI and autonomy. As Open AI’s first artist in residence, he trialled an early version of text-to-video tool Sora. The MIT-trained roboticist creates systems that allow artworks to be made almost entirely independently. His latest work, merging generative AI and live performance, will employ a monumental oil painting robot that paints the canvas each time a new bid is placed on the work live during the auction. ‘Even in this example, the work can’t begin without the influence of a human hand making a gesture,’ points out Sanchez. Alexander Reben (b. 1985), Untitled Robot Painting, 2025. Acrylic on canvas. 120 x 144in. Estimate: $100-$1,728,000. Offered in Augmented Intelligence from 20 February to 5 March 2025 at Christie’s Online. Sample generative artwork shown. Constantly evolving While the history of AI art is only just beginning, the density and variety of the field is growing exponentially as the technology evolves. The Augmented Intelligence auction demonstrates this, from robotic creations and interactive works, to text-to-image models, and GANs, and the work of autonomous artists like Keke. Artists collaborate with AI in their art in a myriad of ways — resulting in works that range from paintings to sculptures to video art and more. ‘AI art is about a new collaborative artistic process with technology. Most of the time, just looking at an artwork, you won’t immediately recognize artificial intelligence’ AI art is about a new artistic process, one that happens in collaboration with technology. — Nicole Sales Giles, Christie’s Director of Digital Art A new collector language Collectors are now revisiting early examples, such as the 2017 Van Arman series, which represents one of the first instances of AI-generated art using neural networks and robotics. Online resources have emerged, cataloguing the evolution of AI art and allowing the community to document and define its own artistic history. This social art history is unfolding in real time, still in its nascent stages and yet to be fully captured, but it is steadily beginning to formalise. ‘Everything moves very quickly, and there is a new paradigm every week,’ says Sanchez, who with Sales Giles is surveying the landscape constantly. ‘We’re excited by artists who have done deep research, whose work is grounded, and part of a consistent practice, not a one-off. We’re always looking for something we’ve never seen before.’ ML Staff. Content/image courtesy of Christies. Click here for the latest Christies auctions

In the heart of Miami’s iconic “The Roads” neighborhood, a transformative development is taking shape. Atelier Residences Miami , a luxury mixed-use property by BLDG Ventures , is poised to redefine urban living by seamlessly blending high-end design, cutting-edge technology, and an unparalleled focus on wellness. The Vision Behind Atelier “Atelier Residences Miami embodies our vision for the future of urban living,” says René Bello, Founder & CEO of BLDG Ventures. “Our mission is to redefine luxury for the next generation by seamlessly integrating high-end design and tech, unparalleled wellness amenities, and a commitment to effortless living, all within a vibrant, community-centric environment.” This innovative project is backed by Powered by DMT , leading the sales and marketing efforts with a team of industry veterans, including Erica Sachse and Alyssa Soto. The Residences Atelier offers 148 meticulously designed turnkey residences, ranging from studios to one- and three-bedroom units. These homes are an elegant blend of modern sophistication, convenience, and flexibility, catering to both homeowners and investors. Key features include: Luxury Finishes: High-end built-ins, custom casework, and signature furnishings. Smart Home Capabilities: A.I.-driven personal assistants, blackout shades, in-room safes, and high-speed WiFi. Short-Term Rental Flexibility: Designed to maximize investment potential. Compact Elegance: Units start at mid-$400,000s with sizes averaging 360 square feet. Amenities: A Lifestyle of Indulgence Atelier’s commitment to wellness and luxury is reflected in its over 15,000 square feet of amenities: CAYA (Come As You Are) Wellness Club: A wellness-inspired members’ club offering personalized coaching, hormone balancing, IV nutrient programs, thermal therapy, and advanced fitness training. Spa & Wellness: Luxury spa treatments, regenerative therapies, massage treatments, and skin vitality programs. Lifestyle Facilities: A serene pool and spa, a state-of-the-art fitness center, and an on-site signature restaurant and bar. Location and Design Atelier’s location, where The Roads meets Coral Way, offers an ideal blend of urban convenience and cultural sophistication. Designed in collaboration with Gensler , the world-class architecture is complemented by bespoke interiors crafted by Pfeifer Haus . Residents will enjoy easy access to Miami’s cultural landmarks, upscale shopping, and scenic waterfront views. Breaking Ground on the Future Set to break ground in mid-2025, with an expected completion in mid-2027, Atelier Residences Miami is poised to elevate the standard of luxury living in Miami. For those seeking a seamless blend of wellness, culture, and modern convenience, Atelier is the ultimate destination. For more information, visit ateliermiami.com . ML Staff. Images courtesy of Atelier Residences Miami

Miami’s poker scene is heating up in 2025, with a tournament lineup catering to casual players and seasoned pros. Whether you're looking for a low-stakes game to sharpen your skills or a high-roller event with life-changing payouts, the city’s top poker venues have something for everyone. Prepare to go all-in on thrilling competition, luxury casino settings, and the electric poker atmosphere Miami is known for. Why Miami Is a Poker Hub Miami isn’t just a beachside paradise — it’s a poker powerhouse. With its vibrant casino scene and poker-friendly regulations, the city attracts players worldwide, offering everything from casual cash games to high-stakes tournaments. Unlike some states with stricter gambling laws, Florida has plenty of opportunities for poker enthusiasts to compete legally  and enjoy a variety of game formats. Miami’s luxury lifestyle adds to its appeal as a poker hub because high-stakes players and casual competitors enjoy world-class hotels, fine dining, and an unbeatable nightlife scene when they’re not at the tables. With its competitive action and tropical vibes, Miami has become a must-visit destination for anyone serious about poker. Top Poker Tournaments in Miami 2025 Miami's poker calendar for 2025 is packed with events catering to casual enthusiasts and seasoned professionals. Whether you're looking to enter a high-stakes showdown or a beginner-friendly event, top venues like Seminole Hard Rock and Magic City Casino offer an exciting mix of tournaments. For online qualifiers and warm-up games, BetMGM poker  provides a convenient way to practice and potentially secure entry into major live tournaments. Many players sharpen their skills online before hitting the felt in events like the WPT Seminole Hard Rock Poker Showdown or the Seminole Hard Rock Poker Open. Here's a breakdown of the major tournaments, highlighting their unique features and what players can anticipate. Escalator IX Series Dates: February 5 – March 9, 2025 Location: Seminole Hard Rock Hotel & Casino Hollywood This series offers a variety of events with escalating buy-ins and guarantees, making it suitable for players of all levels. Early events feature modest buy-ins, allowing casual players to compete for substantial prize pools. As the series progresses, the stakes increase, culminating in high-stakes tournaments that attract professional players. WPT Seminole Hard Rock Poker Showdown Dates: March 19 – April 8, 2025 Location: Seminole Hard Rock Hotel & Casino Hollywood A highlight of Miami's poker scene, this series is part of the World Poker Tour and features a range of events, including the prestigious $3,500 Championship starting on April 4. The schedule includes no-limit hold 'em and mixed games, with buy-ins ranging from $400 to $3,500, accommodating casual and professional players.  Seminole Hard Rock Poker Open (SHRPO) Dates: July 30 – August 12, 2025 Location: Seminole Hard Rock Hotel & Casino Hollywood Renowned for its massive guarantees and diverse event lineup, the SHRPO is a must-attend for serious poker players. The series typically features a $5,250 buy-in Championship event with multi-million dollar prize pools, attracting top talent from around the globe. However, it also offers events with lower buy-ins, ensuring there's something for everyone.  Seminole Hard Rock "Rock 'n' Roll" Poker Open (RRPO) Dates: November 19 – December 2, 2025 Location:  Seminole Hard Rock Hotel & Casino Hollywood This series combines the thrill of poker with the vibrant atmosphere of Miami. With various events, including a $3,500 Championship, the RRPO welcomes casual players looking for affordable buy-ins and pros seeking high-stakes action. Differences Between Casual-Friendly and High-Stakes Tournaments Miami's poker tournaments are designed to accommodate a wide range of players. Casual-friendly tournaments typically feature lower buy-ins, ranging from $150 to $600. They provide an excellent opportunity for recreational players to experience the excitement of tournament poker without a significant financial commitment. Structures are generally more forgiving, allowing for a more relaxed pace of play. High-stakes tournaments are aimed at professional players and serious amateurs. They have higher buy-ins, often $3,500 and above, some even exceeding $100,000 — sometimes offering larger prize pools and attracting a more competitive field. The structures are typically more challenging, with faster blind levels and deeper starting stacks, requiring a higher level of skill and experience. Notable Prize Pools and Past Winners Miami's major poker tournaments have a history of impressive prize pools and celebrated champions: 2025 Lucky Hearts Poker Open (LHPO) Championship: Held in January 2025, the $3,500 LHPO finale  boasted a prize pool of over $3.7 million, surpassing its $2 million guarantee. London's Martins Adeniya clinched the title, taking home $512,600.  2024 RRPO Championship: Last year's Rock 'n' Roll Poker Open  saw its $3,500 Championship event draw a substantial field, resulting in a multi-million dollar prize pool. The winner, Dylan Smith, walked away with a significant six-figure sum, highlighting the lucrative opportunities in Miami's poker scene. Tips for Casual Players Entering Their First Tournament Stepping into a poker tournament for the first time can be exciting and nerve-wracking. Whether playing for fun or aiming to make a deep run, a little preparation goes a long way. Here’s how to set yourself up for success. Buy-In Strategies & Bankroll Management Before registering, decide on a tournament that fits your budget. A good rule of thumb is to avoid spending more than 5–10% of your poker bankroll on a single event. Many Miami tournaments offer different buy-in levels, so start with a smaller-stakes event to get comfortable with the structure. If you're unsure, look for satellites (lower-cost qualifiers) that give you a shot at bigger tournaments without a hefty upfront cost. Tournament Etiquette & Pace of Play Poker tournaments move at a different speed than home games, and understanding the flow is key. Stay attentive to the action, act in turn, and avoid excessive delays. Be courteous to dealers and opponents, and remember that tournament poker isn’t just about skill; it’s also about sportsmanship. Lastly, avoid "string betting" (placing chips in separate motions without declaring an amount), as it’s often against the rules. Going All-In on Miami’s Poker Scene Miami’s poker scene offers something for everyone, whether you're a casual player looking for a fun tournament or a seasoned pro chasing big payouts. The city is a prime destination for competitive play with top-tier venues, exciting tournaments, and a poker-friendly atmosphere. If you're planning to enter your first event, innovative bankroll management, understanding tournament etiquette, and preparing for different formats can make all the difference. So, whether you're playing for experience or aiming for a big win, Miami’s poker tables are waiting — are you ready to go all in? By ML Staff. Images/Pexel

It’s really heartbreaking to lose a loved one due to medical negligence. The surviving family members can have legal grounds to file a wrongful death claim if the medical malpractice caused the patient’s death . This action aims to seek compensation for all the damages the family has suffered. Image by Alex Green / Pexels Understanding the legal process of a wrongful death lawsuit can help your family choose your options and hold medical professionals accountable for your loved one’s death. This guide will give you everything you need to know about wrongful death claims caused by medical malpractice. Malpractice and Wrongful Death Medical malpractice happens when a medical provider doesn’t meet the standard of care, leading to serious injuries or the victim’s death. A wrongful death claim is possible when the wrongful act, like medical errors, results in death. You must prove medical malpractice and show that negligence caused the wrongful death. Your   wrongful death lawyer  will assist you in filing medical malpractice claims. Who Should File a Wrongful Death Case? Each state may have laws stating who can file a wrongful death claim. In most cases, these people can file it: The deceased’s children Surviving spouse The parents of a minor victim Talking to a wrongful death attorney before filing can help you determine if you’re eligible and comply with state laws. Proving Medical Malpractice in a Wrongful Death Lawsuit You must show these elements to pursue compensation in a medical malpractice lawsuit: Doctor-Patient Relationship : The medical provider had duties to treat and care for the patient at the time. Breach of Duty : The provider made medical errors or deviated from the medical protocol. Causation : The wrongful act led to death. Damages : The surviving family’s losses include medical expenses and emotional suffering after the wrongful death occurred. Image by Karolina Grabowska / Pexels Common Causes of Medical Malpractice Cases These negligent actions cause medical malpractice that may lead to death: Surgical Errors : These happen when the anesthesiologist, surgeon, or other medical staff makes an error during surgery, including uncontrolled bleeding, nerve damage, or operating on the wrong body part. Misdiagnosis or Delayed Diagnosis : A patient may not get the right and timely treatment when the doctor incorrectly diagnoses their condition or gives a delayed one. These include failure to detect cancer or infection. Medication Errors : Incorrect dosages, allergic reactions, drug interactions, and giving the wrong drug can possibly harm or kill the patient. Birth Injuries : Excessive force during delivery can lead to brain injuries or spinal damage. If the medical provider fails to intervene in gestational diabetes or delays a cesarean section, the mother and child could die together. The mother might bleed a lot, and the child could be deprived of oxygen. Anesthesia Errors : Giving the incorrect dosage of anesthesia can cause a patient’s death. Too much can lead to respiratory failure, while too little can wake the patient up in the middle of the surgery. Medical professionals are expected to follow strict protocols when treating and caring for the patient. Compensation Available in Wrongful Death Cases The victim’s family members are entitled to the following compensation when the medical malpractice leads to death: Economic Damages Medical bills incurred during the victim’s final treatment Burial costs and funeral expenses Loss of financial support from the deceased if they were a working adult Non-Economic Damages The family’s pain and suffering Loss of emotional support and companionship Mental anguish after the loved one’s death The Legal Process of Filing a Wrongful Death Claim You must undergo these key steps in filing a wrongful death claim to give justice to your dead loved one: Determine Eligibility : Assess if you’re eligible to file the claim. If you can’t do it yourself, you can let a personal representative of the deceased’s estate do it. Gather Evidence : You need to gather medical records, accident reports, and other documents to see how the defendant’s actions caused the death and prove liability. Your lawyer can do it for you if you don’t have the time. File the Claim : Submit the legal documents to the court within one to three years from the date of death. The statute of limitations for these claims may vary by state. Negotiate or Litigate : Many cases are settled out of court when the lawyer negotiates with insurance companies. If a fair settlement is impossible, the case goes to trial. Consult an experienced wrongful death attorney to get the best and most appropriate legal representation throughout the entire process. They can guide you on how to get a higher chance of winning the case. Final Thoughts Filing a wrongful death claim because of medical malpractice after losing a family member or a loved one is crucial if you want to seek justice and be at peace. Understanding its process and proving the malpractice through strong evidence can help you get the compensation you deserve. Don’t hesitate to ask for legal assistance from a competent wrongful death attorney  to hold responsible parties accountable for their actions. Their knowledge, skills, and experience make a huge difference to the lawsuit you’re about to file. By ML Staff. Images courtesy of Pexels

Join us at 1 p.m. Sunday, Feb. 16 for a screening of the historical drama "Rosewood," about the 1923 attack by a racist lynch mob on the all-Black prosperous Florida town. ROSEWOOD | 1997 | DIRECTOR: John Singleton | WITH: Ving Rhames, Don Cheadle, Jon Voight, Bruce McGill, Esther Rolle | RUNNING TIME: 2H 20M | RATED R for violence and some sexuality | PROJECTED IN 2K DIGITAL In 1923, a black town in Florida was burned to the ground, its people murdered because of a lie. Some escaped and survived because of the courage and compassion of a few extraordinary people. This film is for them. “Rosewood” was expensive, and there is some question in the industry about what audiences will be drawn to it; it’s not easily summarized in ads and does not obviously appeal to either Blacks (since it documents such a depressing chapter) or whites (depicted as murderous or ineffectual). Perhaps it will appeal to people looking for a well-made film that tells a gripping, important story. Now there’s a notion." - Roger Ebert Tickets are $7.50 price includes service fee) and available at link above. Students use code UMSTUDENT at checkout for free admission. Cane card must be shown at the door. DATE AND TIME : Sunday, February 16, 2025 1pm to 3pm LOCATION: Bill Cosford Cinema, Dooly Memorial 225 By ML Staff. Courtesy of University of Miami

Rosa Clará, the renowned Spanish fashion house celebrated for its exquisite bridal and evening wear, unveils its 2025 Cocktail and Party   Collection. With an emphasis on glamor and sophistication, this collection offers women a   stunning array of gowns for any formal gathering, from weddings and galas to high-profile   celebrations. Showcasing bold silhouettes, vibrant colors and intricate craftsmanship, Rosa   Clará continues its tradition of creating unforgettable pieces that capture both beauty and  confidence.  The 2025 Cocktail and Party collection brings to life a spectrum of styles and silhouettes.   Each gown is crafted to complement individual style, with options ranging from sleek, fitted   designs to flowing, draped ensembles. Highlights include structured gowns with   architectural lines, soft off-the-shoulder styles, asymmetrical one-shoulder cuts and delicate   thin-strapped dresses. With this diversity, the collection offers both timeless elegance and  modern allure, perfect for women who want to make a statement.  Color plays a defining role in the 2025 Cocktail and Party Collection. Jewel tones like deep   teal, vibrant fuchsia and rich emerald evoke a sense of sophistication, while shades of coral,   sage green and fiery red bring energy and boldness to the collection. For a softer look,   mauves and light blues offer a more delicate yet striking option. Each dress is made with   luxurious fabrics, from airy chiffons and flowing satins to richly textured jacquards and  glamorous tulle, adding dimension and refinement to each design.  With the Rosa Clará 2025 Cocktail and Party Collection, every woman is invited to elevate   her look with styles that radiate elegance, confidence and individuality, making any occasion  an unforgettable experience.  “At Rosa Clará, we believe every woman deserves to feel radiant and unique at life’s most memorable events,” says Rosa Clará, founder and creative director. “Our 2025 Cocktail and   Party Collection was designed to celebrate individuality, offering gowns that combine   luxurious craftsmanship with striking colors and silhouettes for an unforgettable look at any  celebration.”  View the full 2025 Cocktail and Party Collection at our website , and get style inspiration by  following @rosa_clara  on Instagram.  By ML staff. Images courtesy of Rosa Clará.

The Florida Road to the Kentucky Derby  begins with the Holy Bull S. (G3), the first of three qualifying races held at Gulfstream Park . Kentucky Derby winners  Go for Gin (1994), Funny Cide (2003), and Barbaro (2006) used it as a stepping stone to the first Saturday in May. Nine other horses who finished in the Derby trifecta also prepped in the Holy Bull. Ferocious breaking his maiden in a romp at Saratoga (Photo by Coglianese Photos) This year’s strong field of seven includes five last-out winners, among them Gulfstream’s Mucho Macho Man S. victor Guns Loaded and He’s Not Joking , a Grade 3 winner around two turns on Woodbine’s synthetic surface . At 9-5 odds on the morning line, Ferocious is the favorite. As a two-year-old in training, he was purchased for $1.3 million. He aced his career debut, winning a maiden special weight at Saratoga by 7 3/4 lengths. Next, he solidified his reputation by placing second in a pair of Grade 1 contests: the Hopeful S. and the Breeders’ Futurity. He did not fire as well in the Breeders’ Cup Juvenile (G1) , his final race as a two-year-old. The dark bay got into traffic and finished fifth. These top-tier races give him the most experience in the Holy Bull field, which is his first race as a sophomore. He is trained by Gustavo Delgado and ridden by Javier Castellano, who teamed up to win the 2023 Kentucky Derby with Mage . Ferocious stretches out in Breeders’ Futurity, Brightwork faces older foes in Thoroughbred Club of America. Ferocious faces several fellow sophomores with momentum. Burnham Square is a colt on the rise offering more value at 5-1 odds. In his first two starts, the gelding finished a close second and third, both times less than one length away from the winner. He broke through in a big way in his third race. Running the 1 1/16 mile distance of the Holy Bull on the Gulfstream track, he pulled away to a nine-length victory. The Holy Bull marks a formidable step up in class for him, and it is also his first start as a three-year-old. Burnham Square is from the barn of trainer Ian Wilkes, who is from Australia. In his first job in American racing, he worked for trainer Carl Nafzger. As an exercise rider for the Hall of Famer, he galloped Unbridled, the 1990 Kentucky Derby winner. As an assistant to Nafzger, Wilkes worked with 2007 Kentucky Derby winner Street Sense. The undercard includes four other stakes races, including the Forward Gal (G3) for fillies, a points race for the Kentucky Oaks . By ML Staff. Content/Image courtesy of Kentucky Derby

Sephora U.S has premiered Faces of Music, a new three-episode docuseries on Hulu, in collaboration with Digitas Pictures and Imagine Documentaries. Directed by Ting Poo, the series explores the strong relationship between beauty and music through the stories of three artists, Chappell Roan, Victoria Monét and Becky G. Each of them shares how makeup and beauty have helped shape their artistic identities, and how they present themselves to the world. Through this behind-the-scenes perspective of their iconic looks, Faces of Music reveals how these artists tap the power of beauty as an outlet for personal and creative expression.   The series resonates with Sephora ’s leadership in promoting diversity and inclusivity in the beauty industry and emphasizes the importance of honoring self-expression. Sephora Chief Marketing Officer Zena Arnold notes that Faces of Music goes well beyond simply products: “We’re exploring how beauty and music help shape the identity and expression of these incredible artists.”  This project builds on Sephora’s efforts to connect with new audiences, notably the Sephora Sounds initiative in support of emerging musical artists.   Streaming now on Hulu, the series is an invitation to discover how music and beauty come together to recount compelling stories of art and self-expression.  ML Staff. Content/image(s) courtesy of LVMH

You are invited to a free screening of "Captain America: Brave New World" with actor Danny Ramirez as The Falcon in attendance!   The screening will take place at 6 p.m. Sunday, Feb. 16. Check-in opens at 4:30 p.m. Please note: This screening is open only to college and university students from around South Florida. You must register using a school email address. School IDs will be checked at the door. Admission is first come, first served. Seating is not guaranteed. A rush line will be available for walk-ins. CAPTAIN AMERICA: BRAVE NEW WORLD | 2025 | DIRECTOR: Julius Onah | WITH: Anthony Mackie, Harrison Ford, Giancarlo Esposito, Danny Ramirez, Liv Tyler, Rosa Salazar, Tim Blake Nelson | RUNNING TIME: 1H 58M | RATED PG-13 for action violence and language | PROJECTION: 4K DCP DATE AND TIME: Sunday, February 16, 2025 4:30pm to 8pm LOCATION: Bill Cosford Cinema, Dooly Memorial 225 By ML Staff. Courtesy of University of Miami

1. You get a couple games like this every season. Both teams down to just about the bare minimum roster requirements that allow for a game to be played. Both sides on a back-to-back, both with something real to play for as they fight for a postseason spot. There’s some beauty in games like these, in players and coaches figuring it out on the fly with what they have available. You just have to look closely to see it at times, because the results on the floor aren’t going to be winning many pageants. Even with Bam Adebayo out for Miami, the most important absences were Dallas’ nearly complete lack of size, all of their centers and center-adjacent options sitting in street clothes. That’s what made this one about the rim for the HEAT as Jaime Jaquez Jr. got things going in the right direction – albeit with slow-rolling offense on both sides – with his typical spinning, shoulders-first drives. Kel’el Ware took advantage, too, no player on the floor able to reach the heights that he could, as he even flashed some ball skills, a fake handoff turning into a dunk right over the top of Kylor Kelly. Miami led, 22-21, after the opening period, Dallas putting together just enough random offense, one-on-one drives from a variety of role players, to stay attached. More of the same in the second, Ware still finishing over the top, the lead exchanging hands with regularity until an eight-point burst from Herro – Dallas’ lack of any size in the paint meant that Herro simply had to get a step on his man to create a relatively clean finish at the cup – pushed Miami back in front, 56-55, by the buzzer. While the HEAT may have had more of their regular talent available, threes, or the lack of them, are always the great equalizer, Dallas gaining the lead back thanks to a few deep ones falling. Good time for Herro to find his range again, two arc attempts from the same spot helping out as his total hit 27. As Dallas’ shotmaking dried up, Herro’s continued, the HEAT suddenly with their biggest cushion of the night, ahead by seven. Dallas still had an answer in them, back up one a couple minutes later after a pick-six turnover. Eventually the home team’s run reached 13-0, Kessler Edwards doing damage from three and in the paint, Dallas now up six. Herro worked some magic to hold the line, Miami down just one going into the fourth. Back-and-forth to open the fourth, Miami putting together enough offense without Herro thanks to Kyle Anderson using his size in the paint. Clutch game, Dallas jumping ahead with just over four to play, then four on a Naji Marshall three after Miami doubled Spencer Dinwiddie and the ball swung around to the weakside corner. It was a 12-0 Dallas run in all, the home group up eight with two and a half to play, the HEAT looking for an answer. They got one from Herro, a four-point play from the left corner to cut the lead in half. That was followed by a tough Duncan Robinson three, the gap now just three. A technical foul on Dallas helped out soon after, but a Herro three from the right corner, his spot, missed and Dallas was back at the line to make it five with just eight seconds left. Robinson missed the three to give Miami a shot, and that was that, Dallas takes it, 118-113, as the All-Star break looms. 2. The way the Mavericks won this game recalled many similar wins from past HEAT teams, players stepping into roles far outsizing what they’re used to, asked to do far more than they’re used to, and finding ways to succeed. Seven players in double figures for Dallas, Dante Exum leading the way with 27 points on 13 shots in just 23 minutes. Having the game of his season, Exum hit a pair of threes but did most of his damage in the paint, deliberately working his way into odd angles and small windows, squeezing through with the ball for 9-of-11 shooting in the middle, 6-of-8 at the rim. Max Christie (19 points on 19 shots) and Spencer Dinwiddie (18 points on 13 shots) added some necessary volume shot creation while Olivier-Maxence Prosper, Kessler Edward and Naji Marshall all filled in the margins with cuts and offensive rebounds. There was a three-point gap, the sort you typically see when the more shorthanded team pulls out a victory, but it was not particularly stark, Dallas hitting just three more from the arc on the same number of attempts. Ultimately, the greatest differential was the one you can’t do much about, Miami making just 65 percent of their 26 free-throws, those nine misses the difference between a loss and, at the very least, a game where they weren’t playing catchup with threes in the final minutes. Credit Dallas the same as we have credited Miami in tough spots like this. They found a way. 3. Had Miami been able to pull this one out, size, and Dallas’ lack of it, would have been the story of the night without question. You start with Herro (40 points on 30 shots after a cool opening shift), driving his way into the paint for 11-of-13 shooting, one of his more prolific outings when it comes to damage in the middle. There was Ware, too, 7-of-10 in the paint, though much of his work was done early as Dallas upped their physicality as the game wore on, a body always on Ware as Dallas guards and wings flew in for rebounds. Anderson, too, used his size to his advantage against Dallas’ switches, slowly working through mismatches for finishes in his comfort zone, his length contributing to some second-chance opportunities along the way. Miami had 16 offensive rebounds for 25 points in all, everything they would have needed. An Offensive Rating of 116.7 would have been enough, too, even without many threes. The issue became the defense, particularly right after Miami’s best moments of the night, Dallas answering with a 13-0 run in the third quarter and a 12-0 run in the middle of the fourth right as the game was slipping away from them. And with the HEAT trailing by multiple possessions in the final minutes they had to rely on the three, Herro and Robinson almost making it work, but the looks remained tough as Dallas took advantage of their size in the way smaller teams do, switching everything on the perimeter to jam Miami up and make those threes contested. By ML Staff. Courtesy of NBA. Words by Couper Moorhead . For Miami HEAT tickets click here .