Amouage expands its Essences collection with Remain, a woody, spicy and ambery fragrance created by perfumer Pierre Negrin. Part of The Essences: Act II - The Geometry of Time, the fragrance explores time through an extended aging process and a 30 percent concentration of perfume oils. Remain undergoes a multi-stage aging process that includes six months of oakwood barrel infusion of bioethanol, six months of infusion with sandalwood chips and an additional two weeks of maceration. According to Amouage, the process is designed to create greater depth and longevity than a traditional Eau de Parfum. The fragrance opens with Hojari frankincense, mandarin, pimento berry and bergamot. At its heart are Madonna lily, ylang-ylang, juniper and jasmine, followed by a base of ambergris, guaiacwood, patchouli, vanilla and tonka bean. Sandalwood and oakwood provide the infusion patina that connects the composition to the collection’s aging process. Vanilla plays a central role in Remain, moving between the fragrance’s spices and florals before settling into a base built around frankincense, sandalwood and woods. The result connects the perfume’s aromatic opening with its warmer ambery foundation. Remain is also presented in the new bottle created for the Essences collection, marking Amouage’s first new bottle design in 15 years. The fragrance is priced at approximately $550 and is available through www.amouage.com By ML Staff. Images courtesy of Amouage.

Henge introduces its new Home Collection, a universe of objects that brings the Italian luxury brand’s distinctive material language into the rituals of everyday living. Encompassing tableware, barware and fragrance, the collection is conceived as an invitation to slow down and experience the table as a place of presence, encounter and ritual. At the center of the collection is Rever, a new tableware series designed by Ugo Cacciatori. Taking its name from the French word rêver, meaning “to dream,” the collection explores the moment when an idea moves from imagination into matter. Rever is defined by pairs of plates in different sizes, including small and large plates, small and large serving plates, and charger plates. Each is offered as a set of two, allowing complementary geometries to interact and create changing compositions. Crisp lines and angled edges are softened by the weight, texture and natural character of stone, balancing architectural precision with a sense of freedom. Three rare French marbles give the collection its distinctive identity: Rouge Languedoc, with its rich character recalling the theatrical interiors of the Grand Trianon in Versailles; Napoléon, whose distinctive stone carries an imperial resonance associated with Northern France; and Gris Cévenol, which introduces a quieter, contemporary expression. Handcrafted in artisan workshops in Carrara, each piece is cut, shaped and sculpted to emphasize the natural movement of the marble veins before being finely polished or bush-hammered. The contrast between refined and raw surfaces reveals the craftsmanship behind each object, while changing light continually alters the appearance of the stone. The result is a collection in which the form is carefully designed, while the surface remains subject to nature. No two pieces are exactly alike. The material dialogue continues with hand-blown Murano glass, produced using the traditional sommerso technique, in which a layer of colored glass is enclosed within transparent glass to create a luminous, suspended effect. Tumblers, wine glasses, a water carafe, decanter and whisky sets are mouth-blown into wooden moulds, then hand-ground, polished and individually signed through sandblasting. A distinctive Citrine hue, developed exclusively for the collection and inspired by the warm golden tones of citrine quartz, brings together the transparency of glass and the solidity of stone. The Home Collection also introduces Ripple, designed by Yabu Pushelberg. Forged in Sand Cast BB Silver or Sand Cast Gold, the trays transform a traditionally flat and functional object into a series of fluid, organic forms. Available in three sizes, Ripple explores biomorphic shapes that appear almost to have been formed by movement, creating objects that can be arranged together as fragments of a larger visual story. With Rever and Ripple, Henge extends its philosophy beyond furniture into the objects that surround everyday rituals. Stone, glass and metal become expressions of craftsmanship, materiality and contemporary design, bringing the brand's distinctive aesthetic to the table and into the home. Henge in Miami Henge's presence in Miami reflects the brand's growing international reach and its long-standing connection to the city's design community. The company's Miami flagship is located in the Miami Design District, in a 350-square-meter space conceived as a design atelier where Henge's furniture, objects and materials can be experienced in person. The showroom brings together the brand's signature pieces and newest creations, with an interior defined by contrasts, natural materials and handcrafted Italian details. The Henge Miami showroom is located at 4141 NE 2nd Avenue, Suite 99, Miami, FL. It is open Tuesday through Friday from 10 a.m. to 6 p.m., with Saturday through Monday available by appointment. Henge Miami: 4141 NE 2nd Avenue, Suite 99Miami, FL 33137 Hours: Tuesday–Friday, 10 a.m.–6 p.m. Saturday–Monday, by appointment Phone: +1 305 546 0646 Email: info@hengemiami.com Instagram: @henge__official Website: henge07.com By ML Staff. Photos/HENGE

Meet Eugenia Di Girolamo, an architect and urban planner appointed General Manager of Pininfarina of America to guide the firm’s next chapter across the hemisphere. Founded in Turin in 1930, Pininfarina is a storied Italian design house celebrated for sculpting automotive icons like the Ferrari Testarossa before translating its vision into luxury architecture and industrial design. Her leadership is defined by a civic perspective shaped in public service, including senior tenures with the New York City Department of City Planning and as Chief Urban Designer for Denver. Rather than viewing design through isolated objects, she evaluates projects by how they connect with the wider urban fabric, ensuring that form directly enriches everyday human experience. That holistic approach is already leaving an imprint on South Florida. Through residential landmarks like Fort Lauderdale's Andare Residences and Collection Sei in South Florida, Pininfarina of America pairs Italian design heritage with regional context. Working closely with creative leaders Paolo Trevisan and Samuele Sordi, Di Girolamo is expanding this cross-disciplinary vision beyond conventional architecture, exploring compact living with Airstream and advancing resilient solutions for coastal environments. Raised along the Mediterranean, Di Girolamo developed an early affinity for waterfront cities and the spontaneous encounters fostered by historic porticoes during her student years in Bologna. Outside of professional commitments, she favors open-ended exploration over rigid itineraries. She is just as likely to spend an afternoon at a sidewalk café observing the street's natural rhythm as she is to scout independent art spaces in Miami's Little River. In this exclusive interview with Miami Living, Di Girolamo discusses what it takes to remain nimble in leadership and why genuine luxury is defined by emotional resonance rather than square footage. She also reflects on the civic duty of architecture, detailing how Pininfarina continues to craft spaces that honor both their Italian lineage and the communities they call home. Miami Living (ML): Was there an early experience that inspired you to become an architect? Eugenia Di Girolamo: Traveling with my parents as a child was probably my earliest introduction to architecture and design. I had the opportunity to visit different cities across Europe and experience how people lived in different places. I was fascinated by how much everyday life could change from one city to another, or even from one neighborhood to the next. I began noticing how streets, public spaces, buildings and the relationships between them shaped the way people interacted, moved around and experienced their communities. Every place had its own character, rhythm and way of life, and I became curious about what made those differences possible. Looking back, I think those experiences sparked my interest in architecture and eventually urban design. What fascinated me wasn't just the buildings themselves, but the relationship between the built environment and the people who inhabit it and how design can influence the way we live and connect with one another. Royale Design by Pininfarina, Asunción, Paraguay ML: What did your work in public service and urban planning teach you about design that you bring to Pininfarina? Eugenia Di Girolamo: Working in public service profoundly shaped my understanding of the responsibility that comes with design. At the New York City Department of City Planning, and later as Chief Urban Designer for the City and County of Denver, I worked on projects where design decisions had implications far beyond the boundaries of an individual site. They affected public spaces, mobility, housing and the everyday lives of people with very different needs. That experience taught me to approach design at multiple scales and to consider not only the quality of the physical environment, but also its social, cultural and economic impact. It’s a perspective I bring to Pininfarina. Whether we’re designing a residence, a product or a public space, I believe the most meaningful work begins with understanding people and context. Beauty and innovation are essential, but their value ultimately lies in the experiences they enable and the positive impact they can create. Arkhaus' Villa 50 ML: What attracted you to Pininfarina, and what are your priorities for your first year leading the Americas? Eugenia Di Girolamo: What attracted me to Pininfarina is its extraordinary ability to bring together disciplines that are often treated separately: design, engineering, technology, craftsmanship and human experience. Pininfarina has spent nearly a century shaping some of the most iconic expressions of automotive design, but what I find particularly exciting is how that design intelligence translates into architecture, product design, mobility and nautical design. There is an incredible opportunity to build on this heritage while exploring what Pininfarina can become in its next century. My priority is to strengthen our presence across the Americas, particularly in the United States, by developing deeper relationships with clients, expanding our work across disciplines and bringing greater visibility to the breadth of our capabilities. I’m also interested in making New York a stronger center for design dialogue, partnerships and innovation, complementing our established presence in Miami. Ultimately, I want Pininfarina to be recognized not only for its remarkable design legacy, but for its ability to help shape the future of the field. ML: How will your urban design background complement the work of Paolo Trevisan and Samuele Sordi as you shape Pininfarina’s next chapter? Eugenia Di Girolamo: Paolo and Samuele bring exceptional design expertise and a deep understanding of Pininfarina’s creative culture. I see my contribution as complementary to theirs. My background has taught me to look at design through a broader lens: the relationship between buildings and cities, between products and the way people live, and between individual projects and the larger economic, cultural and environmental forces shaping our future. That perspective is especially valuable in an organization like Pininfarina, where disciplines have enormous potential to inform one another. I’m interested in creating even more opportunities for collaboration across our architecture and product design teams, connecting their work with our clients in the mobility and technology spaces and the evolving needs of who we design for. My role is to create the conditions in which their ideas can have an even greater reach and impact. ML: You have taught at Cornell and YACademy. What have younger designers taught you about your own approach to design? Eugenia Di Girolamo: Teaching has always been an opportunity for me to learn as much as to share what I know. Younger designers often approach problems with an openness that is both refreshing and challenging. They’re less constrained by established conventions and more willing to question why things are done a certain way. They also bring a heightened awareness of issues such as environmental responsibility, social equity and the role of technology in shaping our lives. What I’ve learned from them is the importance of remaining curious and being willing to challenge your own assumptions. As we become more experienced, we develop judgment and expertise, but we can also become attached to familiar ways of thinking. Working with students reminds me that creativity requires a certain willingness to be uncomfortable, to experiment and to accept that the most interesting answers aren’t always the most obvious ones. We must stay nimble (my favorite word), create a new future that doesn’t exist today. I think that’s an important lesson in design and in leadership. Collection Sei Design by Pininfarina, South Florida, USA ML: With projects such as Andare Residences and Collection Sei in South Florida, how can luxury residential design better respond to the way people live today? Eugenia Di Girolamo: I think the definition of luxury is evolving. It’s becoming less about excess and more about quality of life, personal experience and the emotional connection we develop with the spaces we inhabit. People don’t simply buy square footage; they are looking for a feeling, an experience and a place that reflects who they are. For me, great residential design begins with the fundamentals: proportion, natural light, comfort and a thoughtful relationship with the surrounding environment. But it’s also about what I like to think of as the choreography of everyday life: the experience of arriving home, the way spaces unfold, the transition between indoors and outdoors, or how a shared amenity becomes a natural extension of one’s home. Projects such as Andare Residences and Collection Sei offer different expressions of this philosophy, bringing architecture, interiors, technology and lifestyle together into a coherent experience. At Pininfarina, we approach this through three principles: Beauty, Technology and Impact. Beauty creates an emotional connection, technology helps improve performance and comfort, and impact ensures that what we design creates enduring value. True luxury, ultimately, is about how a place makes you feel and how effortlessly it supports your life. Andare Residences Design by Pininfarina, Fort Lauderdale, USA ML: How should luxury developments contribute to the neighborhoods and communities around them? Eugenia Di Girolamo: I believe every building has a responsibility to the city, regardless of its price point or who occupies it. A luxury development may be privately owned, but it is also part of a shared urban environment. The way it meets the street, contributes to the public realm, responds to its surroundings and supports the neighborhood can have an impact far beyond its residents. Having worked in urban planning, I’m particularly interested in what happens at the ground level of a building. Does it create an inviting pedestrian experience? Does it contribute to the character of the street? Does it respond to the climate and landscape? Does it add something meaningful to the life of the neighborhood? Luxury and civic responsibility should not be seen as competing ideas. In fact, I think the most successful developments are those that create exceptional private experiences while also contributing positively to the places around them. Architecture has the capacity to create both individual value and collective value. We should aspire to do both. Manta Design by Pininfarina, Alagoas, Brazil ML: How do you preserve Pininfarina’s Italian design identity while reflecting the character of places as diverse as South Florida, Brazil’s Coral Coast, and Belém? Eugenia Di Girolamo: I don’t see our Italian identity and the local character of a place as opposing forces. They are complementary. Pininfarina’s Italian heritage isn’t about reproducing a particular architectural style. It’s rooted in a design philosophy: elegance, proportion, innovation, precision and an appreciation for beauty that transcends passing trends. Those principles provide a consistent foundation, but every project must respond to its own environment. In South Florida, the relationship between architecture, water, light and outdoor living is fundamental. Along Brazil’s Coral Coast, the extraordinary natural landscape calls for a particularly sensitive approach to the relationship between the built and natural environments. In Belém, the region’s cultural identity, tropical climate and connection to the Amazon offer an entirely different source of inspiration. Our process begins with understanding these conditions and not only climate, materials and landscape, but also how people live and what makes a place distinctive. We want our projects to tell a story that belongs to their location. The objective isn’t to bring Italian architecture to different parts of the world. It’s to create architecture that feels genuinely rooted in its place while remaining unmistakably Pininfarina. Argos Nautic's F330 Design by Pininfarina AC Future's AI Transformer Home ML: What does the Airstream collaboration reveal about the future of travel and small-space living? Eugenia Di Girolamo: Our collaboration with Airstream is still at an early stage, so there are details we’re not yet ready to share. But I think it speaks to a fascinating intersection between mobility, design and human experience. At Pininfarina, we’re accustomed to designing environments where space is precious: from automobiles and yachts to aviation interiors. These projects require enormous discipline. Every element must have a purpose, and comfort depends as much on intelligent planning and thoughtful details as it does on the amount of space available. I think we’re increasingly questioning the assumption that a better experience necessarily requires more space or more possessions. The future of travel and compact living may be about designing environments that offer greater flexibility, freedom and connection to the world around us without sacrificing comfort or beauty. There’s something very compelling about the idea that design can give us more freedom with less. Andare Residences Deck, Fort Lauderdale, USA ML: In coastal communities like South Florida, what should never be compromised when designing for sustainability and long-term resilience? Eugenia Di Girolamo: The safety, well-being and long-term quality of life of the people who inhabit a place should never be compromised. In coastal environments, resilience cannot be an afterthought or simply a technical requirement addressed toward the end of the design process. It has to inform the earliest decisions, from site planning and building orientation to material selection, environmental systems and the relationship between architecture and the landscape. We need to design for the realities of rising temperatures, flooding, severe weather and the long-term durability of buildings. But I also believe resilience should be understood more broadly. A truly sustainable building must remain functional, adaptable and desirable over time. It should respond to changing needs and continue to contribute positively to its surroundings. At Pininfarina, performance and beauty have always been closely connected. I think the next frontier is bringing that same philosophy to buildings that are not only beautiful today, but capable of performing responsibly for generations. ML: You emphasize the emotional connection people form with design. Is there a place or object that has stayed with you, and why? Eugenia Di Girolamo: One place that comes to mind is Bologna, where I studied architecture and engineering. What has always stayed with me is the way the city’s streets, porticoes and public spaces create such a rich relationship between architecture and everyday life. There is a generosity to those spaces. They make room for encounters, conversations and the ordinary rituals that give a city its identity. It’s not structured or prescribed; it just happens organically. What I find remarkable is that the emotional connection isn’t necessarily created by a single monumental building. It comes from the experience of moving through the city, the way light changes throughout the day, the sense of enclosure and openness, and the presence of other people. The buildings are the backdrop for the life that happens in the in between. That has always influenced my understanding of design. The places we remember most vividly are often those where we felt something meaningful, even if we can’t immediately explain why. It’s about the memories we create with others or in the absence of others and the emotional connection to a place. I think the same is true of a beautifully designed object. Its value goes beyond its appearance or function; it becomes part of our personal experience and memory. Miami Beach Bus Shelter ML: When you explore a city outside of work, what catches your eye? Is there somewhere in Miami you would like to get to know better? Eugenia Di Girolamo: I love exploring cities without a particular agenda, allowing myself to get lost and discover what makes each neighborhood unique. Art is a big part of that for me. In New York, I love wandering through galleries, from the Lower East Side to Chelsea and uptown. And whenever I'm in Miami for Art Basel, I try to discover new artists and galleries beyond the fairs. But I'm equally fascinated by everyday life. It may be a very Italian thing, but I can happily spend an afternoon sitting at a café, watching people go by. I'm also naturally drawn to water. I grew up by the Mediterranean Sea, and I've always felt a strong connection to coastal cities like Miami, Rio de Janeiro and New York. There's something fascinating about the boundary where the city meets the water, and the different ways people experience it. In Miami, I'd love to explore Little River more deeply. I'm intrigued by its growing community of independent galleries, artists and creative spaces, but also by the neighborhood's evolving identity. I'm interested in discovering the places where art, culture and everyday life intersect, because that's often where you find the true character of a city. CONTACT INFORMATION Pininfarina of America 501 Brickell Key Drive, Suite 200 Miami, FL 33131 +1 305 424 1653 america@pininfarina.com www.pininfarina.it By ML Staff / Photos courtesy of Pininfarina

Miami City Ballet has introduced a limited-time Black Friday Preview sale that offers 30% off select tickets for performances in its 2026/27 season. The promotion runs online only through Sunday, November 8 at 11:59 p.m. EST and is activated with the promo code CANTWAIT. The discount is available on eligible seats above $45, with a limit of four tickets per order and availability varying by zone and performance. Featured productions in the offer include George Balanchine’s The Nutcracker, Alice’s Adventures in Wonderland, the mixed program Icons & Innovators, and Alexei Ratmansky’s Swan Lake, with performances scheduled in Miami, Fort Lauderdale, and West Palm across the 2026/27 season. Miami City Ballet is the primary authorized ticket seller for these performances, with additional purchasing options available through partner venues Arsht Center, Broward Center, and Kravis Center. More details are available online. By ML. Photo(s)/Miami City Ballet

GOLDLAW, a personal injury law firm with offices in West Palm Beach, Port St. Lucie and Belle Glade, Florida, is proud to once again be named a Regional Tier 3 firm in West Palm Beach for Personal Injury Litigation ― Plaintiffs by Best Law Firms®. Founded by Craig Goldenfarb, Esq., GOLDLAW has become one of the most trusted personal injury firms in Florida. The firm represents clients in cases involving car accidents, truck accidents, slip-and-falls, wrongful death, sexual assault, negligent security, medical malpractice, nursing home abuse, or any other incident where someone's negligence causes another person to be injured or killed. “We are proud to once again be included among the firms recognized by Best Law Firms,” said Craig Goldenfarb, Esq., CEO and founder of GOLDLAW. “Recognition built on client and peer feedback is especially meaningful, and it strengthens our commitment to serving injury victims across Florida with integrity and skill.” The 17th edition of Best Law Firms, independently produced by Best Lawyers, continues to set the standard for excellence in the legal industry. Serving as a trusted benchmark, it provides a comprehensive guide to the top-performing firms across 127 jurisdictional practice areas, 75 national practice areas, and 188 metro areas. The 2027 rankings incorporate 30 million evaluations of more than 134,001 individual leading lawyers from more than 25,136 firms. Established in 2009, Best Law Firms relies on industry-vetted research methodology, analyzing the incoming feedback of clients, lawyers and firm leaders, along with firmographic details supplied by the firms themselves. Firms are eligible for Best Law Firms consideration after receiving individual professional recognition in The Best Lawyers in America®. This year’s rankings reflect an ongoing commitment to thorough and unbiased research. The Best Lawyers® team conducted a meticulous review process, gathering evaluations and valuable data from leading attorneys and clients nationwide. By incorporating peer reviews, client feedback, leadership interviews and firm-submitted data, Best Lawyers® have created a robust and reliable ranking system that spotlights firms demonstrating consistency and excellence in client services and professional integrity. The 2027 Best Law Firms rankings can be seen in their entirety at bestlawfirms.com. By ML Staff. Photo/GOLDLAW

Chart a course through the night sky to Disney On Ice presents Magic in the Stars where every story begins with a wish! This production brings the brightest Disney stars to life through cutting-edge figure skating, high-flying acrobatics, unexpected stunts, innovative lighting, thrilling special effects, eye-catching costumes, and stunning set designs. Experience the dynamic moments that take place on the ice and in the air when Disney On Ice presents Magic in the Stars visits Amerant Bank Arena from March 18-21 and Watsco Center from April 8-11, 2027. Disney On Ice Preferred Customers can purchase advance tickets starting today to get the best seats available before tickets go on-sale to the public on Tuesday, November 10. Fans can still sign up to become a Disney On Ice Preferred Customer and get exclusive access to the pre-sale offer code. Join Disney On Ice presents Magic in the Stars for a magical journey with Mickey, Minnie, Goofy, Donald, and Daisy through timeless tales and today’s favorites. The adventure begins when the North Star shines brightly and descends upon Jiminy Cricket as he welcomes and reminds the audience that the most fantastic, magical things can happen, and it all starts with a wish. Pursue your dreams with Tiana, from The Princess and the Frog, as she strives to make her wish of opening a restaurant come true. Discover the power of three wishes with Aladdin when he finds a magic lamp in the Cave of Wonders. Reminisce with Cinderella, Snow White, Belle, and Rapunzel as they remind us to never stop wishing and dreaming. Watch as Raya from Raya and the Last Dragon ascends into the air, lifting the show to higher heights as the strong warrior performs an aerial acro-pole routine. Then journey to Rosas, the kingdom of wishes, to meet optimistic and sharp-witted Asha. She makes an impassioned plea to the stars, which is answered by a cosmic force, a little ball of boundless energy named Star. Together they face the most formidable of foes to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen. Escape “Into the Unknown” with Elsa and Anna from Frozen 2, hit the road with Disney and Pixar’s Lightning McQueen and Tow Mater as they cruise on the ice to “Life Is A Highway,” and reconnect with Toy Story’s Buzz Lightyear, Woody, Jessie, Rex, and Hamm. Travel to the mountains of Colombia where the Madrigal family lives, unlock the magic in the family’s casita, and discover why “We Don’t Talk About Bruno.” Set sail with Moana on her canoe into the open ocean, to witness her encourage Te Kā to “Know Who You Are” and transform into Te Fiti. In the end, audiences will learn that everyone has dreams they want to come true, but the brightest light shines inside of YOU! Every one of you is a STAR! So, shine bright and let your stories light up the night sky! Sunrise WHEN: Thursday, March 18, 7:00 PMFriday, March 19, 7:00 PM Saturday, March 20, 11:00 AM, 3:00 PM & 7:00 PM Sunday, March 21, 12:00 PM & 4:00 PM WHERE: Amerant Bank Arena - 1 Panther Pkwy, Sunrise, FL 33323 TICKETS: Family friendly ticket pricing available – tickets can be purchased online at SeatGeek.com or in-person at the venue Box Office *Ticket pricing is subject to change based on market demand. WHEN: Thursday, April 8, 7:00 PM Friday, April 9, 7:00 PM Saturday, April 10, 11:00 AM, 3:00 PM & 7:00 PM Sunday, April 11, 12:00 PM & 4:00 PM Miami WHERE: Watsco Center - 1245 Dauer Dr., Miami, FL 33146 TICKETS: Family friendly ticket pricing available – tickets can be purchased online at Ticketmaster.com or in-person at the venue Box Office *Ticket pricing is subject to change based on market demand. By ML Staff. Photos/Disney on Ice

Get ready for the ultimate family day out at the one and only Monster Jam®, celebrating its 35th anniversary, at loanDepot park from January 30-31, 2027. Be loud, cheer hard and watch these Monster Jam trucks do the impossible as they take over Miami for a weekend packed with stunts, smiles, and jaw-dropping skills. With awesome trucks, amazing stunts, big air, and action-packed excitement, it’s the definition of fun for everyone! This isn’t just any event – it’s unexpected, unscripted, and unforgettable, where 12,000-pound trucks stand on two wheels and fly through the air in competitions of speed and skill. It’s all happening at Monster Jam, where your outside voice is allowed, and every big moment comes with an even bigger smile! Get Your Tickets Before They’re Gone! Tickets are on sale now at MLB.Tickets.com. Monster Jam Preferred Customers get the first chance to snag the best seats; fans can still sign up for free to grab an exclusive pre-sale code. The general public can purchase tickets starting Tuesday, September 22. Miami Debut of All-New “World’s Fastest” Monster Jam Truck! Monster Jam’s newest competitive truck, Power Rush™, will be making its debut Miami appearance at loanDepot park —designed with race-inspired speed, precision, and handling in mind. The truck features an all-new custom body—unlike anything Monster Jam has built before, with race-inspired contours and aero-style elements. Power Rush was unveiled to fans on the world stage at the iconic Indianapolis Motor Speedway during Indy 500 qualifying week—where driver Camden Murphy took the track successfully setting a new Monster Truck World Speed Record topping out at 103 MPH! Check out the unveiling of Power Rush here. Feel the Thrill of Full-Throttle Fun Get ready for big-time entertainment as Miami roars to life with gravity-defying stunts, heart-pounding races, and plenty of big air! The world’s best drivers tear up the dirt as they battle for the Event Championship in three competitions: Racing, Skills, and everyone’s favorite, Freestyle, where Monster Jam trucks defy the laws of physics and do the impossible. Fans will be right in the middle of the action, helping to crown the Event Champion as they get to score the drivers in real time based on their skills, stunts, and saves. Start the Fun Early at the Monster Jam Pit Party® and the Monster Jam Trackside Experience The day of fun starts at the Monster Jam Pit Party® on Saturday - your first stop for smiles, selfies with the trucks, high-fives and autographs from drivers, and family-friendly activities. It’s the perfect way to start a day of adrenaline-charged fun, plus get an insider’s look at how these 12,000-pound trucks are built to stand up to the competition. And there’s no better way to get ready for the action than Monster Jam Trackside, happening about an hour before the event. It’s packed with driver interviews, pit crew sneak peeks, and epic giveaways that’ll get everyone pumped up before the action begins. Meet the Superstars of Monster Jam! These aren’t just any drivers - they’re world-class male and female athletes who have mastered controlling these 12,000-pound beasts. Whether pulling off insane backflips, nailing vertical 2-wheel tricks, or tearing up the track in all-out racing, these drivers are ready to wow fans with the most mind-blowing live motorsports action around. The competition is fierce as 12 top drivers battle it out for the Stadium Championship Series East title and a coveted spot in the Monster Jam World Finals® in Indianapolis on July 4th weekend. You’ll be on the edge of your seat watching the world’s most popular trucks and drivers like Adam Anderson in the legendary Grave Digger®, celebrating its 45th anniversary in 2027; Power RushÔ, inspired by open-wheel racing and built with speed, balance, and precision at its core driven by Camden Murphy; the 6-ton unicorn with a bold attitude, Sparkle Smash® driven by Kayla Blood; reigning Monster Jam World Finals Freestyle champion Tristan England behind the wheel of JCB DIGatronä; and more tear up the dirt. You can’t get this kind of wow just anywhere! WHEN: Saturday, January 30, 2027 Event Time - 5:00 PM Pit Party open from 12:30 PM-03:30 PM (Saturday 5pm Event Ticket & Pit Party Pass required for entry) Sunday, January 31, 2027 Event Time - 3:00 PM WHERE: loanDepot park - 501 Marlins Way, Miami, FL 33125 TICKETS: Gravity-defying action, down-to-earth prices! Tickets and Pit Passes will be available for purchase online at MLB.Tickets.com or in-person at the venue box office *Ticket prices subject to change – additional venue/ticketing fees may apply TRUCK & DRIVER LINEUP: Grave Digger® driven by Adam Anderson; Sparkle Smash® driven by Kayla Blood; Power Rush ä driven by Camden Murphy; JCB DIGatronä driven by Tristan England; Lucas Stabilizerä driven by Cynthia Gauthier; El Toro Loco® driven by Jamey Garner; TBA® driven by Bryce Kenny; Megalodon® driven by Dalton Widner; Earth Shaker® driven by Gary Schott, Jr.; Wild Side driven by Zack Garner; Vendetta driven by Mike Christensen; and Shell Shock’ed driven by Tim Hall, Jr. **Truck and driver line-up subject to change By ML Staff. Photo/Monster Jam

Hilton Miami Beach, a new 289-room hotel anticipated to open in early 2027, will bring Hilton Hotels & Resorts signature global hospitality to Miami Beach’s Museum Historic District. The property will unite five historic buildings dating from 1938 to 1953 spanning nearly an entire city block, preserving the architectural character of the original structures and celebrating the history behind the iconic destination. Once opened, guests will experience contemporary accommodations, multiple destination inspired dining concepts, three swimming pools and energizing indoor and outdoor gathering spaces. Located at 2000 Park Ave., the hotellives in the heart of the city center, within walking distance of the Miami Beach Convention Center, the iconic Collins Avenue, Ocean Drive and Lincoln Road. The five historic buildings trace Miami Beach’s architectural evolution from Streamline Moderne to postwar Miami Modern (MiMo) design. Among them is the original Collins Park Hotel, designed by architect Henry Hohauser and completed in 1939, distinguished by its curved glass entrance pavilion, chevron detailing, rounded corners and its original “2000” address feature. During World War II, the building served as military housing for the U.S. Army Air Forces Technical Training Command. The collection also includes the former Adams Hotel, designed by L. Murray Dixon in 1938, featuring a stepped tower, ribbon windows and a futuristic rooftop lantern, and the Tyler Hotel, designed by Albert Anis in 1940, featuring sculptural bas-relief panels, dramatic vertical elements and a distinctive dual-lobby configuration. Rounding out the collection are the former Copley Terrace Apartments, designed by Dixon in 1938; the S&M Apartments, completed in 1948 and later known as Sunking II; and the Lord Charles and Gamshire buildings, designed by Anis in 1953 as an architectural pair. Following years of vacancy and a devastating fire in 2012, the restoration will reconnect these buildings while preserving their individual architectural identities. Together, the buildings will create a new home base for experiencing Miami Beach that pairs the character of the destination with genuine hospitality, thoughtful design and a wide array of experiences and on-site amenities that Hilton Hotels & Resorts is known for. “Few hotels offer guests the opportunity to experience nearly 90 years of architectural history in one property,” said Bruce Siegel, vice president of operations and general manager of Hilton Miami Beach. “We’ve preserved the architectural details that make these structures unique while introducing a new place to dine, connect and gather whether traveling for business or leisure. From modern amenities, rooftop pools and communal spaces to the hotel’s connection to Miami Beach’s culture, Hilton Miami Beach will offer a stay that will bring fresh energy to the neighborhood.” Throughout the property, the design will balance a sense of place with public spaces designed to reflect the energy and distinctive character of Miami Beach. Drawing from Miami Beach’s art deco and midcentury architecture, the hotel’s interiors will incorporate a palette of soft pinks and greens, polished metals, rounded forms and geometric patterns. Public spaces will reference the city’s historic cafés and diners through contemporary furnishings and sculptural details, while lush greenery and open-air gathering areas will reflect Miami Beach’s tropical setting. The hotel’s accommodations will provide a comfortable retreat after a day of exploring Miami Beach, and will include custom furnishings, plush Serta beds, premium bedding, 65-inch flat-screen TVs and Crabtree & Evelyn bath amenities. Select rooms will offer private balconies or terraces, while junior suites and larger suites will provide additional living space. The property will feature three swimming pools, including a ground-level pool set within a landscaped courtyard and two rooftop pools, a 24-hour fitness center equipped with a Peloton bike, complimentary bicycle rentals, a signature welcome drink upon arrival, high-speed Wi-Fi, concierge services and beach access with loungers and towels. Dining will be central to the experience with offerings that will include a signature restaurant featuring coastal cuisine, a casual café offering specialty coffee and grab-and-go fare, room service and a rooftop bar serving cocktails and light bites. An on-site market will provide additional refreshments and snacks. Hilton Miami Beach will also offer a collection of rooftop and outdoor event spaces designed for corporate gatherings, networking receptions, private celebrations and social events of every size. Hilton Miami Beach will be a part of Hilton Honors, the award-winning guest loyalty program for Hilton's 28 world-class brands. Hilton Honors members who book directly through preferred Hilton channels receive access to instant benefits, including a flexible payment slider that allows members to choose nearly any combination of Points and money to book a stay, an exclusive member discount and free standard Wi-Fi. Members also have access to contactless technology exclusively through the industry-leading Hilton Honors mobile app, where Hilton Honors members can check-in, choose their room and access their room using Digital Key. For more information, visit www.hilton.com/miamibeach. To learn more about Hilton Hotels & Resorts, visit stories.hilton.com. By ML Staff. Photos/Hilton

Feeding South Florida – the leading hunger-relief organization in South Florida – announces its intent to participate in the Afterschool Meals Program, a subcomponent of the Child Care Food Program at GIFT-Ed Enrichment Center at Windermere Community Center, located at 1818 NW 54th Terrace, Lauderhill, FL 33313. The Afterschool Meals Program is designed primarily to provide nutritious snacks and/or meals to children in participating afterschool programs. Snacks and/or meals will be available at no separate charge to children attending the sites listed below, regardless of race, color, national origin, sex, age, or disability. Feeding South Florida’s mission is to end hunger in South Florida by providing immediate access to nutritious food, leading hunger and poverty advocacy efforts, and transforming lives through innovative programming and education. For additional information about the Afterschool Meals Program, please contact: Feeding South Florida, Attention: Adriana Moncada, Children’s Programs Manager, 2501 SW 32 Terrace, Pembroke Park, FL 33023, 954-518-1818 x123, amoncada@feedingsouthflorida.org. Feeding South Florida is a member of the Feeding America network and is the leading hunger-relief organization serving Palm Beach, Broward, Miami-Dade, and Monroe Counties. Providing support for more than 25 percent of the state’s food-insecure population, its mission is to end hunger in South Florida by providing immediate access to nutritious food, leading hunger and poverty advocacy efforts, and transforming lives through innovative programming and education. Feeding South Florida serves over 1.7 million unique individuals through direct-service programs and a local network of more than 350 nonprofit and community partners. Visit www.feedingsouthflorida.org or call 954-518-1818. In accordance with federal civil rights law and USDA civil rights regulations and policies, the USDA, its agencies, offices, employees, and institutions participating in or administering USDA programs are prohibited from discriminating based on race, color, national origin, religion, sex, disability, age, marital status, family/parental status, income derived from a public assistance program, political beliefs, or reprisal or retaliation for prior civil rights activity, in any program or activity conducted or funded by USDA (not all bases apply to all programs). Remedies and complaint filing deadlines vary by program or incident. Persons with disabilities who require alternative means of communication for program information (e.g., Braille, large print, audiotape, American Sign Language, etc.) should contact the state or local agency that administers the program or contact USDA through the Telecommunications Relay Service at 711 (voice and TTY). Additionally, program information may be made available in languages other than English. To file a program discrimination complaint, complete the USDA Program Discrimination Complaint Form, AD-3027, found online at How to File a Program Discrimination Complaint and at any USDA office or write a letter addressed to USDA and provide in the letter all of the information requested in the form. To request a copy of the complaint form, call 866) 632-9992. Submit your completed form or letter to USDA by: Mail: U.S. Department of Agriculture, Office of the Assistant Secretary for Civil Rights, 1400 Independence Avenue, SW, Mail Stop 9410, Washington, D.C. 20250-9410; Fax: (202) 690-7442; or Email: program.intake@usda.gov. By ML Staff. Photo/Feeding South Florida

R House Wynwood is proving otherwise with the launch of its new 1-2-3 Happy Hour on Friday, November 13, bringing deliciously good deals to one of the city's liveliest dining destinations. With $1 wings, $2 oysters, $3 bites and discounted drinks, the restaurant is giving Miamians plenty of reasons to clock out early and make a beeline for Wynwood. Available Wednesday through Sunday from 4 to 7 p.m., the new menu makes happy hour math refreshingly simple: $1 Wings tossed in sweet chili sauce and sesame seeds, $2 Oysters and a lineup of $3 bites, including Chicharrón, Spinach & Kale Empanadas and Green Pea Falafel. Guests can also dig into R House happy hour classics like Truffle Parmesan Fries, Loaded Guacamole and the Lionel Messi-inspired Mila-Messi Sandwich. The savings are pouring over into the cocktail menu, too. Sip your way through $4 Corona, $5 White Claw, $6 well drinks and select wines, along with half-priced cocktails ranging from $7 to $9. Standouts include the refreshing Romeo Spritz, the colorful La Reina Margarita, and the award-winning Mojito Coqueto. Cocktail pitchers are also available for $25, while zero-proof options like the Smoky Mango Margarita serve all the flavor without the buzz. And the deals aren't taking a day off midweek. R House is keeping its beloved Buns Out Wednesday alive with two-for-one Basic B** Burgers, while Thursdays bring 10 complimentary wings with the purchase of your first cocktail pitcher. Why call it a night when the show is just getting started? R House is now opening its full dinner kitchen at 5 p.m., an hour and a half earlier than before, giving guests the perfect excuse to turn a quick happy hour into a full-blown night out. Come Friday, the evening gets a little more fabulous as the restaurant's iconic drag show takes center stage at 8 p.m. By ML Staff. Photo Credits: R House Wynwood

There’s something refreshingly different about Matthew McConaughey. Maybe it’s his unmistakable Texas accent, his relaxed personality, or the feeling that he would be just as comfortable sitting around a campfire as walking the red carpet at the Oscars. Matthew McConaughey at arrivals for INTERSTELLAR Premiere, AMC Loews Lincoln Square IMAX, New York, NY November 3, 2014. Photo By: Kristin Callahan/Everett Collection — Photo by everett225, Depositphotos But behind that easygoing image is a man who has made some surprisingly bold decisions. He has turned down enormous Hollywood paychecks, traveled through remote parts of Africa with little more than a backpack, and built a foundation dedicated to helping young people discover their potential. And perhaps the most interesting thing about McConaughey is that, despite becoming one of the world's most recognizable actors, he has always seemed more interested in experiencing life than simply enjoying the privileges of celebrity. A Texas Childhood and an Unexpected Career Born in Uvalde, Texas, on November 4, 1969, Matthew David McConaughey grew up in a family full of personality. His father, Jim, operated an oil pipe supply business and had once been drafted by the Green Bay Packers. His mother, Kay, was a kindergarten teacher. McConaughey initially considered becoming a lawyer. But while studying at the University of Texas at Austin, he changed direction and pursued film instead. His big break came almost by accident. A chance meeting with casting director Don Phillips at an Austin hotel bar led to an opportunity in Richard Linklater's Dazed and Confused (1993). His character, David Wooderson, delivered the now-famous line “alright, alright, alright,” which became a permanent part of McConaughey's identity. Hollywood quickly took notice. A Time to Kill, Contact, and Amistad established him as a serious actor, while romantic comedies such as The Wedding Planner and How to Lose a Guy in 10 Days made him an international star. But success brought an unexpected problem: Hollywood had decided exactly who Matthew McConaughey was supposed to be. The Courage to Walk Away From $14.5 Million By the late 2000s, McConaughey was earning millions playing charming leading men. Yet he wanted something different. Rather than continue accepting similar roles, he stepped away from romantic comedies, even as lucrative offers continued arriving. In a 2025 interview on The Diary of a CEO podcast, he recalled receiving an $8 million offer for an action comedy. After declining it, the producers returned with increasingly generous proposals: $10 million, $12 million, and eventually $14.5 million. At that point, he admitted, the money was tempting. “I said, ‘Let me read that again,’” he recalled. But he ultimately turned it down. The decision wasn't easy. McConaughey retreated to his Texas ranch, uncertain whether Hollywood would ever offer him the dramatic roles he wanted. As he explained in a 2021 interview with AARP, “I may never work in Hollywood again.” For roughly 20 months, his acting career slowed dramatically. Eventually, directors began seeing him differently. His performances in The Lincoln Lawyer, Mud, and Magic Mike marked a remarkable reinvention. Then came Dallas Buyers Club (2013), for which he lost nearly 50 pounds to portray Ron Woodroof, a Texas man fighting for access to HIV treatments. The performance earned him the Academy Award for Best Actor. His work in True Detective and Christopher Nolan's Interstellar further established his dramatic range. It was an extraordinary transformation, but perhaps not surprising for someone who had already demonstrated a willingness to leave his comfort zone. LOS ANGELES - OCT 26: Camila Alves McConaughey, Matthew McConaughey at the "Interstellar" Premiere at the TCL Chinese Theater on October 26, 2014 in Los Angeles, CA. Photo by Jean_Nelson, Depositphotos The African Adventure That Changed His Perspective One of the most fascinating chapters of McConaughey's life happened far from Hollywood, in Mali, West Africa. While filming Reign of Fire in Ireland in 2001, McConaughey discovered the music of Malian musician Ali Farka Touré. Deeply moved by what he heard, he decided to travel to Mali to find the musician. Instead of arranging a glamorous celebrity getaway, he packed a backpack and headed into unfamiliar territory. With the help of a local guide, he traveled along the Niger River to the village of Niafunké, where he eventually met Touré. They shared a meal and listened to music together before McConaughey continued his journey through remote communities and desert landscapes. The trip became something much more personal than a search for a musician. In a 2013 NPR interview, McConaughey recalled finding Touré in Niafunké and explained that the musician was the reason he had traveled to Africa in the first place. Years later, speaking on Danica Patrick's Pretty Intense podcast, he described what Mali meant to him: “Because that's the place I felt more at home than anywhere I've ever felt.” He returned to Mali years later, reconnecting with his guide and revisiting communities from his earlier adventure. What makes the experience remarkable isn't simply the destination. It's the willingness to travel without the usual comforts, embrace uncertainty, and trust people he had never met. For someone living in a world driven by fame, contracts, and expectations, the experience offered a different perspective on what makes life meaningful. Family, Florida, and Life Beyond the Spotlight McConaughey met Brazilian-born Camila Alves in 2006, and the couple married in Austin in June 2012. They have three children and have built a life in Texas while pursuing business and philanthropic projects together. South Florida has occasionally been part of their story. In August 2006, McConaughey was photographed enjoying the ocean in South Beach, during the height of his romantic-comedy fame. In June 2012, just a week after their own wedding, Matthew and Camila attended model Ginta Lapina's wedding at Acqualina Resort & Spa in Sunny Isles Beach. He was photographed in Miami again in January 2024, although the purpose of that visit was not publicly established. And in November 2025, Matthew and Camila served as ceremonial godparents at the christening of Princess Cruises' Star Princess in Fort Lauderdale, where a bottle of their Pantalones Organic Tequila was used in the celebration. The Foundation Inspired by His Father's Death Perhaps one of McConaughey's most meaningful accomplishments has nothing to do with movies. He and Camila established the just keep livin Foundation, a nonprofit dedicated to helping high school students lead healthier, more confident lives. The name has a deeply personal origin. McConaughey's father died in 1992, around the time the actor was beginning his career. During that difficult period, the words “just keep livin” became a guiding philosophy. Today, the foundation operates after-school fitness and wellness programs at 52 schools and sites across 23 American cities, serving more than 3,500 students annually. The programs go beyond exercise. They encourage nutrition, teamwork, gratitude, community service, and personal responsibility, while providing young people with a supportive environment after school. It's an especially meaningful mission for McConaughey, who understands how much a young person's direction can change when someone offers encouragement and opportunity. Matthew McConaughey at arrivals for GHOSTS OF GIRLFRIENDS PAST Premiere, Grauman's Chinese Theater, Hollywood, CA April 27, 2009. Photo By: Dee Cercone/Everett Collection — Photo by everett225, Depositphotos Still Curious About What Comes Next McConaughey's interests continue to evolve. His memoir Greenlights, published in 2020, became a bestseller, offering readers stories and reflections from his unconventional life. He followed it with the children's book Just Because and, in 2025, Poems & Prayers. He has also taught film students at the University of Texas, become involved with Austin FC, and continued acting in projects including the 2025 survival drama The Lost Bus. Yet what makes his story compelling isn't the number of awards, movies, or business ventures attached to his name. It's the choices he has made along the way. From a young Texan uncertain about his future to an actor willing to reinvent his career, from a backpacking adventure through Mali to a foundation helping thousands of students, McConaughey has repeatedly chosen curiosity over predictability. And perhaps that's the best way to understand the man behind the famous smile and familiar drawl. He doesn't seem particularly interested in following a conventional Hollywood script. He would rather write his own. By ML Staff.

Natural stone veneer adds lasting character to both residential and commercial builds - but sourcing it from the wrong supplier can stall a project, inflate material costs, or leave contractors with inconsistent stone batches that don't match across phases. For the best natural stone veneer suppliers for construction projects in Canada, the five options below represent a strong cross-section of what the Canadian market provides in 2026, from coast-to-coast distributors to specialized regional installers. 1. I-XL Best for: Architects, builders, and masonry contractors needing a full-service national supplier Ideal customer: General contractors and design professionals working on mid-to-large residential or commercial builds Standout feature: Six design centres across Canada paired with an independent dealer network spanning every province I-XL Building Products has been supplying Canadian construction professionals since 1912, which means their supply chain, product knowledge, and dealer relationships are genuinely deep. Headquartered in Surrey, British Columbia, they operate design centers in Vancouver, Calgary, Edmonton, Saskatoon, Winnipeg, and Toronto - making it practical for contractors to see and touch materials before specifying them. Their natural stone veneer catalogue sits alongside full brick, thin brick, and metal siding, so a project team can pull multiple cladding systems from a single account. On larger builds, that matters; coordinating separate suppliers adds overhead and slows decisions. Architects and interior designers benefit from the design center model, where technical staff walk clients through product selection and installation system compatibility. And because a national dealer network backs the providing, product access isn't limited to the six main cities. 2. Will-Stone Best for: Residential renovation and custom stone installation in the GTA, Barrie, and Simcoe County Ideal customer: Homeowners and general contractors needing a skilled installation team alongside the stonework Standout feature: 5.0 Google rating across 200-plus completed projects; fully licensed, insured, and WSIB covered Will-Stone operates as a tile and stone installation company rather than a product distributor, which makes them a different kind of resource. Their value is in the hands-on work - custom shower builds, stone veneer feature walls, exterior stone facades, and architectural finishes in natural stone, porcelain, and ceramic. Lead contractor Denys gets named repeatedly in client testimonials for his transparency around costs, clear communication when challenges arise, and close attention to detail. Named accountability like that is rare in the trades. His projects span Toronto, Vaughan, and Barrie, with recent work covering modern architectural panel facades and brick veneer exteriors. Free on-site estimates are available across their full service area. Pricing isn't published anywhere; every quote gets built around the specific project. For contractors who need installation skill as much as they need materials, Will-Stone fills a gap that product-only suppliers simply can't. 3. Stone ROX Best for: Builders and contractors across multiple Canadian provinces needing manufactured and natural stone veneer Ideal customer: Residential developers and renovation contractors looking for Canadian-made, lightweight cladding with long warranty coverage Standout feature: 50-year product warranty when installed correctly; 20-plus years in operation; national dealer network StoneRox is a privately owned Canadian manufacturer based in Stouffville, Ontario. Their product range covers manufactured stone veneer, natural stone veneer panels, screw-on stone siding, thin brick, and installation accessories - all produced domestically and marketed on their lightweight, durable characteristics. The company's 50-year warranty sits among the longer coverage commitments in the category, applying when products are installed according to their guidelines. They serve Ontario, British Columbia, Manitoba, Saskatchewan, Nova Scotia, New Brunswick, Newfoundland, and Prince Edward Island through local dealers. Two Member of the Year awards from the Greater Toronto Home Builders/UDI Association (2006 and 2007), plus the Building Land Development Association's Manufacturer/Supplier of the Year in 2019, point to a track record that predates most of their current competitors. Pricing runs through their dealer network rather than directly from the company. Contractors and builders can find their nearest dealer through the "where to buy" section on the StoneRox website. 4. Art of Stone Best for: Homeowners and contractors in the Newmarket and Greater Toronto area seeking supply plus professional installation Ideal customer: Clients wanting in-store consultation and a single team to handle material selection through to finished installation Standout feature: Master-level installation paired with natural stone, manufactured veneer, thin brick, and quartz surfaces under one roof Art of Stone, based in Newmarket, Ontario, positions itself around the full project experience rather than product volume. Their catalogue includes natural stone veneers, manufactured stone veneers, thin brick for interior and exterior applications, full bed stone veneers, and quartz countertop surfaces - with the quartz side covering laser measuring, CNC fabrication, delivery, and installation. In-store consultation is central to how they operate. Customers come in to select materials with staff guidance, which cuts down on specification errors before installation starts. Matthew and Doug show up frequently in reviews for their craftsmanship and project management. With 40 Google reviews at an "EXCELLENT" rating, feedback leans heavily toward installation quality and communication rather than price alone, though at least one reviewer noted they actually found better pricing there than anywhere else they'd looked. Project examples include stone fireplace installations and full stone wall features serving as focal points in living spaces. Year of founding and team size aren't publicly disclosed. 5. ERTH Coverings Best for: Design-forward residential projects and renovators prioritizing environmental credentials and premium product quality Ideal customer: Home builders and renovators working on projects where design impact, LEED points, and product endorsement carry weight Standout feature: Lifetime warranty; 42-point checklist per unit; 100% post-industrial-waste material in panels; first company to introduce natural stone veneer panels to Canada ERTH Coverings was founded in 2002 in Vaughan, Ontario, and holds the distinction of introducing natural stone veneer panels to the Canadian market. That's a meaningful piece of category history. Over the following two decades, they've built out a North American distribution presence while keeping their team small - two to ten employees - which shows up in the product-focused rather than volume-focused nature of the business. The 42-point checklist applied from raw materials through to packaging is the kind of process detail that matters to builders who've dealt with colour inconsistency across batches. Their use of 100% post-industrial-waste material in panels also qualifies builders and renovators for additional points toward LEED Certification, which is a concrete advantage on commercial projects with environmental requirements. Endorsements from Scott McGillivray of Income Property and the teams behind Candice Tells All and Love It or List It add consumer-facing credibility. Pricing isn't listed publicly. Stone veneer suppliers that Canadian builders trust The five companies here don't all serve the same kind of project. Some are manufacturers with national reach; others are installation-focused specialists working within a defined region. What they share is a track record inside Canada's construction and renovation sector, product lines suited to the country's climate, and service models that match how Canadian builders actually source materials and plan builds. Picking the right supplier for your project type The honest starting point is knowing what you need from a supplier. A large commercial project - one with phased material deliveries, a design team to satisfy, and a tight installation schedule - calls for national distribution, product consistency across high volumes, and real technical support. A residential renovation might be better served by a local specialist who can handle both supply and installation under a single contract. Warranty terms are worth reading carefully. A 50-year warranty from StoneRox and a lifetime warranty from ERTH Coverings are meaningfully different commitments, and both come with installation conditions attached. Contractors should verify those conditions before specifying either product to a client. Regional availability matters too. Not every supplier ships everywhere, and not every installer travels beyond their service area. So matching the supplier to the project location is part of the evaluation, not an afterthought. Bottom Line Project teams should match the supplier type to the scope of the work. The right fit depends on what the project actually requires. By ML Staff